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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
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^ nrA' ) i , t ^ - - ; « WouH that t ^ rerea I ^ ihtcr !^ " •* -- " ' * : u- < -1 i > - * i , jo > i ; : v * n * - . ¦ . . ¦ . - ¦ ¦ . ¦ . -.. : ,. . . v , , ,
3 jf « fasPxau ^ envifible things artistical power , in ajflj , q % J ^ bj ^ fgrrps . ^ F be D Ek « i li of oommunicatiog forcibly and cpinpj ^ ly ^ jiqli ayicl |« i 4 ^ emotion—of so moulding the material of ili £ u orld as
|» -tttsiite the reproduction , in other mi ads , of a feeling with ^ riiich ^ we h « . ve been owselves deli g hted . Be the ixianxediatje 4 & § taimieat the winged word , or Parian marble , fleeting as the blaze and brilliance of the rocket , or fixed in the pyramid - —^ f ^ * Oo £ tse * grained block of the Scottish mason- ^ t Ke ivory , gpl ( 3 , - « ftc ^ getns of the Olympian Jupiter—choral eciu ^ or glvQWJng ikgAowri ; or better than all—^ eternal letter-pres « . ; - ~^\ j ^ t is pjje -ratfbdtiit eneryiinode and manifestation it attains a shi ) iJarq ^ c ! l . il ^ iod communicates enjoyment to oiind , through tluq n ^ diuyi defrruiu ^ oiiaeto ^ is matter ; undimmed , uadulied ,. un ^ prp ^ n , in
ikil& trkngbiis&ioB . , . r erfJl&U juit ^ at the present raomeut I ^ nvy ^ osi ; of jilL ^ e - bight *> f > the * draughtsman—the limner—of him ^ wbfl ^^ Q ^ s Expression by simpf * outline . I say efFeets expres ^ ipn ^ the ikHtoowatibnof ^ Kithae—the phrase may be cavilled at by pracbtiArfl irituts i ifop > I iiave Jieard of the art of paintings being o ^^ ntificttilyout ^ tqi into chapters and vei-ses top- — -the hqads of
fe tlw Mitefe « bha { ytaYfi being—Dra w i r * g—Com positiont- ^ -ColQur 1 p g ii ^^^ n ^ BxiirettsiQn ^ HiThe substance of the three first of tbese bi » S ivbcJievej ^ fafiaed and sub-divided with Bp fficieutofamyi ^ - V OTfWinjjjjmiifagt -i& 1 said to consist " in a cqv ^ i ^ f > orn ^ mn § . i < XAffimpte »< &iiayHbB appended in any number , . of ;* apii .. class of
excellence ^ ^ oii I have heard of picture * sUowiqg ^ fn ;^ ^^ jin H ^ miTrngvi Ibujt destitute of expression ; be ^ MJf , ^ , 4 r ^ vin g ^ ilU $ K <^ iuifflte < cortpoeition , uaaccompanied with a j ^ rj ^ cl ^ pf tbi abuse ord pr ^^ t
^ aaqlU ^ iwfei » of excellent w s I vcben } enU # ; ; lf * fk ehtv * t ttyiTe is beauty , there is—ifat ¦ . i * ^ 1 ^ $$ j&igp . HJWhfcrJwr there is deformity—ugliness—tbqt is- ^ E ^ r ^ i pjp : i ^ WWdiOmoi ^ d olotOTP are expressive , and bo- are graceful Hn ^ s ; ^ » lldilfet 4 A ^ tnJieidiftCQrdant and awkward , they . ^ vill he expx ^ s-Ogrffctqititk ^ iBannf » 8 ip * b ii thebe ^ k wor 4 in t ^ e wqrk ^ , to j ^ g £ i | fy '^^ e ^ wttiirf ; > &m » itiAfe a dgctded ijnpuUe to thp uu ^ gui aJH ^ n , - ^ r ' triiAft /^ ihpM ^^ BabUmityr or ^ y of- t t ^ irmU ^ r ^ ^ d s 4 n&e 1 i ^ nobtuppc ^ emtrxsh ^ ij&j i ^ tju ^^ i or bkMltotow ^ rfra ^ tUg ^ venj ^ Jii ( i mi ^ inn ^ J ^" < € Ntto |^ l | Df ^ tti « i «< fc ^ « o *^ trt ^ lba 8 tJ ^^ ilyJi & % ^^ » g |»< Ma % wihi | i ^ i ^ dmyfa ^ ^ K ^* pew » qPip Aif »* 3 bAPxflWf y
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* S" < tt ^ i ^ v , ; h / : f ^^ jj ^ xpR ^ gsioJ )^ ^ ,.-..- ofesu : 4 b -it > bi / i ;
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Citation
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Monthly Repository (1806-1838) and Unitarian Chronicle (1832-1833), Nov. 2, 1836, page 696, in the Nineteenth-Century Serials Edition (2008; 2018) ncse.ac.uk/periodicals/mruc/issues/vm2-ncseproduct2663/page/44/
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