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EXHIBITION OF FEMALE ARTISTS. 57
Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
Additionally, when viewing full transcripts, extracted text may not be in the same order as the original document.
Riori We Ty Must Of The Offer Presen Our...
earlier exhibitions distressed and distracted the eye is no longer to be seen-while the frantic pre-Raphaelite attempts of the same date
rule have s of given , art p and lace the to representation soberer efforts of more nature in consonance . The subject with s , too the _,,
health are more y and var vi ie g d orous , and , ; if _landscajDes we may be and allowed still life the rep expression lacing the , some more
what sentimental subjects of former years . Among the painters of flowers and fruits , of whora there d are fi many ,
Emma "Walter stands pre-eminent for freshness , vigor , anne sense niums of color birds . She ' -nests paints and fruits amove of , which delights we in have her five roses contributions and gera- ,
each more , or less charming , and , all , with one exception , faithful to nature . Apple Blossom and Nest ( 149 ) is the exception ; the
backto first but ground the the requisite most foliage represents refined in is a those — hy exotic what bri who d b ? this etween the copy law tang nature fern is led inexorable and , stems and asp from are aragus ; however like the . those meanest Fidelity sli of ght g is weed orse and the ,
nature hasty the and sketch character , the of conscientious what he represents artist never . Miss fails Walter to indicate ' s pictures the
drew generally are her so im faithful ination to what or memor she sees for , the that back we - half ground suspect which she is y
thus discordant upon with ag the usual quality of her work . Madame de and Comolera so thickl has y two varnished pictures , that in oil they , of flowers have aH and the fruit appearance , so low in of tone old stiffness of
p tiful arrangement ictures specimen —an . effect of ( 96 hi ) not g Fleurs h finish a little -porcelai and heig delicacy htened n , by th b of y same mani a certain pulation lady , is . a beau Miss of
bli H . ht Harrison and disease has a singularl and altogether y sickly stud unp y leasant of grapes . , Miss , suggestive Margaret g , and Harr dog ison violets gives us B a efore charming quitting representaion the still life of subject Spring swe —primroses must not
omit to mention . two studies in pastel , by Olive Newcomen , . Spirited and Dead forcible Game throug is to the hout , the life Sk and ye we terrier expect ' s head to hear in the ( 253 short ) Study sharp of very
bark with whi , ch these beautiful , little animals greet the approachcan of strangers paint such and living defend animals their belong , why ings does . she When so strong Olive ly Newcomen affect the Bartholo
mew dead , ? is Our not old happy friend in in her the contributions world of art . , Mrs The . Valentine Pet of the Family - p ( 118 lane ) which must find disp it lays very him difficult to ; his to audience keep his , after place the on fashion the inclined of a
fine salmon on the sloped shop-board of a fishmonger . In landis p scape ictures the , most France in oil leasing s , of Stodd which both art ( 37 in is ) subject the MiU most Cauld and ambitious treatment on the Ericlit . . She Miss , Perthshire has Stoddart three ,
p has mand an over eye her for the material picturesque but ther , and e is has a acquired spotty character considerable in all com she - ;
does whichis not to be found in nature , nor in the works of our ,
Exhibition Of Female Artists. 57
EXHIBITION OF FEMALE ARTISTS . 57
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Citation
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English Woman’s Journal (1858-1864), March 1, 1861, page 57, in the Nineteenth-Century Serials Edition (2008; 2018) ncse.ac.uk/periodicals/ewj/issues/ewj_01031861/page/57/
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