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^>ragra;s tjie ^raplt.
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
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indifferently sung . The chorus made up for this failure to some extent , by their magnificent execution of the triumphant finale—perhaps the most glorious finale ever written . Madame Castellan in Leonora was about as good as any one expected ; she had not the faintest conception of the part , did not understand the music , and was not even perfect in her notes—the duet in the grave was completely marred by her inaccuracy .
Extra study will remedy something of this ; but no study will give her genius , no study will give her spirit . Tame , insipid , and pretty she will always be j with a delicious voice , considerable skill , good intonation , and entire absence of meaning . The very entrance told us what to expect . Instead of coming in exhausted with fatigue , and worn with anxiety , she stepped forward , smiling , coquettish , pretty—with more the air of Cherubino than of Fidelio—and even when the words " I am tried "
are placed in her mouth , she belies them by her fresh and cheerful bearing . When the " agony begins to pile up , " as the Americans graphically express it , she goes through a series of conventional attitudes , but neither in her face nor her tones can the slightest emotion be detected . I will not compare her with Sophie Cruvelli , it would be unkind . Tamberlik did not act well as Florestan , but he sang the music enchantingly . The long and difficult scena which opens the second act , for the first time showed itself to me as a noble piece of writing ,
because for the first time I heard it nobly sung . The Germans make nothing of it . Sims Keeves , whining and straining as if he were about to burst a bloodvessel , was far from agreeable ; but Tamberlik ' s delicate expression in the largo , and the impassioned fervour of the quick movement so thrilled the audience that they burst forth in a roar of applause , and , much as I object to the encore system , especially in dramatic situations , I encored as lustily as the rest ! As a matter of singing , that Bcena was the only perfect thing we had ; but it was worth standing all night to hear .
Formes is as great in the part of Rocco as Cruvelli in her way is in Fidelio . A more finished piece of acting is not to be seen ; it is a thorough identification of himself with that of the bluff , jovial , hard , gaoler-like gaoler . It is a real conception , and fully executed . In the concerted pieces his fine voice told , though his tendency to loudnesj was not always sufficiently repressed . It is a performance worthy of careful attention , for not one moment does he drop the mask . Tagliafico was spirited and effective in Pizarro . The house was full , but not so full a&on Saturday to see Lucrezia Borgia !
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BOSCO'S EGYPTIAN MAGIC . Bosco , the wonder - worker , commenced his public performances at the Princess ' s Concert Koom , on Wednesday , to a numerous audience . The disposition of his salle is extremely brilliant and tasteful , his own manner singularly engaging and amusing , so that if I was delighted with his private performances , of course I applauded him in his more magnificent and necromantic appearance . Not that he exceeded what I had already seen . On the contrary , some of the tricks he performed in private were far more astounding , though less picturesque , than any of his tricks on Wednesday . But the great charm is the elegance and dexterity of his manipulation . The manner in which he
baflles the eye in the plainest and simplest actions is beyond hyperbole . He holds a guinea-pig in his two hands , and seems to crush it , « o that the pig gradually disappears and only a small purse remuins ; and this so openly and slowly , that although you know that the change is effected by sleight-of hand , it is impossible to detect a single motion by which the thing is done . The applause which succeeded most of the tricks was very genuine ; and certainly never did conjuror startle his audience more than Bosco . He disdains everything but the Impossible . To him the Impossible is alone worthy of attention , and how easy it is to him !
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VIVIAN TO HIS CORRESPONDENTS , like all great and official men , I am overburdened with correspondents : my life in occupied in not answering them ! People fondly imagine it is so easy to write letters— " You , such a master of your pen I " they say . But there lies the mistake . Because I am a master , 1 can't write . It takes mo hours to dash off an invitation ; some men would write a folio while I write an article ; but oaks take centuries for growth—and I am an © ak . Besides I ulways think of Gregory of
Nazianzen's precept ( you know what a slave I am to the Fathers !) that in epistles we should shirk fine writing , and sink gracefully into a chatty familiarity (^ SXaov « V to \ akmov AvoKKmiv ) , and it is not easy to do this , while fine writing is so facile ! Therefore , I leave letters unanswered . I ' m a bear , I know ; rude , unfriendly , proud—anything you please , except a correspondent ! But for once I will acknowledge the receipt of some letters . One asks me why , with my known love of the French Plays , I have said so little about them . My answer is brief : I had nothing to say . Ravel , who was to have been here , has met with an accident , and London is the sadder for it : Ravel
absent , the bills had no attraction for me ; but next week the Queen of Tragedy is to appear , and those who wish to see the masterpieces of French poetry represented by the greatest of actresses may satisfy their desire . Another writes to me " in a passion , " he confesses , because L cannot sufficiently admire Sims Reeves , whom my friend pronounces " the greatest actor and singer , past , present , and future , " C ' est beaucoup dire ! I am rated for admiring Tamberlik and Cruvelli—who he assures me are
mere trash—and for not admiring the overwhelming " genius" of Sims Reeves . Really , my good Bowman , your ire is singularly uncalled for in my case , because I do not write " we" and assume immensely oracular airs . I set down my own private opinion , to be held for what it is worth . If I am a noodle and write rubbish , I shall lose my readers and my place—which , entre nous , I suspect would be the case if I were to share your raptures about Sims Reeves—meanwhile you cannot expect
me to give up my opinion in deference to your enthusiasm . Mario I must think an incomparably greater singer than your idol ; Tamberlik also ; nay , more , I will add , that although when Reeves first came out I admired him , and thought he would ripen into a good singer , of late he seems to me to have dropped quite into the second rank . You tell me his Ernani is the finest thing on the stage . When I have seen it I will alter my judgment if he give me the chance .
A third friend thinks me so " difficult to please . " If I am difficult to please , that is not my fault . I am sure the readers of this department will testify to the gusto with which I do admire when I admire . Nobody can more dislike havingto blame ; but what am I to do when Mediocrity is trumpeted as Genius , and audiences applaud what they ought to hiss ? To you , fair Madam , so flatteringly desirous of knowing " is Vivian ? " I have but one soft whisper : I live at No . 13 , Tooley-street , Borough , and am visible every Sunday—after morning service . Vivian .
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THE ACQUA D'ORO . There be divers fountains in the Crystal Palace : the Crystal Fountain , with its dome of moving crystal formed in water ; the Lilliputian Fountain in the nave ; the curious squirt fountains in the transept ; but there is one which is more Bought than all , and more easy to find , though it lies hidden in a corner . You are walking in the gallery , and suddenly a delicious happiness takes possession of your senses . At first you cannot tell what it is—it is in the viewless air ; but so fine and sweet that you might take it for a moral feeling , an affection , a memory . It grows upon the sense , and becomes more vivid : it is a perfume ; and following the scent , like a bee drawn to the flowers , you arrive at a little golden fountain—the Acqua d'Oro . The dancing water that pluyed near the singing tree , whereof you read in the Arabian Nights , danced for ever ; but not that nor the fountains of Acrasia or Armida , diffused such delight as this . What is it ? A bank of freshest flowers gathered to a pungent essence—a parterre converted to a portable ecstacy . You recognise each sweet as it grew : but just as each flower dawns upon the perception , the crowded fragrance of the whole smothers it in sweets , and you are too happy to think more . It is the freshest of perfumes—to Eau de Cologne what Ilebe is to Venus .
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THE " CHARTIST PllOGHAMMISTS . " [ The following is a letter addressed to the Kditor of the Dundee Courier . la two hours after the questioned article was issued the writer of the letter went down to the office , but , not finding the responsible editor , Mr . llolyoake appeared before him later in the day , as suddenly us an apparition of the Executive , and demanded to know what the editor saw in him that was "hungry , " that he should publish him as a voracious agitator ; and expostulated generally upon the ( assertions of the article . The editor said it wus not intended to bear mi imnututivo construction . In order that such a
disclaimer might be made to the public , the r «« monstrator forwarded the following letter , which has duly appeared in the said Courier : —] DEFENCE OF THE CHARTIST PROORAMMISTS . To the Editor of the Dundee Courier . Sir , —Being on a visit to Dundee , I had the opportunity of perusing your Courier of this morning , May 14 , in which I find an article on the "Chartist Programme , " about which it concerns me to say a few words , as I am one of those responsible for that document . There is that quality about your article which Lord John Russell ascribes to Thomas Slingsby Duncombe ' a speeches—namely , " an agreeable levity . " If one is abused , it is a consolation to be abused well . One can admire the variegated superficies of the panther even while entertaining a profound aversion to his indiscriminate habit of springing on every person in his way .
You tell us you " thought Chartism defunct , " and ascribe your mistake to overlooking that there were " too many interested in keeping it alive . " That this "interest" is to be understood as venal , you mark beyond doubt by observing in the next sentence , that " you consider what a flock of hungry patriots have been fed , and how many unattached agitators have received employment , by means of the Chartist movement ; " and . infer , therefore , that "it is not wonderful that an effort should be made to perpetuate such a profitable concern . "
Now , what I wish to ask is , by what right you represent the Convention here alluded to as composed of hungry agitators and interested patriots ? For myself , what do you know to my disadvantage that you should make no exception ? I have nothing to hope from the Chartists that I should cajole them . I have nothing to fear from them that I should natter them . I am simply an independent servant of them and the public , able to live at the bench , by my pen , on the platform , or in the class-room . And the same is true of my colleagues , as to independent means of existence . There is Thornton Hunt , son of Leigh Hunt , the poet and politician . The same Thornton Hunt who was the playfellow of Shelley , and to whom Charles Lamb addressed verses ,
and who has realized all the noble promise of his boyhood—whose genius must always command for him affluence , as his integrity always commands for him respect wherever he is known . On what ground do you include him among the " hungry patriots ? " Is the Reverend Mr . Duncanson , of Falkirk , delegate from . Paisley , whom we all listened to with respect , one ? What charge of this kind have you to la ; at his door ? Would you point to Julian Harney ? Certainly venality is not his crime ; for he , to all our knowledge , made as large sacrifices to what he deemed public duty as any editor to whom you can point . Nor can you cite Ernest Jones , who with the precedents of a gentle man , h < s often accepted penury rather than forego the advocacy he deemed most useful to the people . What you may
think of Mr . Reynolds I know not , but certainly his pecuniary advantages as a Chartist have been confined to paying certain bills as Treasurer when we had a bottomless Exchequer . Will you take those of humble station ? Your townsman , James Graham , lias no other crime to answer for , that I ever heard of , than that of being a working man . As he has appeared us a delegate in London , you assume that he has relinquished his " honourable calling of a weaver . " How does this follow ? If every man who , by delegation , represents others' interests in a distant city , is to be ht Id as deserting hia honourable vocation , many of your fellow-townsmen among the middle class and the religious ministry deserve your instant exposure . Go , sir , through the list of our delegates , and you will in ; ill cases fail to substantiate your imputations .
Some of the propositions you point out as erroneous in our Programme several of us thought so . The columns of the Leader have recorded how some of us struggled against them . Expose our want of wisdom where you find it , and we are your debtors . But when you deny our integrity—when you paint us as hungry patriots and venal agitators , we beg , respectfully but emphatically , to protest against you ; for if we keep silence in such a case we shall appear to consent to the infamy you impute
to us . The vice of imputation has been the besetting sin of Chartism , but it may be forgiven to us on account of our inexperience and our privations . But should a middleclass journal set us the example of continuing what we are trying to forget ? If we should say that any middleclass movement you patronise is selfish and interested , you would feel at once the injustice and rudeness of the accusation . And if your own gentlemanly sense of courtesy does not teach you to restrain your imputations against us , the obscurity and helplessness and sufferings of those who appointed us to represent them ought to protect us from rudeness . 1 am , Sir , yours respectfully , Gkoiiok Jacoii IIoi-yoakk , Member of the Chartist Executive .
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The Executive Committee of the National Charter Association met on Wednesday . Ernest Jones rend u letter from the Home-office , intimating that , in reply to the petitions presented in behalf of John Frost and others , the answer in question was not intended to convey any such meaning as that they have not been hud before the Quern . It was resolved the first monthly circular Hhould be i « Biied in July , that the HeorutaiieH of tin ; localities should bo requested to furnish information to the general secretary on or before the third Monday in each month of the numbers of members enrolled in their locality , and " » account of the general progresa of the movement in their neighbourhood , together with matters niFecting the intercuts of tho working classes .
^≫Ragra;S Tjie ^Raplt.
^> ragra ; s tjie ^ raplt .
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May 31 , 1861 . ] Cfp « Ht&IStT . 519
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Leader (1850-1860), May 31, 1851, page 519, in the Nineteenth-Century Serials Edition (2008; 2018) ncse.ac.uk/periodicals/l/issues/vm2-ncseproduct1885/page/19/
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