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GALLERY OF ILLTJSTBIOUS ITALIAN WOMEN. 1...
Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
Additionally, when viewing full transcripts, extracted text may not be in the same order as the original document.
Ii.—Female Artists. By An Italian.
Micliel Angelo . Tliese two successive forms of art reflect two reli religions ion ; in both Asia , eaine deifie from d Asia nature , the mo the ther manifestations of all religions of . But the
subj g ective , and hence the free determination , of the ideal became impossible cribed b . tlie In fact pries , tl Asia caste tic art the never depository went beyond and the interpreter limits pre of
remained reli s gious y petrified symbol . in In Pantheism y Asia , art , . , as It was well reserved as political for the instit Western utions , ht to from the
bo world eternal th ; to in The circle a break word Greek , to , the distinguish to was affir charm the m . , the first God to cause subjective to from t the houg I , am the Universe individual and emerge Greece , and conscious man was from the - ness say
first . revealer of art . Roman art was , the mere , reproduction and the imi anity tation Pantheon , leavening , because gave wi th hosp it its ics i sp table forme iritualism welcome d the sole the to r Roman eli all g gods ion of world . civilization Rom From , spran e ; Christi in fact the - ,
second epoch of art , hand in hand with , modern , and Ital If y we was compare the artist . Apollo with the dying Chris distinction t , Venus with betwe , the
nature Virg Greek the in lig and a become t the Chris of foot th tian a of divine art the , . cross immuta Apollo , we ble see represen living external the great ts in tne beauty perpe ligh tual t , a power in Ol t ymp ellec en of ic t ,
redeem serenity . the Christ fallen is nature divine of person man spiri , t , moulding ual force it becoming by sorrow human , agony to , t
i and t triump blood hant y sweat throug , subordinating h martyrdom the flesh p to t to God mini the . sp Venus t , and , nude leasure leading and
eleva the perfec Madonna ted t , is to the the is rank dei the fica of apotheosis tion the mother f w of oman maternity of , God he . , In for Greek s in er her civilization , woman p is , ; worldin Christian
civiliza man It must sa t ys ion " be , man I borne am , says " in in " rela mind I am tion , , " h to o in w the ever re th lation , objective that t to is each t himself is t reli realise ; . gion contains
E i onl t con y h t adop n of ains the the ts in g believer erm t t simp th ger e l m y that ideal as all which a th w means hich e ne the w of direc e word ar rendering tions of the of o h teaching obvious uman , just to t priest ivi the t as y .
senses fails adorn all products to men convey t of of th . human e ( 2 t ) Therefore intelli leand gence form , art , ser , part v s cienc bu of t f the , indus the liturgy decora try— . in tion In short this and ,
father diate first period , tutelage during , socie of the t reli y emp minorit is gion still , . in Reli of its h g ion childhood chi re l p dren resen , , and t s s the ocie under the t y p , resen just arti the st imme as tat the the ive
o f usician the famil , th y . scul Hence ptor , , the relig poet ion , is the the ph architect ysician , , the magist , rate , parietibus ( 2 ) Pictura videndo in eoolesiis legant adhilbetur legere , in co & icibus qjui litteras non valent neschmt . Opera saltern 8 anoti in
Gregorii Papce I ., Vol . I . _quee 9 _jp . 1006 .
YOU . II . K
Gallery Of Illtjstbious Italian Women. 1...
_GALLERY OF ILLTJSTBIOUS ITALIAN WOMEN . 161
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Citation
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English Woman’s Journal (1858-1864), Nov. 1, 1858, page 161, in the Nineteenth-Century Serials Edition (2008; 2018) ncse.ac.uk/periodicals/ewj/issues/ewj_01111858/page/17/
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