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justice should be easy or certain is impossible . It can only be attained by a stupendous succession of trials and appeals , consuming the estates of the litigants , and aggravating , term after term , the accumulation of precedents , tlie anomalies of juridical practice , and the difficulties of codification . To codify the laws , is to suppose that the laws are positive , plain , and harmonious . But to elicit the real English law on all subjects from the mighty mass , partially repealed , partially obsolete , frequently unintelligible , almost invariably susceptible of two constructions , of the statutes at large , would necessitate a session of declaratory legislation , and compel Parliament
until recently , the practice to confer a retrospective operation on every Parliamentary enactment , as far back as the commencement vt . session . A person committing an act perfectly legal in February might be , and often was , punished for it in June ; a prisoner accused of a secondary offence in the spring , found himself , sometimes , condemned in autumn to the horrors of Execution Dock . In illustration of the axiom that every citizen is supposed to know the law under which he lives the old anecdote is cited , of the five men , standing in a field , wlio lived under five separate codes . In a marriage case celebrated in our courts , Edmund Lollv after taking the opinion of counsel , as to the non-validity of a marriage mw sentenced to transportation for bigamy , and suffered two years" in theYulk ' *
. But this subject—marriage—being the personal concern of every citizen is wrapped up in a hundred folds of obscure and intricate legislation . The W which , says Mr . Phillimore , might be contained in a few lines , is contained in about sixty enactments ., besides that relating to the Royal Famil y . In Great Britain a marriage contracted north of the Tweed is valid on the * south , but a marriage contracted on the south is not necessarily valid on the north . Thus the Scotch judges have dissolved a matrimonial union ceremonially leo-alisedin England , while the English judges have no power to take his privileges from the blacksmith and bell-ringer of Gretna Green . °
A succession of maxims , bearing on every point of modern jurisprudence has been selected hy Mr . Phillimore , and commented upon in a critical and scholarly style . In one respect , however , the book is not wortliy of the subject . It betrays a disposition to flippancy , and to acrimony . " For the sake of a pleasant anecdote , Mr . Phillimore passes a sweeping and " reckless censure on the line of English judges , suggesting that , in every case of a disputed nassage in a will , decided in the English Courts , the result would hare been more equitable if the judgment had beeu reversed . He has heard of an abbot who issxied an order compelling all his monies to dress in white . When the ori ginal order was found , it contained these words on the margin , "Blanc , e ' est a dire , no jr . "
to debate and revise every clause of the written and unwritten law , for no epitome , code , or abstract , would have any force in a court , if the words of the original act could be cited in a discrepant sonse . Thus , the Legislature has created ifes own perplexity ; but , though this evil is enhanced every time that a new act is passed , or an old act modified or repealed ; it is a fallacy' to suppose that the principles of E ng lish jurisprudence flowed untainted from tlie original receptacles of tbe Koman law . For every evil that has accrued from our own disorderly methods of legislation , some other anil greater evil has disappeared in the presence of reform . Much as it has been
the affected fashion to laud old times and manners , the devotees of the past cannot adduce in its favour the language or the maxims of the published law Mr . Phillimore quotes some wonderful . examples of verbal tortuosity and obscurity , belonging to erudifcejuid polished times . When it was proposed to thestudentto argue << whether goods taken in Wituerham are irreplevisable , " and declared - that tlie seisen to feed Contingent Uses by a Scintill a iuris , is m nubibus , ra mare , in terra , or in custodia legis , " it may be conceived how * L ?^ £ ^ J ^* & OVei ; the law ' - «»* P- the most iniquitous jud ,-nints could be concealed under
. a surface of corrupt technicality . Lord Eldon disliked th jargon of « ie Courts , and gave his decisions plainly , one of them , bang as follows : "Having had doubts upon this will for twenty years , there can be no use in taking more time to consider it . " Cromwell swept the La . w Latin even out of Chancery , but it was restored by ' the SJmJSS . ?^?? f f It * ° T ?? V with al 1 the unmeaning forms and artifices that constituted . the legal Kabbala , and other worse customs , sanctioned by the feudal spirit . It was in harmony with this tvne that tli « ™ -nr . hi ™»
Wot allowing debtors to be immured for life and treated as criminals " Sir wSSvhi- ° - ? T v ? ? ' ™ OU V ' hy . * PWliw » eatary committee loaded with chains an the Fleet prison , where within the present century , a wretched insolvent perished of starvation . Yet the law waf not barbarous , because no illustrious jimstsupplied the commentaries of wisdom , on experience . While £ oke amassed his annotations , Dumoilin , styled by D'Aguesseau the greatest ^ tero an ^ that ever wrote on jurisprudence , compiled that folio which contains the standard of the French customary and feudal law . In one school S i anf Scmtilla ^ Juris were preferred ; in another ; Lamoignon ' s noble code became nn established authority , aad . JSodin , Machiavel , Grotius , WM S Yr Montesquieu constitute the series of commentator , placed by Mr . Plnlhmore m contrast with the vague and verbose pedants of the fifteenth and sixteenth centuries . From the consideration of authorities he
proceeds to tlie consideration of principles , starting from that of the Natura Law , which is to be obeyed by the originators of the Artificial Law . Ko better illustration could be chosen than the decree promulgated in Holland , SSl ^ Ttt ^ f ^ i ™? * i dam shall be punishable ' vith death . The iS ^ w f England affixed to this offence the same penalty , not consider , ing that , to break down a dam in England was to commit a venial oftence against property , while to commit such an act in Holland was to endanger the nation , i here would be every difference between tbe crimesdifference of motive and of result , yet there was a time when the English jud unanimous
ges were ra resisting a modification of the law . When to this literal method of legislation was added a literal method of interpreting the laws , equity may be said to have been driven from the Courts . Thus , in the ™ f ™ °° f Jt WaS * maxirn that ' wIien anything was borrowed , to refuse 2 Sw * " ? ° ^ ' ' yet exce I ^ ° ns were allowed , as when a man having lent a sword , and turned in a fit of madness to reclaim it , a principle nlZ l ^ ¥ * " Pi' . UXOre su gSe ^> if he had borrowed props 221 1 US 1 } ° ? e from ,, fallin & an < ™ required to give theni up SSSSr 7 V i 1 S S «^ l . T held as a sound maxim that money or Lff f | ° r ' cannot be claimed on the same day . But there was an evil on the other side . Simultaneously with this , literal , mechanical bigotry , existed tbe love of subtleties , which produced as much injustice atul
A third class of questions included these j whether a rnnn , having renounced his public rights , ceased to have a claim to them , which was TnS n < T ^ S £ S aUve J vvhetlier a P ' « living bought a vicious horse , and losing piofit by consequent delay , may claim damages from the seller ; » , ! SS , V ^ ' a" » ing at a bird , and killing a man , is guilty o { murder as committing the higher felony , when only intending the lower ; whether a ShS i ° n T i a 1 woma « ' * ouM be held to have stolen her clothes , and Jhf ? r i " ? , w " e nece « sa » y *> constitute ari irrevocable gift . o » JTS rr i tledf ? most of ^ eao contingencies , though , in some SSS ' pVri f " " i a ( ° , tecl a J ul < is P «<^«<* of their own , as when they oZZt ? r a e o ° T' ° over-fe < i h » master ' s horses , was guilty of corn-stealmg . Only necessity , of course , could extort the recognition of a £ «« « m Gq ^ , mcct a caae ir * whicl * Acquest wns left to a married woraan , on . condition that she should desert her husband , the validity of tho condition being undoubtedly at variance with nolicv and morals . Another ;
ana a more climciUfc point is , how far an agitator , who draws a crowd togc-1 om of lif « tllC C 01 l 9 e ( l ueinces—wot , destruction of property , or tbIw « i ^ ' i far ever > oi tiz on "W fairly ho supposed cognisant of m ! pu-ni ' therefoi > c » m justice , amenable for transgressing it , suggests to he d « vi , ™ T / ° ? ? rtr nml rationftl distinctions . % ius , no man could bo a « aini ? tlTl »™ *? i ? ? tlmt lie di < 1 not know murder or robbery to be Sria illoinl ! 11 h ° J ^ t who would know , except by accident , that BeaVS o » «• ry - lcad in woollcn oloths ' or to collect salt bytho toaSZ £ & bL f WOar ? buttons * or to shave on Sunday ? Yet , such \ mtioT were J ^ W heon V 1 ^ 0 ' 1 - " « in , M if the object of jutttoe weto > to raulUply puniaWnts , In the aamo spirit , it wa
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THE NEW ADELPHI DBAMA . A drama by Messrs . Bayaud and Arthur de Reauplan , entitled Thet-ise , on-Anye el Demon , and produced at the Paris Gvnma . se in October , 1-S . 52 , was on Wednesday evening presented in a . n Englis ' h dress to an English audienee at the Adeli'hi , under the designation . of Like and . Unlike . Messrs ^ . Langfoed and Sorel . are the adaptors , and they have "Englished" the French ori ginal in a manner so attractive to the frequenters of Mr . Webster's house , that the piece may be ranked at once am- « g those iC decided successes" which are as common to the Adelphi as failures are to other theatres .
The plot turns upon a species of mistake which has often been the fruitful parent of mystery and interest in novel and drama .. Two sisters , both p erformed by Madame Celeste—the one a simple-hearted , pure-minded seamstress , named Lisette—tho . other , an opera dancer and . a jilt , if not something move , but afterwards the Countess Kromowskie—are so like in fac ? , form , voice , and manner , that the one is being perpetually mistaken far the other ; and Mr . Harry Mowbray ( Mr . Webster ) , a Yorkshire geutlcroan in love with Lisette , is induced to break off his intended marriage under the impression that she has encouraged the advances , and afterwards deceived , a Gallicised Manchester exquisite , Mr . Peter Potter , uproariously
personated by Mr . Wright , who , we ate glad to find , has recovered from liis recent illness . Mr . Mowbray afterwards * tnee ' s the Countess at a masqued ball in Paris given by herself and her hu > band . He gets into a quarrel with the Count ( Mr . Paul Bedfohd ); fights with him under the belief that he has married Lisette , and only finds out his mistake , recovers Ms lost happiness , and takes back to his heart the virtuous and belied seamstress , on seeing her and her sister almost together . The changes of dress , of manner , and of character , combined with similarity of voice anil exterior appearance , necessitated by this most difficult performance , were wonderfully assumed by Madame Celeste , and their rapidity , especially in the last scene , not a little astonished the audience .
It will be perceived , from this brief sketch , that the di'tuna was of the most exciting kind . The interest , moreover , is heightened by the audience being kept in doubt up to the last moment as to the apparent contradictions in the character of Lisette . Of tlie acting , it may be said that Ihc Adiclvhi shines in all its old glory . Mr . Webster , as the gloomy , broken-hearted Yorkshire gentleman , dropping into a melanclioly stagnation after his great disappointment ; Mr . Wright , ns the bearded , moustache ] , and Parisianized Manchester man , " afterwards Harlequin"' at the muaqucd bull ; 3 Ir . Sisuuy , in one of his favourite foppish characters , a certain Arthur Leslie , converted into Oliver Cromwell under the like circumstances ; Madame Celeste , with her astonishing variations ; and Miss Wyndham , with her handsome looks and graceful bearing—make a most attractive combination . Pathos and fun alternate through tho piece , like rain and shine in this present April weather j find Messrs . Langfojid and Sjoiiul . may be congratulated on the success they have achieved .
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A PAitcra was produced at tho Haymakket on Thursday night , under tlie title of "The Postman ' s Knock , " and founded on tho popular sonjj of tlmt name . It turns upon the mistake of a young lady , who runs a . vay with her maid ' a lover , a postman , in mistake for her own , who is a " son of Aim's . " The maid , on the other hand , elopes with tho gallant warrior ; and the mistake in both cases arises from the red coats of tho respective- lovers . But , of course , it ull " comes right in the end , " to the satisfaction of all beholders , hs Swift said of tlie hungiujr footman .
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356 THE LEADER . [ No . 316 , Satukdav .
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Miss GLYNhasbecn performingtheCVeo ^ a / ra of Sh aksimcauk ' h "Ant ony and Cleopatra" at tho Standard Theatric , with Mr . Mauhton us tl »« illustrious soldier and lover . It is pleasant to note tlicsc dawning * ° ' dramatic truth over tho benighted heathens of Shoreditch .
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Citation
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Leader (1850-1860), April 12, 1856, page 356, in the Nineteenth-Century Serials Edition (2008; 2018) ncse.ac.uk/periodicals/l/issues/vm2-ncseproduct2136/page/20/
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