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Untitled Article
couleur de ro $ e , wearies tbe eye ; but a sudden transition is etfiMf fSfomWBat ^ Iotil * d (^ tilfea 9 e ^ Mi # |« fit . AyFrenoh milliter is said to have been mucli stfuct iW ^ ihe rainbow , on account of the great Taste with which ¥ Hfe ^| lMrs & $ e m ^ iieA ^ The complimentary appi ^ bati ^ ft a ^^ PIdfl icarSu ^ hm pliUbsdphical foundation . The abis ^ ia ^ o ^ hkrlh contrast in the rainbow must also be absent from any obgfect permanently beautiful . There are some very pretty philosc ^ mtial pickings , however , in the consideration of the consistency mth , atef assistance to , harmonious effect of that kin ^ < tf ^^ Plifference which constitutes contrast . - n a mm ^ u- < Ihit the exposition of the principle may be k ^ iW ^ bfik ^ bjp ^ i ii illustration . The churc h of St Sepulchre , in this Thr \ etropolis , has been recently repaired , and--by cotirtesy ^ bifiutiffi | & . ¥ <* t tt interior , previous to the beautiricarfibn ^ iBfer ^^^^ mu ^ io be said ; but at least its deformity H ^ ^ l W ^^ k . Thife homogeneousness of objectionableness tid l ^ tt ^ r retnaih ^ . Oti p 3 Iar $ of the plainest , most unornairi ^ hted '^ tfsban / Sre mounted arch and architrave , loaded and ovfcrtd&dM witfelme most minute and profuse decoration ; bedecked and tt ^ di £ Mifed with beading ^ and tracery , and filagree . ( The * T&iutt ^ f the whtie ^ being , that the upper-half of the ediffi p e hktitoHtiii ^ t dkil agrees with the low ^ r about ^ is well as some bth ^ ir utibef and
lower houses seem to agree elsewhere . < : ; >^ ^ ifhe ; phild ^ dphical prilicipks of Taste , like tW phtteddpiiickl priiii 6 i | ilea ;< 6 f morals , are few and simple ; but uriivetsifl ^ ajitoifi-. cable in consequence of their simplicity . They ftdm ^ &f Mhe uMiost Ireedoiii , and the widest range of imaghiatioh ; CottrmQh to ^ v et ^ ^ Ja ^ s ttfthe dbj e ^ ts of imagination , they nintKtd ^ MvkiAi thei Arts ; every Art .
hai ^ r ^^ alt abd object of Ri ^ n ^ iilf ^ f th ^^ ehfeAf t drtstifeuttdn of the feelings of man thfey fcbri ^ tite the standard of whatever a 4 dress 6 s these feeliii g 6 ; by"tehatby ^ r ay ^ S ^ aptm ^ m ^; ^ u- i ' * tMte is iiatWn e in these i ^ ul ^ s to dh ^ iii ddwtiMiieiixAtftiMQ tif ijnity t& ^ re | neralliW
a * 6 ^« h ^ iihifo ^ - afe notfeini ^ i ii tli ^ « iif thw * tefeaifeticy \ yhich minWer < pi ^ ofeiJtsitf ^ e e ^ ps ^ fir ISpc ^ l H ^ fiA-i ^ s fe which rfre age-c ^ stafe W i * oc % f ^^ MV | n vdlif alltd bfcfdy to 4 ts gtetfcuine ^ e ^ t ^^ npoti ^ iibt ^ ofwMtt femViem&aiii ^ tkM genital Art iriu ^ t Wco ^ d idmSSMg al i ^ n mti fe * . aay dpiiwh ^ i and eH to ^ Abte feii ^ P ^ tlM ^ e
h ^^ df ya it % tt ^ iltT 6 tii ^^ ^ pr « PPT O ^^ u ^ age —fe freWt eflqrescence of beauty as it springs reftt ^ aVifcte ^ < renewed combinations of national and individual FeelingV ^ d i » t » mgf ^^^ rn rki ^ riMti il ^ «^ h ^ p | ftgh ^^ 4 v ^ t ^^ ii lK lipfi ^ ^ ^^ pry expansion and regermination the heavy and the closely-fitted
Untitled Article
1208 Is there a Standard of Taste ?
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Citation
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Monthly Repository (1806-1838) and Unitarian Chronicle (1832-1833), April 1, 1837, page 208, in the Nineteenth-Century Serials Edition (2008; 2018) ncse.ac.uk/periodicals/mruc/issues/vm2-ncseproduct1830/page/18/
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