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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
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risible—a desire to " extract amusement out of trifles by tlie way they are jreated ; but on serious occasions he is seriously graphic . We must refer the curious reader to all the details here given of agriculture , and tiie-condition of the agricultural classes , as well as the description > f the ^ militaiy organisation of aU Russian affairs . A passage or two are all wq can * find room for .
:. V m THE TRANSIT OF COIUT . , ' . ** 7 n order io judge at what cost the most important of thoso exports is tfeus brought , and norder to enable an inquirer to predict with any approach to certainty what could be done trader the pressure of the most extraordinary temptation from without , let na leave the sharp stones , deep mud , or clouds of dust of Odessa , and examine the tracts along which those long lines of bullock waggons come creaking from' more northerly directions . I have saad that a vast belt of Steppe girdles this coast . We are upon the Steppe . The prevailing colour , as far as the eye can . reach over the immense plain , is a scorched brown . Tne-intense heat and drought have reduced the Steppe to this condition , and far beyond the horizon line , and away , verst upon verst , is the same dreary-looking and apparently waste expanse . N " ot that it is all flat—hiljs , barren and rugged , diversify the line , and add to its difficulties in diy ^ vrcatiher considerably , in -wit incalculable . For look at the ground on -which you stand . You are on one of the roads , as they are termed . Elsewhere , a road , good or bad , means
Something which has been made—a . line upon which has been gathered material for binding and claspingj , and below which there is some kind of draining ; bad or go » d , the road is , as compared , with the adjacent land , dry , compact , and elastic . Dismiss all such ideas from your mind , or rather drag your limbs for an hoar behind that corn waggon , and such ideas will disappear of themselves . " Dead and helpless seems that wobegonc track , creaking and orawHpg ^ ver which comes the bnUoek-waggon—all wood , and built pre « iselv-as waggons were iuilta . thousand years ago . The driver sits in front , occasionally lashing the grey bullocks more by way of form than with any idea of hastening them , and his massy heard hang ' s down over a species oiF censer , wKence arise fumes of an unsavoury kind . But it is not in luxury ^ or in imitation of his eastern neighbours , that the peasant keeps this odour-Dreat vessel tne cents abominable
mng unuer ms nose— con are an mixture tor greasing the wheels of his waggon , and by which you may track it through many a yard or tainted air . Wb ^ f lie has- placed the reeMng vessel exactly between , his legs I know not , unless it be to rliiiind ' hinM ^ jm ore ^ forcibly-of the necessity of an operation , without tie incessant perfonnince of ! which his clumsily built cart would be on fire in four places at once . Contrast this wretched . ' machine with the well-contrived , iron-mounted cart of the German colonist , ^ few miles hence . But on . goes the waggoner , jolting and creaking along the unhelpful soil , aha siaging ; &ome of those old airs in which , rude as they are , there is a certain melody , or saving pray « rs to one or other of the multifarious national saints . On he goes , and so he and his predecessors have gone since corn -was grown in . Russia . Ricketty carts , knotted rope h .-urnessi ^ drowsy bulloctcs wretched road—so crawls the loaf towards the Englishman ' s table . " . .: . ' , ' " ¦ ¦ ' . . , ¦ - RAILROADS IN RUSSIA . " In all this MC « ster empire , while the rest of Europe has been spinning its myriads of iron cobwebs from wall to wall , and from tower to tower , one line has been laid down ( I do not speak of Poland ^ ,, and that one a line which was all but unnecessary , and which actually runs-alpng one of the few lines . of Bossian intercourse for which a capital road had already been ^ laid down , TJieuadertaking was either a job , or a mere effort of yanihr ; probably . both ., ^ r But Itwill not be imitated .. - _ Railroads are not encouraged in Russia ; they ore coasMere < i asCconnectied in some way with the revolutionary tendencies of the age , and are « ctwrfingly . disfavoured . , As regards the transit of soldiery—the only point , of course , upon which it is "worth ; the while of Russian authority to consider them—the matter bias iwen pondered , and thesElnperpr finds that he can move his armies ( their appurtenances tafcen into acconatyas adyaht « g « ousl y without rails as with them . As to private enterprise here ,
that is entirely put of the question . Without pausing to ask whether you can expect railway progress in a country which leaves one of its most splendid and important ports unarained and unlighted , or where the nation ' s very almanac is left a laughing-stock to Europe , we shall- find that a more practical , if not a more real , obstacle opposes itself to the establishment of railways were they ever so much desired . There is no capital . The sinews of railway iwar are wanting ^ The money could not be found . In saying this ,., ! am simpl y recording the answer made bv tradesmen , by merchants , by proprietors , by natives , swell as foieignersyuid even ( in . wfiispers ) by daring officials , when questioned concerning th ^ stagnatbn of all national andviiopular enterprise— We have no money as a nation . I ¦ haje , jreceiwed this . answer a hundred times ., . Many Russians are rich , but Russia is poor . With this answer , of course , ceases my share in the question , ' as it appears to meet the inquiry which would occur to an Englishman on first considering the position of Odessa . "
There is one . very ludicrous and instructive illustration of -the passport system . Everybody m Russia must have his ticket of leave to live—his billet descjour . That necessity not only hangs over him in this world , but is supposed to hang over him in the next , e . g . : — " When The battle of life is fought , and its dead soldier brought into the house of God , that the last rites may b * performed over the body , watch the process . After certain ceremonies of ah imposing character , the priost approaches the cofhn , which is open , and strews incense upon the breast of the dead . He then reads a paper , unfastens the front of the dress of the corpse , and places ' the document in the bosom . The interment then proceeds . Thai document is a certificate and passport , without which ( duly vhd by the priest ) the officer in charge of the gate of heaven would refuse' entrance to the soul of the departed . Even St . Feter demands the sight of a soul ' s papers . What objection can a worshipper of St . Peter snake to such a system ? He must , on the contrary , rather regard the renewing of his billet de se ' jour as a species of religious ceremony , and look upon the police officials as resembling Ma own priests—a point in which he will not greatly slander either party , both being , very generally , remarkably venal , dissolute , and worthless . "
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DE QUINCEY'S NEW VOLUME . Autobiographic Sketches , By Thomas d « Qnincey . Vol . II . Price 7 s . 6 d . Edinburgh , James Hogg . This second volume of De Quincey ' s writings , which we have impatiently awaited through many months of unaccountable and most impolitic delay , ( and which , by the . way , has only the obscure indication of two asterisks on the title-page to inform us that it is a second volume ) , does not present such material for criticism as the first . It has few of those wondrous bursts of elotji ^ ence which form the charm , of the first volume ; scarcely any- of those revelations of psychological iaterest . But it is as discursive , digressive , and as overloaded with insignificant details . It will , however , be fascinating to all interested-in the Lake Poets , devoted as it mainly is to the writer ' s recollections of G-rasmere , Coleridge , Wordsworth , and Southcy . We must be sparing in our extracts . Here is one on
THE PLAaiA-BtSMS OF COLKB 1 DGB . " A rmoro singular case of Coleridgo ' d infirmity is this : —In a very noblo passage of ' Frunco / n tine expression or two \> ccur from ' Sampson Agonistes . ' Now , to take a phrase or an inspiriting lino from the great fathers of poetry , even though no marks of quotation should b « added , carries with it no charge of plagiarism . Milton is j ustly presumed to bo aa familiar to the catsignature to the eye ; and to Blcal from him ns inoposnible as to appropriate , o-r to sequester to a private us « , » omo ' bright purticulur star . ' And there is good reason for rejecting the typographical marks of quotation : they break the continuity oitho passion , by reminding the render of a printed book ; on which account Milton himself , ( to give an instance ) lm » net marked the aublirnc words , * tormented all the air , ' ns borrowed ; uor haa Wowlsworth , in applying to an unprincipled wjirmn of commanding beauty the
memorable expression , ' a weed of glorious feature , ' thought it necessary to acknowled ge it as originally hanging to Spenser . Some dozens of similar cases might be adduced irom Miltou . But Coleridge , when saying of republican France—that , ' Inseupportably advancing . Her arm made mockery or the warrior's tramp , ' not satisfied with omitting the marks of acknowledgment , thought fit positively to deny that he was indebted to Milton . Y « t who could forget that semi-chorus in the ' Sampsdn , ' where the 'bold As&alonite' is described as having fled from his lion ramp ? ' Or who , that was not in this point liable to some hallucination of judgment , would have ventured on a public challenge ( for virtually it was 1 hat ) to prorlace from the ' Sampson / words so impossible to be overlooked , as those of insupportably advancing the foot ? The result was , that one of the critical journals placed ihe two passages in juxta-position , and left the reader to his
own conclusions with regard to the poets veracity . Bat in this instance it was common sense rather than veracity which the facts impeach . " In the year 1810 , ^ I happened to be amusing myself , by reading , in their chronological order , the great classical circumnavigations of the earth ; and coming to Shelvocke , I met with a passage to this effect : —That Hatley , his second captain ( t e . lieutenant ) , being a melancholy man , was possessed by a fancy that some long season of foul weather , in Sie solitary sea which they were then traversing , was due to au albatross which had steadil y pursued the ship ; upon which he shot the bird , but without mending their condition . There at once I saw the gertn of the ' Anci « nt Mariner ; ' and I put a question to Coleiidge accordingly . Gould it have been imagined that he would see cause utterly to disown so sli g ht an obligation to Sh elvoeke ? Wordsworth , a man of stern veracity , on hearing of this , professed his inability to understand Coleridge ' s meaning ; the fact being notorious , aa he told me , that Coleridge had derived , from the very passsage I had cited , the original hint
for the action of the poem ; tnough it is very possible , from something which Coleridge said on another occasion , that , before meeting a fable in which to embody his ideas , he had meditated a poem on delirium , confounding its own dream-scenery with external things , and connected wiih the imagery of high latitudes . - " All these cases amount to nothing at all , as cases of p lagiarism , and for this reason expose the more conspicuously that obliquity of feeling which could seek to decline the very slight acknowledgments required . But now I come to a case of real and palpable plagiarism ; yet that too of a nature to be quite unaccountable in a man of Coleridge ' s attainments . It Is not very likely that this particular case will soon be detected ; but others will . Tet who knows ? Eight hundred or a thousand years hence , some reviewer may arise , who , having read the ' Philosophical ' * of Schelling , the great Bavarian professor , a man in some respects worthy to be Coleridge ' s assessor ; and he will then make a singular . discovery . la the 'Biograpaia Literaria , ' occurs a dissertation upon the reciprocal relations
of the Essa ami the Cogitare , that is , of the objective aud the subjective : and an attempt is made , oy la verting the postulates from which the argument starts , to show how each ' might arise as a product , by an intelligible genesis , from the other . It is a subject which , since the time of Fichte , has much occupied the German metaphysicians ; and many thousands of . essays have been written on it , or indirectly so , of which many hundreds have been read by many tens of persons . Coleridge's essay , m particular , is prefaced by a few -words , in which , aware of his coincidence with Spelling , he declares his willingness to acknowledge himself indebted to so great a man ,, in any case where the truth would allow him to do so ; but in this particular case , insisting ; on the impossibility that he could have borrowed arguments which he had first seen some jears after he had thought out the whole hypothesis proprio marie . After'this , what was my astonishment , to find that the entire essay , from- the first word to the last , is a verbatim translation from Schelling , with no attempt in a single instance to appropriate the paper , by developing the arguments or by diversifying the illustrations I "
These are but specimens , a larger surrey of Coleridge ' s plagiarisms , while it astounds by the revelation of their number , only serves to deepen the impression of his utter want of veracity , so that when he excused his indifference to his wife , on . such grounds as the following , we know how much credence to bestow : — "Coleridge , besides , assured , me that bis marriage was not his own deliberate act , but was in a manner forced upon his « ense of honour by the scrupulous Southey , who insisted that he had gone too far in his attentions "to Miss Flicker , for any honourable retreat . On the other hand , a neutral spectator of tho parties protested to me , that , if ever in his life he had seen a man under deep fascination , and what he would have called desperately in love , Coleridge , in relation to Miss F ., was that man . "
A note or two upon , two notes of De Quincey ' s , and our present notice must close . His learning is remarkable both for its extent and accuracy ; and yet every now and then we see him puzzling over things not by any means recondite . E . g .: — " ' Veterinary : '—By the way ,, whence comes this odd-looking word ? The word vtterana I have met with in monkish writers , to express domesticated quadrupeds ; aud evidently from that word must have originated the word veterinary . But the question is still but one step removed : for how cam * vela-ana by that acceptation in rural economy ?" Whatever use monkish writers may have made of veterana , it is quite clear the word veterinary does not owe its parentage to them , but to the Latin word of the same signification , vetcrinarius , which comes from veterinus ( and if we arc not deceived by a treacherous memory , there is even the word veterina for beasts of burden ) .
On the Pindaric passage Trop < f > vpeov < f > cos cpatros which Gray has ( falsel y , according to De Quineey ) translated " the purple light of love , " there is this note : — " Falsely , because iropcptipcos rarely , perhaps , means in the Greek use what wo mean properly by purple , and corned not mean it in the Pindaric passage ; much oftener it denotes some shndo of crimson , or else of punice-us , or blood-red . Gibbon was never more mistaken than when ho argued that Jill tho endless disputing about the purptireus of the ancients might have been evaded by attending to its Greek designation , viz ., porphyry-colonTcA : since , said he , porphyry , is always of Ijie same colour . Not at all . Porphyry , I have heard , runs through as large a gamut of hues as marble : but , if this should be an exaggeration , at all events porphyry is far from being bo monochromatic as Gibbon ' s argument would presume . Tho trutli is , colours were as loosely and latitudinarially distinguished by the Greeks and Romans ns degrees of affinity and consanguinity are everywhere . My sonin ~ law , sajs a woman , and sho means raw step-son . My cousin , she says , and she means nny mode of relationship in tho wide , w 3 ue world . Nos neveux , says a French writer , and means—not our nephews , iut our grandchildren , or more generally our descendants "
On the meaning of this word rmpepvpeos—purpureus—purple every classical reader knows the disputes are interminable . Nothing is settled by saying that it is oftener used as blood red , especially when we remember that Anacroon speaks of the " purple tresses" { nop < pvpai ( ri x < uras ) of his mistress , and then he surely did not mean blood red ; he also speaks of " sec-purple carpets" ( aXt 7 rop 0 upocs ranrjo-L ) aiul sca-purplc cannot bo blood red . Pindar may have used the word metaphorically , as we know tho Romans dul to express lustro or magnificence . For example , is it not Horace who talks of the " purple swans' of Venus , purpureus olores—surely a more rare avis than the rarest of all , the Mack swan ! We must ce . ise this gossip , and we do so with the hope that the next volume of De Quincey ' s works will not be so long in making its apponranoe .
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" f * q THE LEADER . [ Saturday ,
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* I forget tho exact tiLlo , not having soon tho book since 1 H 23 , and then only for ouo day ; but 1 bcliovo it was . 'iScholling ' s JCloluo l'hilosophlsoho Werko . "
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Leader (1850-1860), Feb. 11, 1854, page 140, in the Nineteenth-Century Serials Edition (2008; 2018) ncse.ac.uk/periodicals/l/issues/vm2-ncseproduct2025/page/20/
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