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THE O HE AT. EXHIBITION- OF 1-8-61,
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
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rjPHE " question whether or not we are to have a repetition of the -I- great experiment of 1851 in the coming-year / which concludes the decade that will have elapsed since the May morning when our Sovereign welcomed all the nations of the earth beneath the crystal span of Paxton ' s Palace , was practically answered in the affirmative when the Society of Arts pledged itself to the success of the undertaking-. It is to that Society the credit belongs of having- originated and conducted to such a prosperous termination the magnificent idea of a Great International Exhibition of the Industrial Arts ,
So far back as the time of the First Consul , France had recognised the advantage of national exhibitions , as affording an opportunity for ascertaining the progress and status of arts and manufactures , and at the same time supplying the incentive to advance which einillation and competition are sure to supply . These exhibitions , however ( which were repeated at quinquennial and decennial periods in an almost unbroken line down to the present time ) were exclusively confined to native talent , and , great as must have been the benefits of such opportunities for extending experience and guaging results , they are not for a . moment to be coinpared with that greater idea which included a ¦ . competition between nations instead of- men . Whether it will be desirable to repeat that vast experiment after
an interval sO comparatively brief as ten years , is a question which has occupied many minds . ' We have considered the subject in most , if not all its bearings , sind freely admit that there is much to be said on -both sides ; though , in our opinion , the balance of advantage is decidedly in favour "of the scheme . Some of our own * manufacturers ( whose concurrence is so vitally important to the working out of the matter ) have objected that-they . do not see how they are benefited by such exhibitions loan extent at all proportionate with the expense and trouble they incur . This is an objection worthy of consideration , not only because it conies from a body whose aid is of so niuch importance , but also , because it . is one of those practical criticisms businessOf these facturers
which "o to the rout of the . course manu are entitled to the credit of understanding their own aftairs , and when they tell us that they have received no pecuniary benefit to compensate them for the expense and trouble they incurred m lHol , it is impossible for us to contradict them ; but we may perhaps be permitted to ask whether it is not possible that they may have been indirectly benefited in a manner not exactly tangible to Cocker , and vet none tire less surely beneficial a d profitable f Has Spitalfields or MaCclesiieid gained nothing by being brought into juxta-position wjlh Lyons ? Did Glasgow learn nothing horn Switzerland , nor liellast from Courtrm i ? Were the hardwares oi Liege and Solingeu exhibited to Birmingham in vain P Did I-iurvleni examine the delicate porcelains of Limoges and gam no knowledge t Lancashire their bands
Will the manufacturers of North lay upon their hearts , and seriously tell us that the lessons brought to them from Rouen , Toureoigu , and the Haufe llhin , haye not profited themP If so , then the Great Exhibition of 1851 was entirely thrown away ; but that it was not so—that , on the contrary , a vast improvement has taken place in the taste exhibited in our manufactures , is a fact too obvious to be ignored . That the foreigners have , in their turn , also gnincd-something is nob less clear . In return fo ^ their' inventive ingenuity , their artistic fancy , we have perchance returned complotor and cheaper methods of manufacture , and machinery more perfect and duruble . This , however , is nothing but that fair principle of give-and-take which the projectors of tho scheme contemplated , and wo fully believe that m most cases the English manufacturers got , in this way at least , their pennyworth for their
Aifa ' this brings us to another class of objectors-rthose who believe that these exhibitions tend to unveil the ' secre t * of their trade , lo theae we reply that there are really no such things as trade secrets . If a secret bo worth finding out it is sure to be discovered , A he patent laws prevent the use of certain processes for a definite period , within the jurisdiction of the English Inw ; but no power on earth can proven ' t a foreign immufiictiirer from discovering any modus vporandi worth time and money . Everywhere in the manufacturing diatriots there are French and German youths who have been went to complete their education an men of business in thu luctorioH ana workshops of England . Is if , to bo supposed that any process however occultly kept , can omimjo the notice oi these P ° j ™»» ** A J tho sumo time , we know perfectly well that many munuiuoluror » do vainly innwino that they can Hueoussfully guard those processes upon ... i : « f . fi ... v « ,. s , ift ilmiiisi'lvosi and wo ourselves , on applying , or
, 7 d 3 ilon Wo noof tho mewt celebrated - fhetOrioa of texti e , abncH In YorkJhlJq . were curtly told ^ that none but ladies and ¦ ^ W »« J » (" women and parsons " was tho exact , phrase employed ) ye oO ^ idmitted-tho » e being Hupposed lo be the pqrsons most" » able o , all any rate moat uivfil « . 'ly , to avail themselves of any JilnUi uwy ^ fi'lddRG ? . K B ! i fiil « . lo « thoro ' «» . i . n . to bo muy other
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• i Madame Bonhkuk , with your smiling face , do you not punch your children and "bully your servants at home ? " So on , ad nauseam , the phrases of social scepticism ., . sopn grow stale j and the satirist , < * r wlio perpetually grinds over the slune dull tune ,, enervates and debases rather than reforms . But therejte a nobler use for the weapon than this : the true satirist , if he shows vice her own image , will also contrast it with virtue , that the form of the latter will be seen also . Like Jacques in the play , he will remember , that the point of satire is its truth , and his aim will ever be , by his sharp physic to " Purge the foul body of th' infected world . "
and finally slew his hecatomb at the altar of Satire in the Dim-• • "' Wod and mild Cowi'EH followed too inuch in the wale of . You * u-- to give piquancy to his verses . Sound am ] admirable ; is they are , smartly . us they hit tho : free | lnnker and" the debauchee , they are never personal . The satirist lashed only the vices , and his example i * now generally followed . Pjjtku Pjkjjah , Chukchi ^ ., and Gn- - - 1-ojid created some amusement in their day . Peter was personal eiiowli ,- but " lie said rude things , and practised invective rather than Satire , It is not satirical to assert that of Sir Joseph Banks , " that strange to utter , he , when a very httle boy at school , ate spiders spread upon his bread and butter ; it is not satirical to expose the poor old mad king in his conversations AVith Whitbiu : vi > , or his questions about the apple dumpling . All these are Within the boundaries of clever sarcasm , and that often very unscrupulous . Peter Pindae Wolcot could do better than this , and has done better , and has humour and satiric power , too , m abund-Tlie days of strong versified abuse are , however , gone . Almost every writer is now a satirist ; some are of the very mildest possible description , but literary scalp-hunters are few . Articles savage and slaughterly appear occasionally , but their appearance is hailed with disapprobation , and the satirist contents himself with exposing , the club-foot of the limping exquisite , or showing the rouge pot and wrinkles of the old beau . The ¦ ¦ " dear wicked satiric creatures , as the ladies cull them , are very strong upon Indus' hats and . crinoline ; upon puor old women who are weak enough to wish to keep their precious youth : upon the ugly women who try to look pretty ; upon the vulgar who wish to be fashionable ; or the poor little city gent , who rising from a lower form of life , tries to ape the dress and behaviour of his betters . All these are legitimate objects ot satire , but the wrath expended upon them is not very God-like . It is easy to cru « h a butterfly upon a wheel , but the frivolous occupation will not add to one ' s strength . The mildness , meekness , and perfect propriety under which the writers of l uurh manage to rein their esprit muuaeur may be , and are , conducive to calm language , but certainly do not give rise to any vigour of thought . Ue doubt '' -whether the whole nation i . s not weakened by the proceeding- ; and it is but lately , When certain incompetent generals lost us whole brigades , and starved inen and horses by the troop , that the dead level wif English feeling showed- itself . Indhjnatiif fiu-U versus ; possiblv , but the scorn and hatred at such proceedings . were not divine enough for poetry , and iio indignant wife * branded llio fouls and imbeciles to all eternity ; the latter , therefore , escaping the satire , quietly have kept their places , and have even received honours ( P ) . ^ '¦ ¦ ' ., : ¦ . ,, Strong , sound satire , such as : Qixvucutiuh could have penned would have done us service ; but our nearest approach to CflfWHU-L was Jekhold , a man of a very capable but limited spirit , whose best sarcasms were so polished and suc-cesst' ul that he . himself and others thought him a satirist . When he . told a IVieud , who vu-ged that both being litterateurs they rowed " in the same boat ; \; es , but ' ¦ ' not with the same skulls , " he merely vented what rhetoricians call an alitanaclasis , and unscholastic people a pun with a - sarcastic turn .-He was often offensively bitter , and he earned for hinwelt that which he did not deserve— the reputation of an uviknidly man , lins he was not , but lie was so continually empioYeu in making up sharp sayings that he could not stay to pick and choose the persons upon whom to vent them . His best sayings are in his comedies . His books of satire , read even , at this short distance of time , are excessively ponderous and heavy . Itisone thing to iittack a man with a tomahawk , another to prick him with a lancet . Jkkkold and his school ( bought that a man could not be touched unless his brains were knocked out . His intention was always qvident , whereas satire should be like summer lightning , visible \ o i \\\ , but fatal only to the venum and noxious insects . . . The M « a ¦/«« Apollo in satire at present , every one will say , is Mr . Twao ' kehay ; indeed , his most recent writing , Zoiyl , the , Wiihwcr , seems to promise but a collocation of sly things whispered ( into the qiir of society by its satiric monitor . But it seems to us that j his power in this wa . y is much inferior to that of his muster , Fusing , —ov even to that of Dickkns . When the latter tolls us of a certain Germau baron , who being visited with conscientious qualms of a murder , seized upon certain wood and stone belonging to u weaker Baron , and built a chapel with them , thereby hoping to , propitiate Heaven , the satire is so true and pungent that wo all feel touched by it . Our oft ' erings also are too often polluted , and by the picture we gain a deeper knowledge of ourselves . A > lien Mr . Punch in Ms earlier days-used , as a pendant to the descriptions of fashionable parties , to describe the supper of Mr . Brown the sweep and Hoggins the costennongor , upon whoso tablo broad amd cheese , and onions and other delicacies of the season were o > served , the satire was so true and keen , although gentle , that the Murnhnr Pout and Ootwt Jutt-rnal were considerably amended thereby , and grow less eloquent upon the sujinors of hoiuu modern Luouu , us in his Apollo chumbcr . But tho author of Vaitifi / Fair owns no such gentle touches . Satyr-like , he takes his crook for tho purpono of lilting » 1 > the . skirts of wouk'ty , and exhibiting her day feet ; lie writon , and has . written , chapter » vffcor chapter on the . pillaring landliulio . s BWiiggoring eaptaniB , clownish baronets , and clubiou « iinstocracy : wo Jeel tliat our neighbours are hit rather than ourrtulv . es , and wo go on uur way rejoicing . This kind of satiro does no good . It makes us regard all around us with a cynic sneer , and pornotuiilly-cry out , i 11 Ah 1 it is all very well , saintly Miss Dash and good Mr , Ulnnk , but you have u skeleton in your cupboard us well as the . roat ; and you ,
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Jan . 7 , I 860 . ] The Leader and SaturdayrAnalyst . 13
The O He At. Exhibition- Of 1-8-61,
THE GltEAT EXHIBITION OF 1861 .
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Citation
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Leader (1850-1860), Jan. 7, 1860, page 13, in the Nineteenth-Century Serials Edition (2008; 2018) ncse.ac.uk/periodicals/l/issues/vm2-ncseproduct2328/page/13/
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