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NOTES ON M. FECHTER'S HAMLET AND OTHEIXO...
Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
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Transcript
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
Additionally, when viewing full transcripts, extracted text may not be in the same order as the original document.
» - By Ms. F. P. Fellows.
the deep affection which especially characterises the whole of his Intercourse with Horatiothat only friend amid an army of foes
, , that one anchor in the sea of trouble that surrounds the noble youth , wholike a goodly ship stored with most precious gifts to giadden
, mankind , is tossed tumultuouslyby an unforeseen storm , and wrecked in the sight of those who saw it launched in all its bravery at
morning tide . Throughout the drama Hamlet clings most touchingly to his
fellow-student , and the brotherly love with which he hangs upon him is finely contrasted with the quiet courtesy shown to the
menat-arms , and the bitter contempt evinced for Rosencrantz and Guildenstern , whose hollowness he so completely sounded .
Endless are the minute elaborations by which this consummate whom artist infuses he loving vitalit ly term y into s " the the stupendous Great Master image . ' We left would by the inst poet ance ,
-the fond reverence for his , dead father's portrait , the invocation to it as it wereas he pours out his breaking heart in the first soliloquy ;
, and the difference of action when , in the terrible closet-scene with his motherhe reverently lifts it from his breast , while he snatches
, the picture of Claudius from hers , and drawing the bitter comparison between the two brothersends by dashing to pieces the
, adulterer ' s portrait , so that she can never wear it on her heart again . Thenas the Queenrepentant , bowed down by shamestabbed to
, , , the soul by Hamlet's dagger-words , promises amendment , and "bitterly weeping moves slowly away , her son holds towards her his
father ' s picture , as a priest would a crucifix , that the last g * aze of the criminal may rest on that , and that alone .
Again , with what true artistic fervour does he repeat the lines on " the rugged Pyrrhus" until interrupted by the officious
, Polonius . With consummate dignity the Prince rebukes him ; but , annoyed at the interruptionspeaks no more aloudcontenting
himself with following , sotto voce , , the Player ' s speech , and , marking the emphasis with head and hand .
Another fine touch is his holding up the cross of his sword to Horatio—ere the play-scene begins—to remind him of his oath .
Then , with one farewell gaze of unutterable tenderness at Ophelia , Hamlet lies at her feet couchant like a tigerhis eyeslurid beneath
his tawny brow , _Ox . ed on the guilty king . , , In the last scene of all , with what sovereign courtesy does the
Prince take Laertes' hand , and before the whole assemblage demand his pardon for having unwittingly wronged him . With
infinite grace and dexterity Hamlet poises himself for the combat , and when the treacherous stab is dealt , and he avenges it on
Laertes , his instant repentance of the deed and hearty forgiveness of his perfidious foe , and the abiding love with which , turning from _,
the " waterfiy " Osric , he sinks into the arms of Horatio , are all in keeping with the noble and chivalrous personation of the _chai'acter
which M . Fechter's genius has created .
Notes On M. Fechter's Hamlet And Otheixo...
NOTES ON M . FECHTER ' S HAMLET AND OTHEIXO . 247
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Citation
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English Woman’s Journal (1858-1864), Dec. 1, 1862, page 247, in the Nineteenth-Century Serials Edition (2008; 2018) ncse.ac.uk/periodicals/ewj/issues/ewj_01121862/page/31/
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