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    c. 6, l8 j _ ^_ — _ The Publishers' Circ...

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  • Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.

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    I Mji©Aztinb Volumes.

    H Mr , it lering is gratif the ying keen to rivalry notice that existing English among productions the art publishers hold a position of different which in countries a measure in second to The ificent workof art in Paris

    B ^ \ described as none . magns produced are K ! U \ ^ tioiiabl Tiilerable y unrivalled distance , but A they periodical are published such as at The a price Portfolio that keeps ( Seeley ordinary & Co . ) purchasers is almost

    H ^«< . ¦ a ^ . T 1 - ' tn Ti \ It the TILO is view V J within -t / W the \ J 3 . L % J the choicest V 11 V 1 WU reach V treas WJ . VUIU of ures tCi all persons of V ^ J- art IVl V ; of its - * . W » J moderate descri U . VMVX J . ptive |^ f VA V V mean - » matter lllt « Ui s ; month unites U 11 XUVU sound UV after / IA 11 . VI . month informa XJL 1 XV 11 HU it - ' , L"

    I itli honest critical analysis . Perhaps , however , it may be impertinent on our part E 11 / ' i M Lst to year praise Mr . the Hamerton work This of ' s work a ' Imag writer in ination , its critic in and Landscape leted editor form of Painting Mr we . have Hamerton y noticed has been ' s standing in appearing another . During in art the of Bl ^ of The Portfolio . comp p

    K nresent number . The biograp , hical studies in The , Portfolio strike us as being par-Brim Bularly ' been < ' < > od hacked , in so . far « to j auie p as ieces the t by subj previous ects and comp xtxi treatment ilers iiiiiiit . Mention j general ix l lilvi should y are comparativel be ouuwiuuis made of y Mr uni new . F , . not iiiu G .

    ^ ttliheiis stuay » r am , rv . A . ; »» A <; . a jsu , vyji .. ; x >« u . K K ... L H 1 -C by )) v J . T Beaving Letherbro ton w Atkinson . All these ; Luca contributions della Robbia are , b enriched y Cosmo by Monkhouse examples ; of and the Warwick various

    artists' works . The editor - » . has been fortunate — •¦ - ^^ ^ " ^ ~^^ ^ in ^ ^^ ^^ ^ his ^ ^^ B *^ i r year v ^^^ ^ -mg ^^^ ' s p f ^ selection ^^ ^^ rf ^^^ ^ hp' ^^ ~«^ ^^ ^^^ ^^ ^^ of ~* - ^ ^^ . descri ^^^ v ^^ . ^ r—^ ^ t ^ ^^ ^^ p A r ~^

    -tions of notable places . ' In the Campagna , ' by Julia Cartwright , is a delightful result of artistic observation r . Equallworth

    —~^ ™ » ^ p * ^^ — ri r w ^^ ^^^ ^ ^ P ^ r W ^ mf ^^ r . ^ L V ^ 'VF ^ V ' * ^ <& ^ b ^ ^^^^ i ^ ^_^ V *^» m- " ^ ^» ^» y V V V ^^ ^ K * ^^ ^ B « h ¦ y of 4 Hatneld attention House is . Mr ' . Our Sidney illustration L . Lee ' s

    4 Queen Elizabeth ' s Garden / is selected , from this article . Needless to say

    the history of Hatneld is not less interesting

    than its surroundings are

    beautiful . Readers may

    Jreinember that in the gardens the

    Princess Elizabeth — — was — sitting

    - ^ 3 beneath a favourite oak when

    the Spanish Ambassador h i arrived

    - ^^ - ^^ v ^^ v- ^^ - - ^^ r- ^ v ^^ v ^ r ~— ^^ . ^^ — ^—^— — ™ ~ - ^—with the news of the death of her A

    sister in the Mary hall ; and of j

    Old Hatneld Palace she accepted

    the crown of England . The

    ^—^^^« ^^ ^^^ H ^ k ^^ ' ^^ ' ^ ^™ —— - »—^ ^ — — - — — foundation of tlie new house was

    laid in 1607 . The ^^^^ (^ ^» ~^*^ < ™— Art ^»^ ^^» ^^ Chro ^ — ^— ° — — -

    nicle , ' which regularly appears

    in T / ie Portfolio , keeps its readers

    abreast of the times ^ h * ^^ ^^ flt ^^^ ^^^^ P ^^^ ^ in ^^ ^ P ^ «^ P . matters ^^ m ^^ ^^ ^ N' ^^ ^^ ^^ ^^ ^

    of interest . Every month ,

    ¦ ¦<> fe , tiny < Vc ., are which supp are lied perfect with at exam least ples three of their full- various page pictures modes — - in etchings addition , mezzo to the tint numerous engrav-W P' -itrjitions the continued appearing care they in tho bestow text . in Messrs keeping . Seeley up the deserve fame of the this thanks exquisite of Eng magazine lish art . -lovers

    ¦ * ^ " l pi " More « . sn h tra tra are iits ts few than than Eng the th « lish X iAi . elsure magazines anr « Sour ivnnr which ( f Keligious TtftliiurioiiH have Tract Tract more ? SocietvV Society successfully ) . In In kep itw itH t pages Datres up thoroug the the truest truest hly

    Jrius of the home life of this country are faithfully pictured , and the entertainment provided 1 "Stained succeeds without in adventitious aid . Knowing wliat our countrymen want , the editor

    [^< llly satisfying their desires as far " as literary rood is concerned . Authors I 1

    Pc00701

    C. 6, L8 J _ ^_ — _ The Publishers' Circ...

    c . 6 , l 8 j _ ^_ — _ The Publishers' Circular , " A ^> | c .

• Citation
  • Publishers’ Circular (1880-1890), Dec. 6, 1886, page 1415, in the Nineteenth-Century Serials Edition (2008; 2018) ncse.ac.uk/periodicals/pc/issues/tec_06121886/page/7/