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NO.S00. Ogt. 22, 18&9.1 THE LEAPEB. ; 11...
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? r j , * B j ' ' I i • ; : i Mb. Ruskin...
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MUSIC AND THE DRAMA.
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?—:—: Italian Opera, Drbbt Lane.—The ann...
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CRYSTAL PALACE. The companies of hand-be...
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Astjlhy's AMriiixinsATnio.—Astley's—timo...
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
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No.S00. Ogt. 22, 18&9.1 The Leapeb. ; 11...
NO . S 00 . Ogt . 22 , 18 & 9 . 1 THE LEAPEB . ; 1133
Ar01904
? R J , * B J ' ' I I • ; : I Mb. Ruskin...
? r j , * j ' ' I i ; : i Mb . Ruskin has written the following interesting letter to the Times on the subject of the new Turner Gallery . Sir , —At the time of my departure for the U > ntinent some months ago I had heard it was proposed to light the Turner Gallery at Kensington * with gas , but I attached no importance to the rumour , feeling assured that a commission would be appointed on the subject , and that its decision would be adverse to the mode of exhibition suggested . _ Such a commission has , I find , been appointed , and has , contrary to my expectation , approved and confirmed the plan of lighting ' proposed . It would be the merest presumption in me to expect weight to be attached to any opinion of mine , Opposed to that of any one of the gentlemen who formed the commision ; but as I was officially employed in some of the operations connected with the arrangement of the Turner Gallery at Marlboroughhouse , and as it might therefore be supposed by the public that I at least , concurred in recommending the measures now taken for the exhibition of the Turner pictures in the evevening , at Kensington , I must beg your permission to state hi your columns that I take ho share in the responsibility of lighting the pictures either of Reynolds or Turner with gas ; that , on the contrary , my experience would lead me to apprehend serious injury to those pictures from such a measure ; and that it is with profound regret that I have heard of its adoption . I specify the pictures Of Reynolds and Turner ,, because the combinations of colouring material emr ployed by both these painters are various , and to . some extent unknown ; and also because the body of their colours shows peculiar liability to crack and to detach itself from the canvas . I am glad to be able to bear testimony to the fitness of the gallery at Kensington , as far as could be expected under the circumstances , for the exhibition of the Turner pictures by daylight , as well as to the excellence of Mr . WornunVs chronological arrangement of them in the three principal rooms . I am , Sir , your obedient servant , J . Ruskin" . Denmark-hill , October 20 . p . S ;—I wish the writer of the admirable and exhaustive letter which appeared in your columns of yesterday on the subject of Mr . Scott ' s design for the Foreign Office would allow me to know his name . '
Music And The Drama.
MUSIC AND THE DRAMA .
?—:—: Italian Opera, Drbbt Lane.—The Ann...
?— : — : Italian Opera , Drbbt Lane . —The announcenient of the " Trovatore " attracted as large an audience Saturday last as we remember to have Been collected on any Italian opera night at this establishment , and the performance was not a whit inferior to the anticipations we expressed in our last number . The tone of our brief and hurried notice of the " Traviata" was , we are now convinced , just , though not enthusiastic . The excellencies indeed of this little troupe of singing swallows , whom Mr . Smith laid hold of as they were preparing for their autumn migration , appeared even greater in Verdi's masterpiece than we were led to expect from their doings in the feeble " Traviata , " while the singing of the indigenous choir and the efforts of the fragmentary orchestra were as ineffective to the full on Saturday as they were on Friday . A verylarge and intelligent audience , to make a long story short , were delighted with Madlle . Ficcolimini ' s neV reading of Leonora , which was , to our , thinking , infinitely finer , from a dramatic point of yjew , than that pf any of her many gifted contemporaries , though it must , in truth , be owned to be , to a certain limited extent inferior as a piece of vocalisation . The excelling genius of the . actress is , however , more patent than tho slight shortcoming of the singer : for this our readers may take-our word . We said in our last number that the Signori Belart and Aldighiori would be found notable acquisitions to the opera stage , Our opinion on that ahead is now much strengthened . The former , thougl ^ evidently labouring under an affection of tho throat that imparted a " woollyneBs " to hia voice , has clearly an admirable organ , though not very powerful , and excellent taste , with much cultivation . In the gem of tho opera ( for tho tenor ) the " Mai Reggendo , " which demands considerable power , he was not equal to the situation ; , but in the " Desorto sulla terra , " and the ' Ah cho la JMprte " ho sang elegantly as well , as passionately , while in much of the grand concerted music of the finales to Acts 2 and 4 he exhibited sufficient power , and no less excellent quality , than in tho more subdued passages above named . Signor Aldjghierl , the baritone , wo shall also watch henceforth with pleasure and interest . ' Ho seemed to catch tho dramatic
fervour from the Piccolominl ; and while in hi ! solos be was faultless , his superb voice and hand some person , told admirably in the concerted pieces We regret that an operatic company pf such remarkable ¦ homogeneity and promise ( as regards theprincipais } should be so suddenly dispersed ; and should they again appear , as is probable , amongst us ; w * shall not hesitate to commend them to our readers . Mb . James Robinson ' s Choir , which now musters 200 strong , has given a concert in the early part oi the week in the Minor Hall , Exeter Hall , which was well attended . A splendid collection of voices , admirably trained by the conductor , who is one of oui leading metropolitan organists , performed with the greatest eclat the delicious and favourite madrigals ; "I n going to my lonely bed , " "Down in a flow ' ry vale , " and " Since first I saw your face , " besides other morceaux by Mozart , Bishop , and other composers . The instrumental portion of the entertainment was supported by Miss Boddy ( piano ) and Herr Suppus ( violin ) , with ability . The next concert will take place on Wednesday , November 16 . Olympic Theatre . —A new serio-comic drama by Mr . J . Morton , entitled " A Husband to Order , " was produced here on Monday evening with success , adapted from the French . It gives scope for the display of the talent of several prominent members of the Olympic company . Mr . H . Wigan , Mr . G . Cooke , Miss Wyndhaun , and Mrs . Emden were all well fitted , and exerted themselves with effect to secure the harmonious whole , which was warmly received by a crowded house . Adelphi Theatre . — The revived *• Willow Copse " continues to be the piece de resistance at this theatre , and despite the enormous counter-attraction of . the many new pieces brought forward at other theatres , bids fair to hold the stage , if the manager so will it , for some time , to come . And no wonder ; for the one scene ' . " In the Willow farm , " in which Mrs . Mellon , Miss Simms , and Mr . Webster appears , is worth a wilderness of every day dramas . So highly wrought is this scene by these admirable artists that few there are so hardy as may restrain the tributary tear , that last and greatest , though silent , offering an actor may hope for . No less meritorious in its pleasant way is . the scene between the needy , seedy Augustus de Boshervi'le ( Mr . Toole ) and Meg ( Mrs . Mellon ) , in the last act . The authors were certainly in their best of vein when they hit upon these characters which , if they are not of all time , at least have been of all our time . A drama is in rehearsal here by the author of " The Poor Strollers . " It is said to * be of the stirring and harrowing class , affording great opportunities for all the talent' under Mr , Webster ' s direction , to which ( rumour is our sole authority ) Mr . Emery , long estranged from the Adelphi stage , may not improbably , ere long , be added . Sadler ' s Wells Theatbb . —In our notice of the Astleian horse piece , as some would irreverently term the " Garibaldi , " we have spoken of Mr . T . Taylor as an engineer . He might , not without reason , blazon on his banner the " Ubique " of the military-scientific corps . He is incumbent of the Haymarket , and peculiar of the Olympic : Mr . Wigan takes him in his valise to Brighton , and Mr . Webster adopts him in case of need as a stop gap at the Adelphi : we welcome him in the Westminster marshes on Monday , and on Tuesday he crops up , still prosperous , on the heights of Islington . Here his new play , " The Fool's Revenge , " will probably make a sensation . To begin our report on it d la mode , we must hint at its foreign extraction . It may be taken for granted , on the authority of the most learned and accurate of out brotherhood , that the work is a pretty free translation of Victor Hugo ' s •' LeRoi s ' amuse , " tesselated with scraps of incident from other French dramas , and , as we can ourselves ' witness , with lines , fragments of lines , and images from English sources . The plot is as follows : — Years before the commencement of the action ( 1488 ) the "wife of one Antonio Bordica , notary publics of Florence , was torn from him by a noble ' ruffian , Guido Malatesta . He consecrates the remainder of his life to the idea of a grand revenge ; , he abandons his homo and follows the wrong-doer to * the Court of Faenza . There we find him as Bertuccio ( Mr . Phelps ) the Court fool , feeding his grudge with the continual sight of liis foe / scattering his ferocious jests among a hated throng of courtiers , nnd in secret cherishing a beautiful daughter , Fiordelisa ( Miss Heath )* to whom ho has revealed neither his name , his calling , or his antecedents , but whom he keeps from the sight of men as from tho tongue of snake or the breath of pestilence . M A wife for a wife " Is his master thought , and to carry out his end he abota tho criminal designs of the Duke Oaleotto Manfredi ( Mr . Henry Marston ) upon the . Countess Glucvra Malatesta ( Miss Caroline jParkes ) , and also empoisons against her the mind of the illused Duchess Francesca ( Mies Atkinson ) , who has but too good reason to land ears to his crafty tale . But while he dia- i i
3 ports himself demoniacally in his intrigue , the fowlers - discover his own . dove ' s-nest , and to avoid their . violence Fiordelisa is compelled in his absence to - leave their home , and by chance is sheltered in the - house of Malatesta . nay ,-in the very chamber of his I wife . Thither ^ at the same hour , Bertuccio , in puri suance of his plot , guides the libertine Puke , and aids , unwittingly , in the forcible abduction of his own i child . Thus closes Act II ., and in the third we see f him triumphantly scoffing at his supposed victim , t Malatesta , and urging the wronged wife of Manfredi to poison her supposed rival . But the tables are turned on the entry of Ginevra ( Malatesta ' s wife ) > from the . country , and the climax is , of course , the Fool ' s discovery that he has been caught in his own sprynge . This is , of course , to all intents and purposes , the end of the play , though for the comfort of the spectators we are shown that Fiordelisa has escaped the poisoned cup of Francesca and the arts of the Duke , while the latter lays stiff and stark in his chair at the banquet table . It is superfluous to say that Mr . Phelps is equal in all respects to the fine situations above indicated , rising at times to a high tragic level . As the loving father and the biting jester he is equally excellent : he seems almost to sanctify the " passion of revenge , and sufficiently illustrates the tempest that rends the outwitted fool at the climax . The many o ther ladies and gentlemen engaged in the piecea mong them most strikingly Mrs . H . Marston as a waiting-woman , Brigetta—all worthily second the exertions of the manager ; and the decorators have equalled if not excelled their former feats on this stage . The play is skilfully composed and well acted throughout . It abounds in stirring situations , of which the most powerful , bordering , indeed , upon the revolting , is that in Act HI ., where the injured Duchess and the jester watch the door of the apartment Wherein Fiordelisa is subjected to the proposals and perhaps force , of the licentious Manfred . KTo pains or cost have been spared , as regards the scenery and appointments , and there is no room for doubt that the exertions of the management will be rewarded with a prolonged success .
Crystal Palace. The Companies Of Hand-Be...
CRYSTAL PALACE . The companies of hand-bell ringers from Yorkshire , who made their first appearance inLondon on Saturday last , at the Crystal Palace , are styled the Holmfirth and Barnsley Bands , and each corps numbers , with its conductor , twelve members . The bells employed vary in size from the smallest ever carried by the muffin crier to the largest ever rung by the dustman , and are ranged upon a long table . The number used varies according to the key of the music to be played and the effects to ^ be produced , so that each af the musicians has constantly to lay down one bell and take up a fresh one , and sometimes to play two at once . The skill , rapidity , and neatness with which these operations are conducted , can of course only be the result of long and incessant practice . The concert took place in the central transept , an area too large for the due appreciation of Camr panological delicacies ; but still a great deal of delight was manifested by the select company present . The programme included a selection from "Lucrezia Borgia , " two of Haydn ' s choruses , with some dance music and popular tunes . The balloon ascent , on Tuesday , was so successful in one sense , and so unsuccessful in another , thut in something ' over a minute the machine was lost to the view of a gaping crowd , Many who had averted their eyes « fora brief space , in full security , were utterl y scared at finding the place of it no more . Tlie display of the fountains on the same day was u , ll that could bo desired . There was very little wind , plenty of light at the time , and the devices preserved their proper outline in a manner wo should hardly have expected so near the equinox . Mr . Strange , tliw purveyor , * gave a second fete on Wednesday , Tho novelty oi the day was a capital boat-race on tlio luko . - Some hundreds wore present on the margin , and Mr . A . Wentzell , of Lambeth , directed . ,
Astjlhy's Amriiixinsatnio.—Astley's—Timo...
Astjlhy ' s AMriiixinsATnio . —Astley ' s—timo-honoured Astloy ' e—opened on Monday , and , although tho same evening was chosen by tho Olympic management for the presentation of a new drama , a select party of connoisseurs were drawn to Lambeth by the mngic of a name . A hippodrame by Mr . lorn Taylor , of Haymarkot , Olympic , Lyceum , Princess s -in fact , of worldwide celebrity , as an author of ordinary dramas , comedies , and comediettas , serious , serio-comic , comic , and domostio— -was , indeed , novelty enough to attract them . And though some noodles , who having ftilsoly planted the clever dramatist on an heroic pedestal on tho strength xrf an originality »> e never claimed , or was entitled to , pretend disgust at his descent from the high horse ^ Wvah-street to tho Lambeth cob , or , more property , from the Olympic mount of Wych-street to > iho Olympic sawdust of Stangate . we nui & t own that tho master-hand is apparent Jn tho ( 8 o-oallea ) original
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Citation
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Leader (1850-1860), Oct. 22, 1859, page 19, in the Nineteenth-Century Serials Edition (2008; 2018) ncse.ac.uk/periodicals/l/issues/cld_22101859/page/19/
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