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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
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is brought ; intp : view * , the Ak ? xandrian tmpsl ^^ i ^ I ^ fel <^ : sidered him as intending the use of singing with instrumental ancomp&nimems . This indeed apjiekr § / t 6 hWe 4 &tf ° tl > e ctfrifStant Kabitytf DiiVid wfcen ' iifterW his
psaliViS of pr&isei As the praise ^ ertaiply is the ? heading object ! of iheHffcit&r , ancJ we have no word
ftburiangu ^ e which will denote fffalse by singing with instruments , t ^ eehb o ^ hctio ^ to jlran sJati ng i t ^ S fca ^ K at i ^ os ^ vi " I wit ac-• fcfacfwl ^ ffge jthee among the nations , ¥ > iif ftWfcV limV ^ bVafes unto ?• - -- . »^ T » I ; i- > r . _/ "K » " ¦* ^ -j-. iS ** ' ^ » j W" - ^ - .-. iii" ' ¦
^ * . ' _ mt tW £ mpTo # W 6 ^ d ^ cTenoti ng the mU ^ b £ & 8 mb * e : \ ii £ braer to fe ^^ e ? ca f iF 6 K ; fe : ' of the word , We ° iWt taW ^ are to avoid con . ^ ning , it-to sWgiM with the voice , 4 xciiisiveiy ol instruments , which
xne . wdm does not signify . ^ ypLt ^ W t is : « r wiii ife > it \ fpUjifet v and 1 will iiW >! p the tirtdferstauding also :
X ! WV . Mfffl * atoyyiiiib the spirit , t vvWf ^ Bff wi ' th the understanding 8 W ? ! W ^ - "ki-e-fcere unable ( to imSf S , ' TOqiDfe 6 ^ ex planation ^ B&w £ f « £ , # iisfance m the " last ^ gg ^ ifi ^ Jt i / not a , tr ^ sla"t ! 3 S W&fi ' ^ "tfybre ^ ' w , e seem rf ^ t ^ ipfefle ^ to lafee the wotd f ^ t ^ e ^ Flii W » , ' WUildut re-* ean ¥ %% S ^| M fa n ^ Si ge ^ 5 t ^ Jm' > e ^ HfleiTwk ^^ thT , 6 o-^ w ^ f / astf ^ fe / ilfc ^ ' ^ ffieii-X ^ maar P ! S , U !' -&intnofc ^ in
tmst-jr mi wip ^ asseiTrbiies y ^ an d : thi ^ Mte ^ ySs Wiftg ^ i&im ^^ imum ^ At ^ fcC ^ i 3 £ M ^ « £ icosu mfe > vhe * o be under the guidai ^» r ^« rf ^ toa
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understanding * So far is clear ^ * Hi ^ t yi irtpflfqfc ^ l » t what does the apostle mean when he uses fbe word ^ a \ co ( psalo )? That the praise : wgs the c ^ ieCpbi ^ t cann ^
be doubted ; " but if he bad meant praise without any reierencg to the manner of it , the Gre ^ R fan- * guage supplied him with sufficient variety ^ If he referred to si nging , to the exclusion of instrumental
accompan iment , he had a Word which he elsewhere emplof ^^ SSi , cidedly appropriated t&&ng ** tg He was writing to «> cotftxttopfrLif consisting chiefly fsee ^ Acts ^ iXvSfe ff . ) of G ^ ntileu co ftvetts , < a&ci&i tomed while heathens to the tftfc
of instf 4 iment 5 tl music in tHew « aligious services , 2 $% d : r ^^ d i ^ g ? JfliA city in which th ^ 'aLru ^ v e ^^ n iich studied a « d pfafctised ^ « 3 ®| j 8 ^ f excessive luxury aiid i ^ finefti ^» ur >
and he employed - w- vmm p ^ ctfcliarly appropriated ^ anaoftg ^ o ' tife Greeks ( when used-iin <^ o « he € tf «^ with music ) to playfcig ; Wi insltniw ments , or singing with-inst ^ irmtfJiv
tal accompanimi ^ H 4 s £ nd never used , in ^ tb <^^ d ajrsf fol" ! sifl&i » g alone , Psallo doesilftfe ^ ngli ^ llW ^ to praise God (^ y >^ gi «^ w 4 tlisiflPstrumeRtal ftccompa < wm " eiirt ^; Y # fe ® t it d ^ es ^ ttt n * ea ^ 4 or |)^ t « e ^ abd £ M any vthet Way ^ -i Th ^? - 1 ^^ ^ sf q it would not Wave ib ^ en A ^ » Ws ^ ft > l 6 S ** j-efer ^ iicfe tp 5 prtftap * m gert ^ mt ; 1 may ^ y ^ ith ^ c ^ iifiitefite ^ ( a » ^| 8 " as my prt ^ eil t Wioafrts of * jud ^ mferft enable' n ^ e to 4 ^ d ^ , tt } i 4 I bav * sought for aU l ^^ w ofr )^ th * it St
wauId ^ W h 9 vtB"ijeeir inadmissible ^ in ^ nu ^^ f ^ i' ^ m ' ^^ m ei ^^ m ^ vUMym ^ f ^ in ^ l ^ fne apostle i ^ d ^ Tli ^ aufeato cuPciMrf « Q t h ^ i tMittiflfliti ' fl . flairflmtt < frti hohimmm . iliiii c ) m 4 b £ f ^ OUvUSVJrJn uRWi ^ wCy ^ lx w ^ IF « VBDTO 9 > " 1 ™ tjW »« P ^ ofa ^« H ^/ jto ^ inbtAc ^» r « w » pd * w »*» J
Untitled Article
Xtoihe fXse of Votftlnnd InstrkmiMal Music in Public Worship . 117
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Citation
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Monthly Repository (1806-1838) and Unitarian Chronicle (1832-1833), Feb. 2, 1813, page 117, in the Nineteenth-Century Serials Edition (2008; 2018) ncse.ac.uk/periodicals/mruc/issues/vm2-ncseproduct2425/page/37/
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