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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
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hands treaty years agp * ami of . which this first $ tatttz& nmsln my head . r do
AH peo ^ earth d * rd f , « -Fi ^ Wfcetiy le * tisf sin # Tfee p * fci £ e # © fcthe
decision rhightr a &e * * h > be correct considering the Dake ^ f Wellington ' s aek ^ w 4 e 4 g&d hstii-breadth escape from a ruinous titefe& f hy the unexpected attaitiitttetit of a * signal victory . ** I cannot takfc leave of your correspOftdfcht WfthoKit giving fall credit to Ws loVe of peace * and joining him in a
wish for " permanent tranquilHty , ^ a gdod fbi : which we can scarcely Veh * - t& * e $ & tope . " We differ onl y from the different s&p&ets under which we have viewed oUr subject . He apptear * tefrave ittibifoed some portion of the enthusiasm produced by the late hey * day of victory , and can contemplate
M th « potnp and circumstances of gfo ^ y ktas war , " while I have indulged the idber sddhess produced by beholding the ifconster stripped of the specious h&bit which he wears in the vriasqnefade of civilized , arid especially of fashionable life , and appearing in hativfe deformity , dreary and disgusting . PACI'FICUS .
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b ^ t from fTid * j- ^ n ^ t a desire to sufeniit to eu ^ eno * wwdom htit a . 4 rav ~ ing afer ^> ppontfri } t ^ t <> ^^ jrt our ^ wr ? creative powers . Far tBUth ^ sp irit ? of irtquity nasy beeh too often refri ^ nted 5 for it k always ^ easier to feel that ^ think , to wondar than to examine * The love of mystery * so far as it ex * - cludcs reason , is a sensual gTa&&eat * oft * though of a noble kiftd ; for it is th ^ absorption of perception in sensation ; the triumph -of the sensitive over the intellectual faculties * Still it must
t . . . . T . .. - . TJ ¦ . , * In the notes to the last edition of his Poems Mr . Wordsworth has preferred a charge , against Unit ^ riaas , which comes from too high a source to be passed over in silence . - After observing , that the readers 0 $ religions poetry are liable to receive a strong prejudice in favour of an author vrh ^ se serir timefits coincide with theirs , and as
violent an aversion to one who maintains different opinions , he thtis proceeds : " To these excesses , they , who from their professions , otighf to * h& itiiost guarded against theii ^ ate perhaps the most liable ; 1 mean those sects whose religion being from the calcur lating understanding , is cold and formal . Foe
when Christianity , the religion of humility , isybunded' Upon the proudest quality of ' our tux tare , -what can be expected but contradictions ? Accordingly believers of this cast are , at one time , contemptuous ; at another , being troubled as they are and must be with inward misgivings , they are jealous and si * s «>
pieious ;—and , at ajl seasons , they are under temptation to supply , by the heat witt f which they defend their tenets , the animation which is wanting to the constitution of the religion itself . " Here all the misgivings ,
jealousies , contempts , and contradictions imputed to Unitarians , are traced to the circumstance of their founding a religion of humility on the " calculating under standing , ** " the proudest quality of our nature . " But how can any quality ' of ' out nature be termed proud ? Pride is a distinct quality of itself ,
and though it may be mingled with others in operation , carmot enter into their aubstance . Besides , reason is a power and nqf a quality ; it may possibly produce prtde ^ but Can no more be proud than sight , hearing or taste . All that can be said of it , even ing or taste , jyh mat can oc saiu 01 » r , even
uV correct language , is , that it has a tendency io nx ^ ke those proud wfyo take most plett ** sure in its exercise . But is not the imagi * nation liable to the same charge ? Nay , doef if nofc ' lead more naturally to self-admif ^ tioh wiieu it enables its podiessoVs tty . franle
worlds pf their own , to create t ? ho ^ g Soii « % hey are to reyeH * , to rrise in the khidlirtg nj ^ sty of tlieir bwu couc eptkiiis ? 1 ' ruthg Xylych f ^ tjje ^ bje ^ pf t \ m yewsonac , eai&tn \ i u ^ lep ^ n 4 e ^ tl { ^ , qhii ^ , 4 ^ ^ e ia uniy anxn ious tp fi ^ i said to enjoy it . The maOer Utl « gf the poet ^ re stored withj ^ Wm ^ ejf , an 4
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from On Poetical S&pti&m . No . II . £ 17
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On Pottical Scepticism . No . II . * Sf * , PJIHERE 13 no sulyect on T ^ tnch Mi the orthodox believer and tbe poetical sceptic more entirely coincide , than
that of mystery . It cannot be denied that there is something congeflral to the human mind in the contemplation of objects which it $ ees but m ptsrt ; and this arises from its JxerpetuaMove of action , and its partiality for its own creations . W ^ fren a rq agnificent object Is placed before our ^ f * to full proportions , Jittle more £ left 6 i buttoeafee and admire . But ^ nte'k gteoin ^ is thrown roundT it 3 S 2 , HC conceals it from actual 2 ^ Ti ^^ ^^ Iff Jf Lw ^ vpjut fiithouajand lanta ^ i ^ s oc-r iirrtw . Ik'wCC ~ Ol A MrtOTlft VJTUWtt WllxCn ^ Tffl'ml ^ -wF' ^^^ ^ # f ?? PTO'WMJwft y ^ jwy
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Citation
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Monthly Repository (1806-1838) and Unitarian Chronicle (1832-1833), April 2, 1816, page 217, in the Nineteenth-Century Serials Edition (2008; 2018) ncse.ac.uk/periodicals/mruc/issues/vm2-ncseproduct2451/page/29/
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