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Wk ^ ^ BKIi Ij^ * jgjjg » *^ff W ^fW ^ *...
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9 SHE. The worthy Irish bishop, who cand...
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
Additionally, when viewing full transcripts, extracted text may not be in the same order as the original document.
The Imperial Jubilee Institute.—The Grea...
it disproportion lr . It' ^^ canno * fc *** . »¦ « b ^^ ¦ t in a > k >^^ be this " «» . ¦¦¦ said ir treatment var-aw bw that there ¦¦*¦ . The is any French real
troversies R ~ VJL f » i ifcTnf * evo Jr ? ^^ VA ^ ^ l utionary K 7 XVK 7 arising iVaV ^* r XDAlXg War out VUW w an V of d * w- the »™ it * l w , d the — < domestic w * .. a . ' - of w —— history . » . the » . Mww . » Irish h ^ con / of ^ -
Orat Rebellion tan b ' P b ar bbtib liamen th bjb e b P t ar b in liamentary b I re an , Union with
«^^ b ^ F ^»» b ^ ^>^ <^> ^*^^ ^ b * t •¦»•¦* , V ** . »»^> ^ r ^ m ^» ^ . » ^^ ^* ^^ w ^^ " ^ " ^^ » * — "" — — ' — ^— ^ g ^ — nrst fi Eng rst . land Administration Administration , nearly the whole the the reconstruction reconstruction course of Mr . of 01 Pitt tne the ' s
Tory party under fyim , , , and the schism in the Whiparty—these are the : main political
events g of a period which has not yet had any competent English interpreter . In Ms four
previous companionship ^ mw -v . ** - « b » bW 1 > M * rw ^ f * mima *^ mmm - ^ mr BBBBBVBVBrBBvBv volumes ^ BB nr of ^ mrr b »» Mr Lord ^^^^~ ^ . — ' ^^^ Lieck Stanhope - - ~* — y ~~ - - ^———— has - — u- - — , w had whoge - - the - — -
history Mr . Leck E has ngland now stops reached at the the point which J . 783 and vbbh bbb inc b luding y tfye two preliminary , year volumes ,
v >> w .. ^^ , ^ m BH ^ . ^ jv ^ ^ Bk ^*** »^^ . ¦¦ ^^^^ ^^^^^^ ^^^^^^ A - B ^^ » ^^^ I ^^ ^^^ B ^^ ^^ WT A ^^ ^—^ ^^ — — 4 m — mM — — A — - , ^_ practicjall c which enturfr *^ ^ deal y covers to with that ) the the . * date w rei . hole gn Mr of of . the Queen ^""^ . eighteenth and Ann Sir e , _ ™^ » up « , ^_ , __ Massey ^ Bk _* •¦ . « . bb ~
Archibald Alison are but imperfect ^ substitutes ^ < narrative for rh Lord sty Stanhope b le ¦ - - ¦ v ¦ ¦ ¦ faculty h i , wl ^ of ose ~ arrangement easy and pleasant
politi-^ BV ^^ v ^^^ gr ^^^ ^^ Bb ^ v ^ ^ b ^ ^^ m v - ^^ nbp - ^— ' ^~^^ , & ^ r- m " ^ ' ^ ^ — ~ ^^^^^ — A — , ^^ ^ cal compensate ^ knowled . ¦ * ^ B & in ge , a and great . ¦ fairness ^ degree for of . the jud almost gment
infantile character of his reflections . It is to be hoped that recent disputes will not convert
Mr . Lecky from the historian and the
philosopher into the polemic \ .
Wk ^ ^ Bkii Ij^ * Jgjjg » *^Ff W ^Fw ^ *...
Wk ^ ^ BKIi Ij ^ jgjjg » *^ ff W ^ fW ^ ^ ^ ^ < Mi ^ jayya M ** " ^ ! *^ ^ ^^ ^ **^— *^™ * - ^ " *^^^ " ^*^ T y" ^* "r ^ T ^^^*^^^*^?—^^^ : ' : ¦ ¦" : "'"" - ' - >• ¦"¦ ¦^¦'¦^ " - ¦ W ^ P ^ T " " ¦ ' * " ' ? 5 ' f 4 ; Thd Publish - ers' Circular ] £ & . ! $ , tm $
9 She. The Worthy Irish Bishop, Who Cand...
9 SHE . The worthIrish bishopwho candidl
avowed that there y were some things , in * Gulli y - ver ' s Travels' which he could not believe , has
been almost put into the shade by some critics , public and private , of Mr . Rider Haggard ' s " latest novel . They ignore the force of its
imaginative power , taking a heavily prosaic view of a singularly romantic fiction . Should any critic of this calibre undertake to write a
similar story , he might be open to Sheridan ' s scathing remark concerning the unfortunate poetaster who wrote a poem on the immortal
bird . Sheridan's criticism was brief : * It is a poulterer ' s description of a Phoenix . ' * She' is book that must be readIt cannot be de
a . - scribed . We have seen various efforts at descriptionall f utilqbecause the narrative in
every way , defies the , most expert epitomist . This shows the subtle charm of the story .
the Desp reader ite its array is impelled JL of startling to go C ? on _ impossibilities ^ from . . _ beg _ _ oin- , #
ning interested to end alik with e in unflagg its natura ing l as excitement well as , and - . ^ natural creations . The mingling of these super and
their in that strong contrasts feature we has think been the condemned author shows , but very
the genius remarkable . Jules ori Verne ginality is- and the strength greatest of living his
the exponent unreal . of the Some art of of the weddin sentences g the in real ' Sh and e , '
it it is is true true , , give sriva the thfi reader reader or of books lioolca of of travel trn . trpil a momentary and indefinableflash of recollection that he has come across ^ something similar
. before , but this is natural when one takes into account the sameness of African
travellers' experiences .
' ' 'r '' ' ' ——¦ . > IT . IiOnaon * She : : Longmans a History ; , of Qreeh Adventure & Go , . By H . Rider Haggard .
1 ! It is not our intention to emulate the en examp deavo le u ¦ r of to some place the con ^ t weird emporar plot ies of in ^ She th e ?
and of - ^^^ ^^^ p ^^^ v — t ^ ^^ he - ~^^ r- its ^ ^ _ dark ^ ^^^ vivid ^^ m . mk continent ^—^ mm ~— development ^ m ~ mu ^ ~— mm before — — — < i our amidst m \ readers — «¦ ^ A the m mm .. . wilds _ ^_ The mt mm mm
su intro bsequent ductory startling story which ^ adventures gives occ is a as ingenious n for the
as fiction anything and we we may have add met that with the conception in romantic of
the ^ idea ^ ^> , of a lovel ^ ^ y heroine mm A of two - thousand * ^ mm years W \/ l . V fc p ^| j ' standing tf V « W ** V % ***^ k < is ^«^^ the ^ rm + Mto -m * - boldest wt * ~* m * mm ^ mm ^ rm ** T ^ m we vv - ^ r can ^^*^ w ^ . remem ^ ^^ * Jfc ^ - ^^ - ^^^
-ber , except the * Wandering Jew / Mr . Rider Haggard excels so conspicuously in startling descriptions that we take occasion
respect to give . two The examp first les is a of wild his ni power ght encounter in that
between a lion and a crocodile . ' * ¦ Then followed an extraordinary i scene indeed .
crocodile The lion managed half standing to get and well half on to swimming vthe bank , , still the with ni pping the his sound hind b h an leg d . then «« He roared w m w ith a till the vage air shrieking quivered
dile snar ^ y ^ w ^ mm 's l , head turned m ^ mm ^ w v ^ v ^ * ^ ^^*^ ^^ round The - ^ p ^ , ^ v ^ ^ mm crocodile * ^ v ^ v and ^^ ^^ - ^^ w ^^ , clawed shifted ^^ ^ r ^^^^ ^^ hold ^^^ his ^^^ ^^^^ of ^ gri ^ s ^^ , V the p ^^ , ^^^^^ having ^ croco ^^ ^^^^^^^^^^^^ - , V ^ as ^^ f m ^ T w V * e ^ bF afte ^^*^ P ^ Ib ^^ ^^ T ^ r ^ B war w ^ ^ fe ^^ V ^^ B d ^ iV ^ W ^ s *^ di ^^^ B ^^ " ^ scov ^ W ^^ P" ^^ T ^ e ^^ B * re ^ . ^ F d ^ Br ^ B > , ^ B had ^ B ^ B ^ ^ Bf ^ P ^ . ^ BB one ^ B ^ BB *^ B * ^ BB * of ~^ B ^ ^^ B > his BBBi ^ Bk . *> BbT eyes ~^^ F ^^ M ^ BB * ^^ Br
the torn lion out , got and him slig by htly the turne throat d over and , an held d instant on , and ly t B ^^ h m * m m en ^¦ B' BBBB over ^ . T ? ^^ r . BB ) l ^ an B >« B Bfci ^ B » d ^ . ^ BB over " ^^ ^ ^^ B ^ ^^^ t ^ B ^ h ^^^^ ey ^^* W ^ ro ^^ ^^ ll ^^^ f ^ PBB 1 e ^ P d ^^^ B * upo ~^ B ^ P » ^ BP ^ n ^ B ^ B > t ^ BP ^ h ^^^ V e ^ B * ban ' ^ B' ' ^ itf ^ B' ^^^ IBP k ^^^^» , W
stru their gg movements ling hideousl , but y . when It was next impossible we got to a follow clear - view Y A ^^ * T the ^ . BBB ^^ B ^ tables «^^ 4 I ^* " Ik- ^ B ^ I ^ had ^**^ B »^^ Tb . turned ^ # ^ BBkBBBj . ¦* - » - ^» F " *>*•« , mfor ^ ""«* . »¦» the ^^ ^ B ^ - *¦*• crocodile ^ , 9 M \ m ^« V ' ¦««>^< F' ^ B— »¦ 1 ^ J * , B w « V h >¦ WM ose ^^ T «^ ^ B » . ^ . _ . fe *^ K
bod head y seeme in his d iron to b j aws a m j ust of above gore , had ^ he h got ips , the and lion ^ was . ' s squeezing W ^ J ^ . VApfp ) ^ mm ^^ BF mam ) m * ma ^ m ^ ^> mmm mf . ^ him ""^ Bl ^ m Jb ^ bB . and BjlBf . B »^ B > VBBV shaking v ^ ^^^^ Br ^ B ^ V * ^ BJ ^ BV ^^ ^ B ^^ B' ^ BBIK ^ hi ^^^^^^ m ^^ BBBJ as to ^ B * ^ BBP an ^^^ BT ^^^ BB d W ^ fro ^ Bi BBI V BF . pBf For ^ . ^ « B «« _ ^ . _ ¦
an c his law d part i fixing ng and the his biting tortured great hind dl brute y at claws , hi s enemy ri in ng the i ' s sca agon crocodile ly y head , was ' s , , comparative Vb / 4 bbV % l NbT •(¦ bww king w Vi soft t b h ibb roat bb r- wbb ri bw bw bhv i b »> bb-hk it . ¦ . - ^ r H n bhv
as h * one BwvT VbtWbTM wou **^ W v ^ W l ^^ d y W ri spea " p ^ m a g lo ve ^ , y . *^ ^ " ^ ^^ ^^ ^ - ^^»^^ . ^ r , m pp w ng ^^ mr ope ^ mr ' Then k jfc » m " B » f m m all m . f . »¦ . » of a ¦ ¦ ¦ sudden **¦ >«•> ¦•¦» ¦»* — the VBi b end *• - ¦ >¦¦•• .. ¦ •> a ^ came ¦ V'w m ^** . m The * mmr m m , »^ lion a > k . sbsbs '^ s bt V >« ^ ^«^ BB * , ^ . ^ * the . crocodil , * ^ ^ " - ¦ < B . BB ^^ . V
an head aw fell ful forward h on e die * dand the e ' s crocodile back , and after with standing for groan a minute mot , ionless , rolled slowl , y over on m ^ m his B »» m »*^ sidehis *»¦¦» bb jaws still - ¦ fixed bi across btb * b » the Vbbbb carcase -vAbT vVbbWWbv
of « B ^ fcho . lion ^ mr ^^ p * Ab " ^ which , m . ¦ ^ w m we *~ w — »— ' afterwards - ^ ^ v - - ^^ ¦ ^ " ^*^ ^ . r . found . b * v ^^> ^ . ^ he bb ^^ had ^ . r bitten B ^ ^ . r >^ ^ . r almost iii halves , . What a roughly powerful picture ! As a
semi awakens -contrast reflections we select respecti a quieter ng a scene life , of which two
thousand years : ' dBVlWBjB As PBBT we V V ^ mr hurried BVB « BI ^ B ^ BB . ¦* . . >>¦ BJ VB ^ down - ^ r ^ v V V - the - ^ VIH ^^ ^ B ^ stair V ^ BF ^ BT ^ B ^^ WBJB . BWJ I observed ^ B ^ ^ b * T * JBT ^ B ^ Bi"V B / ^ V - ^ VWl that B »^ BBbbBV bV ~ VF ^^ ^^ " ^^^^ ^* ^^*
t h hat e steps some were of them worn had in t been he centre reduced to from such seven an extent and « a jy half ^ b ^ b ^^ tmrnm mm i mm nches bbbb ^ ¦ t . "b—w ^ mr , « _ at b » bi bvt which » w ¦ > " ^ ^ ¦ » r - ^ - ^ ¦ I guesse f * 1 ^ . * ^^ bb ^ t ^ ^ b ^ d ' —¦¦ their - ^ —^ m ^ bp « bjb ^» ori ^ b ^ b ^ »¦• . ¦ g ^ "ft inal 1 * " " * TV ^
hei other ght steps , to abo that ut II had three seen and in a the half . caves Now had , all been the practical m ^ f mm M < ¦ ^ b * " ** ^ b » > 4 JW ^ l »* y W unworn " »¦»¦ b-b » w w - ^«» B— > B . ar , as —rv was t —• bj - ^ to w >^ - be -v ¦ ¦»_» - expecte < w ¦¦ »*¦ »«^ —«•• bj ^ ^ v d v * g , see b *^ ir ^ b ^ i —b ng »> b » b ^ b ^
that that the of onl those y traffic who which bore ever a fresh passed burden upon to them the was tom that Tl . fr . ~ "r b curious ^ . * " bi" *— Therefore s » ^* r wa r «* forc mm- * r «¦¦ » bt e -b ^ - with « this r " — •»'"¦ " . ¦ which fac ^ ¦ ' ¦ . t - ^ b- «— stru - » "" littl -j . » w ^ ck e -b »» ' things b * my > . ^ . ^^ ^^^ r ^ notice ) ^^ do ^^ ^^ ^ s" ^ trike with »•¦ mmm ^^ l
us sud den hen rus ou h r min of powerfu ds are a l bso se lu ns tel ation y overwhelmed ; beaten f lat by , as a can it were eso , like that » fc # | fc *^* l a sea f beneath little ¦*• ¦* > ar object - ^ . r the firs on t the ** ir «» burs fR ^ bt surfac »^ r "w t ^ bj ^ of * t *> mv ^ a e ^^ h starts urri iWi
-^ into aiVAf *•* ^** , an •^ ' ^ b ^ unnatural w " * « every ^ f ^<«» V •* prominence <» *»• r ^ a - *^ " . ^ > m . -yw At the bottom T *« -f »* . of wwt and V- he WAJIV «> staircase Ayesha - * lt / V # lv # AJ . » JV , ^ I turning V stood ** -V *** Mm \»^ and , 2 J ) saw P ^ -A ^ W » stared l me WWWf . at Wonderest T the V " ^ -V *»» worn pWW *» . ^ w W V steps thou V *» W" - ,
whose are the feet that have worn away the rock , my mine Holl own y li ? ght " she ffcet asked ! I . can " They remember are mine when — these even
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Citation
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Publishers’ Circular (1880-1890), Jan. 15, 1887, page 4, in the Nineteenth-Century Serials Edition (2008; 2018) ncse.ac.uk/periodicals/pc/issues/tec_15011887/page/6/
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