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568 The Leader and Saturday Analyst: [Ju...
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-Tin, 7 ' (-M WAT STEAT M LlXi:. TIIHE a...
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
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Museums And Pictulle Galleries. ] T Does...
education , they will be all but useless . It is not probable that the stuffed animals will retain possession of the Museum much longer ; they will be taken to the same place , and the Eastern and Central parts of the metropolis wilt Have as much share in or benefit from them as they have in the treasures of the Louvre , or those of the Jardin des Plantes : If our men of art and men of science could only be got to act harmoniously , we might yet have a plan devised winch should render available for their most important purposes the reaJJy magnificent collections which we possess . The first requisite is undoubtedlv that those of one kind should be kept together . We will begin with pictures . Foreigners are fond of comparing the great galleries on the Continent with the comparatively poor collection m FianceBel pain 1
the National Gallery ; they say , look at , gium . S , useany , Rome , Dresden—all unquestionably have finer collections than our own ; but then these are made the most of , and ours is treated on the contrary principle . It is true that the national collection is enlarged and enlarging , and that it is not fairly estimated by those foreigners who sneer at it ; but granting all this , we do not ourselves do it justice . We have many separate collections , and we ou « rht to make them into one . If the Veexo-V collection , the Tvrxee o-nllery , the pictures given by Mr . Sheepshanks , the chief from Hampton Court , and others equally the property of the nation , were all gathered together at Charing Cross , our gallery would almost vie with that of France . And why should it not be so ? The great utility of a large gallery to the student is / that it enables him to compare a great number of schools and styles ; that look horn to
he may , while the impression is fresh in his mind , one the other ; that he may be spared , not so much the trouble and time of running from one part of London to another , as the lading out of the impression made at once on the eye and on the mind . The nation would gain in credit , the student in facilities for perfecting himself in his art , and he who only desires help in a general , not , a special education , would be able to improve his taste and gratify his mind at the least possible expenditure of time and labour . Indeed , ' . much as we object to the removal of the pictures from Charing Cross , we would rather consent to this , if all our national pictorial treasures were gathered together , than see them permanently separated . Kensington is not an inaccessible place and though it woliki , be a hard thing for Hackney , Clapton , Stoke Newington , and places similarly . situated * to find themselves virtually further off from the centre of civilization and refinement , yet the gallery would be more efficient as a school of art , and artists
must come and live near the pictures . ¦ "But the question may arise , What , is the province of Artr Is it to diffuse the light of taste , and genius , and refinement over - society ; or is it merely to perpetuate itself by raising up new artists ? There are some who maintain this latter theory . Weare not of the number ; and while we admit that , as a : school for painters , the pictures might do as well at Kensington as at Charing Cross , still , in all other respects , they would be infinitely less useful . We have lately heard a great deal about the effect of gas upon paintings , and the possibility of their being exhibited by artificial light , and thus made accessible in tbe evening ; and it appears tolerably clear that there is no difficulty in the matter at all—that the pictures suffer no injury , and that they can be profitablyseen and nppreciimrdr Now ' if an atmosphere lighted by gas does not injure them , surely
. nothing more can be said about the air of Charing Cross being unwholesome for their complexions . Indeed , we imagine that notion to be now altogether exploded . We would gladly see artisans and their families enjoying the sight of those magnificent works of art / and profiting by the enjoyment . Wo would educate their eyes to the beauties of form and colour , and raise up men capable of designs as graceful as those which we now obtain from Trance . and Italy . For this purpose , our great collection should be as centrally situated as possible . It is a 'fatiguing thing- to examine a gallery , and a long , tedious walk is anything rather than a good preparation for it . The fact is , that the people have some right to bo considered in the matter , and as yet their convenience lias been altogether neglected . There is no sufficient reivson why all our pictures should nnfc he conoree-ated at Charing Cross ; tho building is capable of
almost indefinite extension . The National . Portrait Gallery ought to b . e under the same roof with the Cartoons of IIapiiael and the legacy of Turner , and . all within reach of every part of the metro-Again , time as well as place should bo considered ; it is useless to crowd too many clasfies of objects together . The variety distracts tho mind , and prevents any one from being useful . Kensington is a very good place for objects of miscellaneous ait . Jewellery , furniture , china , mnjolica ware , carvings in ivory , shrines , —nil may bo studied here to advantage . Tho Architectural Museum in quito in its place , nor do we object to models of machinery and educational materials ; but tho painting nnd sculpture wo would most decidedly remove . We want a grout school for sculpture . Wo soo no roaiHon
wliy-H ftliQuld . not . be . all . collected in tho IJiitish Musoujn ; or it , which would be better still , the National Gallery woro HUlnoiontly enlarged , it " might find « place tltoro . Uut when ivo apeak oi sculpture , we would not only exhibit the actual works of ancient genius which wo poBSCHS in that art , wo would secure sufficient works of our own eminent men to show what wo liavo dono oursolves , and whnt we can still do . It i * a disgrace to us as a nation that we Imve not a gallery of mortorn ( sculpture . 1 < i-axman , Noixekbns , Chantkby , among tho dupurtud ; Louuu ninomr tho living , not to mention Bailky , Pickkhscjill , Mahshall Wood , nnd many others , would surely afford materials for such a collection , of which the nation might justly bo proud , nnd for which it would
be willing liberally to pay . Again , we should have specimens of French and Italian , of German and Swedish sculpture , and be able to compare the meretricious sclipol of Canova with the pure * . nd noble conceptions of some whom we have named . ^\ e ought to have the power of comparing Phidias-arid Praxiteles , with those who are following the same path to glory , and of estimating who has approached the nearest to the grand simplicity of t-lie . antique . Were such a gallery open to the public , the public would learn what it little suspects , and what some in high places do not wisli . it to know , viz ., that we are as far in advance of all other nations m this purest and noblest of the arts as we are in railways , steam engines ,
and spinning-jemues . Once more , we want a gallery of comparative painting , the productions of the modem French , German , Italian , and Spanish schoolsfor there is a Spanish school—placed so that they can be compared one with another , mid all with our own . We should have the same cause for exultation here . England heads the world m painting , in sculpture , and in architecture , in engineering , and in all save the lower department of the arts of design . , What is now wanted is simply this—that those who are so well qualified to teach should be permitted to speak to the people ; for this reason we would make Charing Cross the school for painting and sculpture , ' and we would make it as complete ns possible . We want good casts of the great works of antiquity of which we do not possess the originals , and to these should be added some of the more remarkable of modern continental works .
A few casts of some Assyrian slabs would find a place in such a gallery as bearing upon the history of art ; but the originals should be kept in the Museum , as , strictly speaking , antiquities . On the other hand , the Elgin marbles , as works of high art , should be removed bodily to the gallery . A few casts of Egyptian specimens might , for historical purposes , be placed in the gallery , while tJie originals should remain where they are ; and by this transfer the Museum would be riiade large enough to display many treasures which at present are not exhibited , simply for want of room . Another reform must come , and the sooner the better . The Museum ouo-ht to be open every day from ten o ' clock in the morning till ten o ' clock at night . If pictures can stand gas , surely there is
nothing in . theMuseum which can behurt by it . jl ' o talk ^ of expense is more than absurd ; we squander away yearly twenty times a . ? much as would double the staff of officers at the Museum , and pay them well . At present they , are too few in-. number , and too poorly remunerated . That the national collection is open onlythree ' days in the week is a fact which few foreigners will believe ; it is a source of innumerable disappointnients , and ~ is nothing ; -short , of a blot upon our national escutcheon . It would be a university in itself , were it opened every day , and all day long ; and all that is wanted to secure this is merely the advocacy in Parliament of
some true friend of the people . This would furnish a more powerful rival to the beer-shop and the gin-palace than any yet devised , and would do as much to spread among the people a love for history and science , as a gallery such as we con hi have would do to promote a love and knowledge of art .
568 The Leader And Saturday Analyst: [Ju...
568 The Leader and Saturday Analyst : [ June 10 , 1 SC 0 .
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-Tin , ' ( -M WAT STEAT M LlXi :. TIIHE announcement which lately appeared to the effect that the ¦ ¦*¦ Government had appointed the 2 i > th of this month for the first new steamer of the Galway line to open the fortnightly service between Ireland and America , according to the terms of the contract for the subsidy , has been received in Ireland with the gratification due to such cheering intelligence . Not that any doubt has , for long past , existed in well-informed circles , that the contract would be carried out and the vessels run , but still the iullilinont of a great promise and the fruition . of-a great boon cannot and should not be realized without a due manifestation of satisfaction on tho part of those who are most directly concerned and benefited . Henceforth the Gahvay line ceases to be tho subject of doubts and innuendoes , of inquiries and committees ; it will no longer furnish a partisan rallying cry , or be the butt of jealous attack . It now forms an established part of the great postal scheme of the empire , and for at least seven years must bo acknowledged as such . The Atlantic Company's magnificent steamer , the Con naught , leads off first in the now great postal race , and now that the question is settled and all animosities laid aside , there is no one , wo nhould think , so unworthy us not to bid the noble ship " good speod' on her destined transa-Athmtic course . Now that tho niuch-looked-fov report of tho Committee on Contracts has come out , we are enabled to learn how contracts are obtained and how refused . We are let into the aecrcfc of a good deal of blundering and a gooil deal of by-play . Of comae wo arc : how could it bo otherwise ? If even so plain a matter as a contract for a gunboat canaot bo carried out without the moat llagrant jobbery and tho most direful results , what can we expect when two ur three departments , o : ; eh equal to any amount of incapacity and brunders , aro initddled iirconfueion to produce ono result ? Tho Treasury , tho Admiralty , and the Poat-ofiico huvo all n finger in the " contract pio . The wonder is not how anything should bo dono , but that ib ja done at all . Bo this as it may , not only has a lino of steamors been established from Gnlwny to America ; but Sir Samuel Cunard , pending the decision of tho contract , and in rivalry to tho Gulway lino as kept open by tho energy of ita promoters , started ' the Line . from Queonstown , Ireland , nnd oven the Canadian steamors are to make Londonderry their port of departure . The Committee on Contracts acknowledge that they doubt whether Cork would ever have becouio
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Citation
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Leader (1850-1860), June 16, 1860, page 12, in the Nineteenth-Century Serials Edition (2008; 2018) ncse.ac.uk/periodicals/l/issues/cld_16061860/page/12/
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