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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
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Sir , tiv&pbpl ; 4 tiij / iht 26 lk ;< lS 28 . The favourable reception which some former extracts froin itiy journal have met with from yourself and many of my friends , induces me to think that a continuation of them may prove acceptable to your readers . The notes which I made during my late tour are on too extended a scale to allow of my communicating the whole to the pages of a periodical ; but I shall endeavour to select those parts which I imagine wilt be the most
interesting , begging your readers to bear in mind , that if there be many things which I omit to describe , this may not always be owing either to my not having seen , or to my not having observed them .
SAMUEL WOOD . March 19 th , 1828 . I sailed from Marseilles , in company with my f riend Mr , M ., in the Naples steam-boat , a vessel which was British built , and had originally plied between Glasgow and Liverpool under the name 6 f tM Superb , but had since been re-christened the Royal Ferdinand ; The next morning we were in sight of the snowy peaks of the maritime AlpS ; td the east of Nice , and afterwards coasted along a bold range 6 f the Appefiriines , ' the bleak and barren character of which was only occasionally relieved by
the scanty forests which clothed their Sides , and by the White towns whicH were situated at their base ; so that my first view of Italy did riot at sill correspond to the abstract idea which I had forrried of that beautiful and classical country . We did hot reach Genoa till nine in the evening , atid were obliged to pass the night in a miserable vessel ik the harbour , instead of a comfortable inn on shore . In the morning , after going through various formalities , we were allowed to land , and soon found enough to occupy arid to interest our attention . The town of Genoa is built in the form of k
crescent , on the slope of a mountain which forms part of the Appermities . The streets are remarkabl y narrow , there being only three which are as much as twenty-five feet wide , and the average breadth of the rest no more than six or seVen ; yet it has obtained , and well deserves , the * name of Lti Superba , from the magnificence of its palaces , * for which every thing hsfs been done which united taste and opulence could effect . They are truly splendid edifices , built generally of marble , with noble vestibules ; staircases , and galleries , and filled with the finest paintings , 'the grandest are the King ' s , the Sera , the Doria , and the Dtirazzb . I went through the last of these , and can scarcely conceive any thing more magnificent than the
principal suite of rooms which Strangers are permitted to see : thd loftiness of the ceilings , the choiceriess of the paintings , and the air of splendour which prevailed throughout , seemed td announce the residence of a prince rather than of a private individual . The chutches are equally fine ; and thbu ' gh a critical taste might pronounce the profusion of gilding and painting to be not very strictly in keeping with the character of religious edifices , no one can help being struck with the splendour of the general effect . The
* Our word palace denoted the residence of a prince or a bishop , but the Italian palazzo has not so confined a meaning ; it is used for any house which has a court inside for carriages to drive into .
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Citation
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Monthly Repository (1806-1838) and Unitarian Chronicle (1832-1833), Oct. 2, 1828, page 679, in the Nineteenth-Century Serials Edition (2008; 2018) ncse.ac.uk/periodicals/mruc/issues/vm2-ncseproduct2565/page/23/
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