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The new number of the Edinburgh Review o...
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MORAL LIFE IN PRANCE. La Religion Niatnr...
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
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The New Number Of The Edinburgh Review O...
The new number of the Edinburgh Review opens with an article on ' The Confraternity of La Salette , ' in which the clumsy theatrical imposture of the alleged Marian vision to the peasant children in the Holy Mountain is thoroughly exposed ; and the efforts made by Dr . Uxiathokne , Bishop of Birt in this country the
mingham , and others , to advance its credit by circulaing Manual of the Confraternity / as ' calculated to promote piety and devotion , especially to the Motlier of God , ' severely and justly censured . The success of this imposture among English Catholics , after its barefaced mendacity has been , proved in the local courts of France , and denounced by the more honest amongst the resident priesthood , is another of the curious religious phenomena of the time , which seem to show that the extremes of knowledge and ignorance are almost equally favourable to the growth of superstition ; that the weak intellect , like the feeble eye , whether dazzled by the-light or grouping amidst the shadows , is alike unable to distinguish mere appearance from reality .
The two literary articles of the number , * The License of Modern Novelists , and Goethe ' s Character and Moral Influence , ' are alike in spirit , stvle , and purpose . In both , the point of view is ethical rather than aesthetical , and the object moral censure rather than literary criticism . The style is naturally serious , not to say heavy , and the tone grave and judicial , in harmony with the general purpose of the writers , so that the papers read , respectively , very like a sentence and a sermon . In the first article , on the License of Modern Novelists , the writer takes his seat on the bench with the gravity of a judge , and proceeds in the most solemn manner to try the prisoners at the bar , Mr . Chahles Dickens and Mr . Charles Heajde , for the publication of certain libellous works , entitled Little Dorrit , and It is never too late to Mend . After having carefully examined the plea in justification that the libels were true , and their publication for the general welfare , and admitted evidence as to the excellent motives and previous good conduct of the writers , he feels
it his painful duty , nevertheless , to condemn the unhappy culprits as guilty of the alleged offence ; and the sentence lie pronounces upon them is , that they be henceforth banished from the realms of reality into those of romance . They may still pursue their lawful calling as writers of fiction , but the fictions must not be founded on fact ; they may still publish romances , but are prohibited , under heavy penalties , from malting them matter-of-fact romances . We have ., however , but little complaint to make against the article , except on the score of its spirit and manner . The general purpose of the writer is good , but the tone he adopts is one of unwarrantable assumption ; and he treats the subject in a prosaic , pedantic way , intended , perhaps , to be impartial and effective , but which is really an injustice arid an offence . He seems , moreover , to have no sense of humour , and to be quite inaccessible to a joke . It is amusing to hear him censure Mr . Dickens ' s pleasant fiction of the Circumlocution Office in the most solemn tones , as though it were offered as a full and fair account of the whole science and art of government ; and scarcely less
so to see with what pains he endeavours to convict Mr . Reade of error , ' by comparing his novel minutely with the Report and Evidence of the Royal Commission appointed to inquire into the charges against the Governor of Birmingham Gaol , and with the evidence on his trial . ' We by no means consider It is . never too late to Mend a faultless work of art , and agree with the writer , that many passages are bad enough both in taste and style ; but it is absurd to try to convict the writer of a grave moral offence , on the ground of some trivial discrepancies between his narrative and the official Report . The second article , starting from Mr . Lewes ' s ' Life' as a text , discourses of Goeihe ' s character and moral iniluonce in a grave and earnest manner , doing full justice to his intellectual greatness , but urging , on the usual grounds , his alleged want of moral sensibility . Though in somo parts too much like a mere homily , the paper is throughout scrupulously temperate in tone , the writer being evidently anxious to judge equitably one towards whom he feels not only high admiration , but on many grounds sincere gratitude and regard .
Two Tjiographical articles on ' Marshal Marmont ' a Memoirs' and Sohcelcher ' s Life of Handel / are interesting , the latter particularly so , being written with enthusiasm and ability , and with full knowledge of the subjeot . Take , for example , the following account of Hansel ' s character , and his relation to the society in which he lived : — He was one of ( he strong men of the earth , who do what weaker men dream . With him the delight in this oxerciao of creative power was bright , fertile , ceaseless , and unhesitating enough to supersede that morbid solicitude i » 9 to results which belong to genius of a less robust order . In his day there was not so much talk about art , as art . The sifters , the analyzers , the arrangers of periods , the adjusters of ecstasies , the interpreters of what was never meant , had not , as yet , sprung into life , or at least
blossomed into pen and ink . Enthusiasm was a little ignorant , and very well bred . Even Horace Walpolo—iman of wit as he was , preaoiont in taste , in his associations courageous , in his friendships real , however affected he might be in his dilettantism and finicalities of language—has scarcely left a word of judgment concerning painting or mueic worth reading . Domonichino was his divinity—Buononoini his prophet . Italian rn ' uaic was one of the curiosities to be looked for on the ' . grand tour' by tlio Englishman , supposing that ho was not nfrdid of being lashed for his effeminacy in caring for opera singers and ' their fine stuff . ' In the eighteenth century the nnoiont , practical « nd sympathetic Interest in Music , which had distinguished an curlier period of England ' s history , was almost extinct . Dilettantism had superseded honest love and participating knowledge : but it was a lisping , not a lecturing , dilettantism —a folly which minisJorod no real help to the creative artist , yet which was not
strong enoug any , or specious counsels . The age of Handel was a bad time for a composer who stood in , need of sympatbv , but it was not a bad time for a monarch who felt within him the vigour of independence in despotism . There was no one for him to be compared with there was no one capable of calling him to account . The necessities of his position and of his nature impelled him to work ceaselessly , and if he failed in one directio n , to try in another ; if he had not time tp perfect his own wares he would lay hands on those of other men , and thrust them into his mosaic , as the first Christia ' if church - builders were glad to use fragments of Greek ornaments stripped from Pagan temples as Shakspeare permitted not patches , but passages , from Plutarch and Hollinshed to figure , almost in their literal baldness , in the midst of the diction of his own imagination . With such an artist as this , the day's -work becomes the uppermost object ; the means , a secondary one ; and the future fades into a distance too remote to excite immediate curiosity or trouble . Handel knew that he had an immortality within him : though deferred success sometimes made him peevish , or imperfect
execution sometimes fretted his ear for a passing moment . He had rages , but they were health y * not morbid , fits of wrath . Betwixt such a grand , coarse , jovial , and stout nature as his , and the more sickly and sensitive organisations , the productions of which we are now perpetually invited to contemplate , compelled to pity , and forbidden by compassion to analyze , there is all the gulf that lies betwixt truth and seeming , betwixt life and disease , betwixt achievement and aspiration . He-was a strong , angry , inspired man , with more of the freebooter than of the martyr in his composition . He rated the court gentlemen and ladies if they talked while his music was going on , less enamoured of ' the full pieces ' than his royal patrons . He scolded professors who -wished to hear ' The Messiah , ' had been indifferent to ' Theodora . ' He swore at his singers , and yet would allow a prima donna to interpolate ' AngeUco splendor' and ' Corfedele' in the most sublime parts of his ' Israel , ' for the exhibition of her voice and the entertainment of fools of quality . On the whole , his life was too busy a one to leave time for much unhappiness , till Time cast over his eyes the cloud of blindness : and even then hi 3 memory and his mechanical dexterity stood him in
stead . The two first articles in the current number of the Westminster are admirable , in matter and style . In the first , entitled ' Ancient Political Economy , the writer gives the results of ripe knowledge and keen reflective insight in a simple , graphic , unpretending way , and treats a dry subject in such a wise , liberal , and numane spirit , that the discussion becomes thoroughly interesting throughout . The paper abounds with ' wise saws and modern instances '—the wise saws being taken from the Hebrew Scriptures , from Aristotle ' s Politics , and Pxato ' s Republic , and the modern instances from Adah Smith , Mill , and other recent political economists . Here is a specimea : —
Nor are many of the ideas which modern science has reduced to axioms and formulas so new as would at first appear , but are discoverable far back , f loating in the very"dawn of human thought . The famed modern axiom for instance , that ' capital is the result of labour , ' is simply an elaboration and paraphrase of this most ancient afid venerable admonition to . man , ' In the sweat of thy face shalt thou eat bread : ' exertion only will create commodities or ' capital . ' The virtue of association , again , is foreshadowed in the dictum , It is not good for man to be alone ; ' the formation of the family being indeed the microcosm of all associations and the beginning of society . King Solomon even anticipated Fourier : / ' Two are better than one , because they have a good reward for their labour . '
It is not many years since the Rev . Mr . Malthus startled the British nation not a little by his alarming arithmetical demonstration of ' the true law of population : * that population necessarily increased faster tban production ; that it is net in the power of nature to furnish a sufficient banquet for all the hungry guests ; and that , in short , unless some saving preventive check intervened , the world must ultimately come to an end by universal starvation . That was the Rev . Mr . Malthus ' s dismal discovery , which robbed Poor-Law Commissioners of their sleep , and tasked the inventive faculties of ingenious philanthropists to work out some cunning machinery for the ' prevention' of such dire destiny ! Well , the subject had been stated long before , though in a more qualified and less alarming form . 'When the goods increase , they increase also that eat them , ' said the ancient Hebrew Preacher three thousand years ago . And the Registrar-General and the new Preacher of The Times , with airs of superlative wisdom , do but enlarge upon it at recurring seasous , when the periodical returns of births ,
marriages , and deaths , happen to show that prosperous trade is attended by shoals of new guests at the banquet of nature ; ' brisk Tom , ' made brisker by abundant wages , having taken ' smart Sally' to church , whereof numerous little Toms and Sallys are the inevitable result . Moreover , adds the ancient Preacher , asserting thus early the solidarity of the interests of all classes , ' moreover , the profit of the earth is for all ; the king himself is served by the field . ' The second paper , * On English Courts of Law , ' is well and vividly written , and abounds throughout with most important practical suggestions , evidently the result of experience and reflection , and a thorough knowledge of the whole subject . The article entitled ' Suioide in Life and Literature ' is a valuable contribution towards the fuller discussion of a most important but ill-undorstood subject . The practical part of the subject—Suioide in Life—appropriately receives the fullest attention , the writer giving the statistics on the subject that have been collected both in this country and in Franco , and discussing both physiologically and psychologically the causes which lead to
self-destruction . We may bo able to give a specimen of these able papers in returning to the remaining reviews next week , In the 2 Vain , for this month , a particularly good number , Mr . Edmxtnd Yates continues his series of the ' Men of Mark' of the new generation , with a brief biography of the young days of John Everett Miixais , illustrated by a sketch from an admirable photograph by Herbert VTatkins .
Moral Life In Prance. La Religion Niatnr...
MORAL LIFE IN PRANCE . La Religion Niatnrelle . —Libertd de Conscience . Par Jules Simon . Paris : Hachotto-The two great works—for great works we may call them , both on account of their intrinsic merit and on account of the interest they have excited—¦ of M . Jules Simon on Natural Religion and Liberty of Conscience , are not interesting in a philosophical point of view nlono . The Natural Religion is indeed an excellent book , perhaps it is the best book that has been written on that subject , though its philosophical cogency is , to our mind , scarcely equal to tho elevation of its sentiments , and the eloquence of its language . The Liberty of Conscience js a memorable and irrefragable exposition of that , great principle of which all tho sacerdotal despotisms of Europe aro n standing violation , and for their violation of which , us well as for their -hostility to political justice and to political progress , they are all doomed in tho end to die . But tho main importance of these works seems to us to consist in
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Citation
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Leader (1850-1860), July 11, 1857, page 16, in the Nineteenth-Century Serials Edition (2008; 2018) ncse.ac.uk/periodicals/l/issues/cld_11071857/page/16/
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