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162 GALLERY OF ILLUSTRIOUS ITALIAN WOMEN...
Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
Additionally, when viewing full transcripts, extracted text may not be in the same order as the original document.
Ii.—Female Artists. By An Italian.
individual the theolog feels ian . himself But when a man society , capable lias of come thinking of age , and when working each le
vidual with freely him and existence spontaneousl art , which ( 3 ) y now Thus , he first conies the subjective by forth his from means fall the of attains ideas temp and , an bearing senti indi - -
consecrates ments imbibed itself from . to the the new cultivation religious , in revelation the _^ external , believing world , ' but , of free the ,
artist new germ , following s of civilization his own boundless contained ideal which insp in irati the is on reli s , g seek ious in s symbol in his nature thoug . The ht tho
and type when which he shall has embod conquered y the the extrinsic difficulties floating of art , and the ; perfection , of form corresponds to the idea realised in its integrit its ideal y , in then art
possible has reached form its , declines zenith , and and after gropes having in darkness , waiting the every dawn of the successive ideal . the culmi
And here let us note another fact , which signalises - nating source of period inspiration of art . , the The common common tie reli of gious brotherhood faith is . the The common work
of artists is at the same time individual and collective , that is to art say , social These . Consequentl artistic associations y this period are is recorded an epoch in of history association under in
the . denomination of schools . Greek art had its school ; so also had Italian art . These schools were the various modes in which into works of art
the Graduall artist conceived as the ideal the ideal faded , — and that translated is to say it , as religious faith . declined— y , these associations were dissolvedand only individuals
, remained . Art was reduced to the artist , no longer the priest and interpreter it life of motion his age and , because sense . the The age period is devoid is of one the of ide transition a which
into And gave since another such the is , the time epoch position of , , that Michel is of , towards Angelo art in our contemporary the own search day after ; of such the a it new Council has ideal been of .
Trent ever and of Luther . With the Council , of Trent , the inspiring reli ceased gion , with ceased it , and After art Michel , grand Angelo , progressive come , the social Caracci , educating , that is art to ,
tery say , Ecclecticism of form ; the . . arti For st warmth no longer of insp finds iration the form was substituted in unison wi the th mas the
emerged ( 3 ) The from first the artists temple , whom ( i . e . after we it find came recorded to of be whom represented after Madonna art by in individuals is Ital y had , d )
in are tlie Luca church il Santo of , S in . , Maria the eleventh _delT Impruneta century , , in Tuscany a ; _Bnschetto preserve , the architect of the Duomo of Pisa 1063 ; Macilo , of tlie Duomo of Padua ,
1124 ; Diotisalvi , of the Bttonanno Baptistry , and of Pisa lielmo , 1152 ; of Buono tlie , leaning of the Canxpanile tower of
Pisa Pietrolino of S ; . Anselmo Mark and , 1148 , Gruido the ; scul who ptor p of ainted the _Griig the Porta tribune lloman , of a the at Santi Milan , quattro 1167 ;
cathedral coronati in of Rome Trevise , 1110 1141 , —1120 . —Tiraboschi ; and Uberto Storia _, who della worked Letteratura in mosaic It , in Vol tlie .
I ., p . 571 , —Milano , , _Pettoni _, 1834 .
162 Gallery Of Illustrious Italian Women...
162 _GALLERY OF ILLUSTRIOUS ITALIAN WOMEN .
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Citation
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English Woman’s Journal (1858-1864), Nov. 1, 1858, page 162, in the Nineteenth-Century Serials Edition (2008; 2018) ncse.ac.uk/periodicals/ewj/issues/ewj_01111858/page/18/
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