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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
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England will have but one agitation at a time the anti-Catholic tempest has , thank God , subsided , and now only rages in small provincial puddles , having been replaced by the more serious and every way more respectable subject in Hyde-park . Yet , although that Fairy-Land of Labour by no means palls , but retains its charming empire as absolutely on the last visit as on the first , we must
say that the Literature which it calls forth has a very considerable infusion of poppies . The French press has sent its scribes , but they can do little but spin phrases , and their reports are tantalizing and wearisome . If any be worth a passing glance—except for the delicious blunders in which Frenchmen surpass mankind—the letters of Michel Chevalier in the Debats deserve that honour . He
at any rate is not a phrase-spinner , making the shuttles of his loom fly , merely to produce a certain amount in columns ! And yet it is strange how little he finds to write about in a satisfactory manner . His first letter must have wounded the " susceptibilities" of his nation by its elaborate demonstration of the fact , that although the idee mere of
the Exposition is French , yet its development and successful execution are—as they ought to be—essentially English . He rejoices in it . He points out our superiority , and its causes—national , political , and geographical . The remarks upon the non-intervention of Government in this enterprize will strike'home to his countrymen .
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Recently we announced a forthcoming pamphlet —Plus de Girondins—by Louis Blanc . It is now published , and excites a " sensation" by its courageous attacks upon the dangerous policy which seems to actuate some of the democratic sections ( among them those captained by Ledru Rollin and Victor Considerant ) , and which consists in destroying the sovereignty of the people by a sophistic aggrandizement of popular power . Louis Blanc vigorously attacks this notion of direct government by the people , and shows its impossibility .
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Ascot week has deprived us of Thackeray s third lecture , postponed till next Thursday , and of the first public performance of the Amateurs at the Hanover Rooms ; and although it is Magazine Week , we have seen nothing to solicit attention beyond the admirable paper in Fraser on Hartley Colkkiuge . But this dearth of home produce is compensated by the appearance of certain little yellow volumes which make Jeff ' s counter radiant in promises of pleasure , and which on inspection bear the names of George Sand and
Alexandria Dumas . In the Chdtcau des ' Discrteswhich , by the way , Sani > dedicates to Macready , although this Brussels edition does not give any signs thereof ( an unpardonable omission)—we have certain theories of dramatic art set forth with all the eloquence and ingenuity to be expected from such a writer , and betokening how her recent dramatic experience has opened new issues for her energy . But as a story it is . somewhat fantantic , though with charming passages , and " bits" of character that display the master . It is not one of her best ; but it is ho delightful to get a new novel by her , that one is not inclined to be critical .
As for Dumas he in always welcome , in one volume or twenty ; arid if Ik ; is always the same , you cannot say but that h « is always agreeable . Here we have Aiujr Pitou , a tale of that inexhaustible French Revolution , written with his usual gaiety , verve , ease , and rapidity ; carry in tf you at a handgallop over tin ; course , though you never care , to pause by the way . There are only two volumes as yet published , for it in now appearing in the feuilletoii of liii I ' rexxe . A new periodical in about to be started by
Albert Smith , with illustrations by the incomparable Leech . The rumour which brings us this information does not distinctly specify the details of which this periodical is to be composed , but vaguely intimates that it will treat the passing topics of each month . One series of papers is to be a quiz upon the evening- parties , under the head of London Labour and the London Rich .
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swedenborg' s heaven and hell . Heaven and Us JVondert , the TF'orld of Spirits , and Hell . From the Latin of Emanuel Swedenborgr . Translated by the Reverend Samuel Noble . Second Edition , carefully revised . James S . Hodgson . In" the anxious year 1745 , while war and its chances , political intrigues , and their anticipations , were the subjects that filled the minds of men and formed the material of their daily talk , a Swedish gentleman was residing in London ,
devoted apparently to scientific research , and occupying himself in the publication of a series of religious and philosophical works . The son of a Lutheran Bishop , and ennobled by his sovereign for his many services to science and the state , accomplished in the arts of both war and peace , he had gained an European reputation as a speculative and practical philosopher . His services were valued , and his conversation was sought after by the rulers and nobles of his own and other countries . In Sweden the estimate of his worth
was shown by an important Government appointment , and by the honours of the Royal Academies of Stockholm and St . Petersburg . The pursuit of science , and the publication of his discoveries to the world , were the occupation of his life ; and in his unfailing exertions and industry he found his best reward . Affable and courteous , he affected no seclusion from society ; he was accessible to all of congenial habits and companionship , and men looked on him as one from whose information much might be gained , and on whose judgment they could rely .
In the fifty-eighth year of his life as a man , and the thirty-sixth of his career as a writer and worker , he announced his assumption of an entirely new character . He declared that he had been favoured with a direct revelation of the Supreme , that his spiritual sight had been opened , and that heavenly and earthly things were made equally accessible to his investigation . Abandoning henceforward all scientific pursuits , he confined himself to religious study , to meditation and the propaganda of his views at home and abroad , leisure for
which he sought in the relinquishment of his official appointment . Attacked by a few narrowminded opponents , one of whom confessed his entire ignorance of the religious system he impugned , he retained the confidence and respect which he had won before his claim to spiritual intercourse was made , and dying at last after twentysix years of exertion in his new capacity of a religious seer , he gave his solemn testimony to the truth of all that he had written , said , and taught , on the great work for which he had lived , and in which he died .
Laying no claim to special inspiration , he was content to represent himself as the recipient of information on invisible things , and the instrument to convey that information to the rest of mankind . His teachings were varied and voluminous . Heaven and Hell , as in the present volume , are not objective but subjective , the future state being but a reflex and correspondence of the present and the condition of the unclothed spirit therein , being a continuance of that which was its own while in the flesh . Thus the angelic and daemonic ranks are continually recruited from tho . se of mankind , either in this or in other worlds , and no individual devil
is recognized , the term being taken to signily the aggregate of evil spirits . The soul of man is judged immediately after death , and united to a spiritual body , in all respects resembling that which it ; wore on earth , and in conveyed through an intermediate state by various degrees to its final abode of happiness or-misery . It does not appear that this intermediate state is purgatorial , but that in it the tjue character of man is ascertained by an unfailing scrutiny , which constitutes , in fact , the l ; ist judgment , and his destiny is thereby fixed for ever .
The doctrine of the ( iodhead , us taught by Swedenborg , resembles that of SabelliuH : discarding the idea of three persons in one deity , he represents the Saviour Jchiih Christ as combining in himself a divine trinity ; divinity , humanity , procession— Father , Son , and Holy Spirit . ; belief in Him , and obedience tlircu ^ h grace , to lii \ cinnni . uu !¦ ¦¦ ¦ , are made the conditions of Milvation . Cod's word ,
or revelation , is of a twofold aspect , containing a literal sense in which it is apprehended by the natural understandings of men ; and a spiritual , or heavenly sense , in which it is at once received by angelic natures , and which it is given to man to discern by the special gift of God . Every image and expression in the former has its correlative or correspondence in the latter . This spiritual sense is not possessed by all the writings ordinarily
included in the Church ' s canon ; the Epistles are expressly said to be devoid of it , but useful in many respects , and as such to be regarded and esteemed . The necessity of the sacraments and of spiritual grace are insisted on ; the freewill of man is maintained : the providence of God over all his works is asserted ; the first Christian Church is said to have come to an end ; and the last judgment or second coming of Christ to have taken place in its destruction and the establishment of the New Jerusalem ,
or new Church founded by Swedenborg-, and now consisting of his followers . Such is a very brief sketch of the doctrines taught by Swedenborg . Much interesting information may be gathered from his work on Heaven and Hell , the second edition of which , now before us , has been edited with extraordinary care by its translator , the Reverend Samuel Noble . It contains also a preface by one of the translators of the first English version ( the Reverend Mr . Hartley ) , in which the realities of a spiritual world and of Swedenborg ' s intercourse with it , are both strenuously maintained . An original letter of the Seer himself is also given , in which he distinctly asserts his claim to divine illumination .
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VIOLENZIA . Violenzia .: a Tragedy . J- W . Parker and Son . The evil influence exercised by the Old English Drama upon our modern writers , owing to the fanaticism which attended the " revival" of that extinct literature , has been more than once touched upon in our columns . If men would but understand the drift of Goethe's profound saying , that everything which falls has deserved to fall , that nothing dies which has vitality in it , — -they would not thus hopelessly endeavour to " revive " forms of art which the stern centuries condemn . Here on our table lies a work written after the approved Elizabethan model : with follies and atrocities , huddled together , and precious jewels sparkling amidst the rubbish . If any one can wade through the earlier portions , lured by the traces of a high and thoughtful mind , which even there are visible , he will get into the deep water of noble tragedy ar > d wonder that the latter scenes could be the conclusion to the earlier . Criticism upon the invention or conduct of the plot up to the point where Violenzia , ravished by the King , flies despairing to her lover ' s tent , would be wasting sagacity " on faults too gross for observation , too evident for detection , " as old Samuel Johnson said of one of Nhakspcare ' s plays . We should call these scenes childish if we knew not so many patterns in the works of " the great old English Dramatists . " But we may point out , in passing , one fundamental dramatic error which the author has committed . Granting for a moment that Malgodin , the corrupt old Atheist , has any semblance to humanity , that the means by which Violenzia is made to appear the mistress of tinking are in themselves probable and acceptablegranting , in short , all the author could ask with respect to these early scenes , we still say that they are worse than inartistic , they are totally superfluous ; for the tragedy of the story dors not lie in Ethel ' s suspecting his mistress to be false , but in his appalling knowledge that the king has violated her . In this great , horror all petty details and suspicion sink into nothingness . Up to this point the , play is feeble , though lit up with some lovely lines ; hut from this it rises into a poetic grandeur , . such as gives us the highest hopflH of the unknown author . Commonplace as the structure is up to this , directly the trajjwly begins the poet forgets his models , and is earned away by his own imagination . His flight is liitfh , but on a strong and steady pinion . As a « ani | il « of tragic writing , very unusual in our tunes , take tain scene . Violeir / . ia has been ravished . Ethel , her lover , is alone in his tent ,, and thus soliloquizes : " lith . How the wind r" « l » ' « . » " < i , R uaty rain Conum puttering in tl »« I'auseH «» 1 the bluHt . CorneliuH will Hoon rep "' """• . ., Meanwhile Viol .-i . zin liv . r . s at .-.. «• in the Ururt . A i . < I wh . n th .-s < - laxly luot . 'l wars » n- past I'll ki . ii h . T "' in . - ' ¦ " •¦ < vrl - " ' u S ' () 1 mul-. ^ ui !» : •
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Critics axe not the legislators , but the judges and police of literature . They do not make laws—they interpret and try to enforce them . —Edinburgh Review .
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June 7 , 1851 . ] ®|) £ & £ && £ ?* 539
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Leader (1850-1860), June 7, 1851, page 539, in the Nineteenth-Century Serials Edition (2008; 2018) ncse.ac.uk/periodicals/l/issues/vm2-ncseproduct1886/page/15/
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