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Publishers’ Circular (1880-1890), 16th January 1888, Edition 1 of 1, Page 5

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      Abmavaiwsnbhmmmi Dictionamy Qm T- , — B ...

      cronAi 11 ktiowh '^^ iirtiitti attentive ^ student iiiMaa of the ^

      » . aB ^ n peri nsed results ^ WWi of ^^^^^^ i ^ iWiJ

      cdPa , the labc . ur ' of-a lifetime The sta conc ntKiU Wp that ^^ Carlyle jMifi ^ eatimate piii- ^ ^ ie Cronmell ^ isili

      as bl Cromwe a to hii ^ U iPifiiKMfc ^ letters kn ^ i gpeMlies ^^ lMf . ^ rf eaas ^^ fttffiyall irresistiS : .

      con zeal y " « and ^ ^ i $ ) # £ m % feji * ^ * imMffic ^^ &^^ religio ?^ t & #

      m ^^^ mai ^ aM ^ ii ^ iiifelf ^ beaj € <^ ^ Is fhe ? crUacal biblio uxu » x ± w ^^ iarc & ph * pi *^ v ^ ^ «? t ja ^ . wjti aii . & M ^ . jt « ^ . g i to i > u nearly fi ixv ^ e c cuituuiui ^ mn '& , ;

      indifferent and In ^ wfcE ; ' & " hMall fo * j - fche the vlife sources of , good Crotnwell , bad , and are investigated . " ^ T '^! . , ' ' . ' ' '

      this Mr vol . ^ L ine eske i ^^ Stiep He . Hfe hen of 's chief ^ contribution "Mi ot / to vi / be to

      found under ™~ , 7 ¦ ; , th " ^ A * 0 ^^ ' somewhat ^ j ^ - » >^ - w *• s . George VJ unfamiliar ^ * - * V ¦»¦ . B y *** .- »«•* i ^ r : t heading " ^ V * y of ^ j . "' 'Mar ¦ wj ^ Ann auu pross V 1 ' . ' Jhe J . llt ? a cfcl rticle ' t / XUXt ? is IS 2 a short » I 1 U 11 »

      there one , being is Mttle l ^ external ss than incident six pages such . as However to , the mgki-m ^ Vio' ^ e Vol goes tlie

      great novelist ng , -wu and . t it ^ ne p ^ ^ d w scarcel ^ y t > e said to that Mr ——;—• , ; Step tw- ^^ w ^ , hen . m * is m . th wMvrjnDU e : last manj J «« e » JJ ft in AJIA is the VA not 1 V worl TTV 1 XVI d

      make hricks without st ^ W . ; howreader ever , for will xleMls turn of ¦ to George the V olume ] Eljtot lUV * s life It M is tluaiJ to see ^ ie

      r -T 7 *~ , . »••*••' , V ^ r »»**»^ ¦¦ lt . l -. V AD UV OV 7 V the one ii criticism of our . . first on cri one tics of . piir *¦ first _ .. - novelists _ * by ¦ ^ ¦ ¦ — - - » - ¦ ^ v ^ " ^^ ^^ ^ T - ^^ ^^ F ^ W ^^ ^ ¦ ¦ •• • ¦ - ¦ ; ¦

      -. . * . : ; . ! > - > ... ' Scenes Here of is Clerical what Mr TAW ., Stephen : —* In som says e respects of fhe

      they Their were unforced ——— — — - , - never w - ^ - —v power m ^ - ^ r ft surpassed ^^ « k , their % r «*^^ a . fc pathos B b rv y «{ r ihe *^^»^ , « and MT author 4 AVh the Ul & V . ,

      life sympathetic by a large appreciation intellect give of the them old- a fashioned singular charm * The general results of MrStephen '

      her estimate writing . may ; foe suffers 1 thus from given : the ' That . philosophic some , of s

      the preoccupation philosophic XT t ~ - ** rw ** - ** r » if < ai is » AV scarcel reflectiveness A X / AA ^ 'VVfc y deniable W VAAVKIkJ . widens » T JLXA But ^^ AXi ^ where Jl her * KSM <¦¦¦¦¦

      } horizon ) rompting and to strengthens excessive didacticism her dnsight her , without novels stand stan a in in- the the very verv nrst first rank rank . . Tn In , her hm * own nwn

      peculiar province no contemporary equalled or the approached comparative their i failures power and reveal charm a mind , while of even

      extraordinary grasp and perceptive faculty . ' MrSXi hJl Lee writes on James 'Crichton

      -- - ^• . . iv ^ . . J . JUVU II 11 VVO VfAX . ' U 111 VO > - / X 1 V 11 UV / XJI , to callecjl winnow the * ' Admirable the # fact front , ' and , thef does 4 fiction a •/ Jk great 'X ^ ' in deal the

      ~ * ——*— ~^ - ** r w v v «<» * - | s *» WV »* * Rk <*> ^ - ^** J » t ^^^ ' ^ ar 4 k «^^ KA J , A * VA 1 V with career the df that ' 'fiction remarkable most of man the . ' Unfortunately romance and

      interest unavoidable disappear . ' also , but perhaps this is

      Easex The is Jljife 4 © alt of with Thomas by James Crom Gair well 4 , * Earl Mr of

      ( view view ; airdner - ojb ofi , , tiie thfi is not character « hara at all ter inclined of nff ' Henyy H ' Gnirv tp take " VfTT VllJL ne a ... - lenient a xact fant .

      ° « f md whi ' he cl certainly ^ L 6 ] iir readers exhibits are him no 4 in bubt regard cognisant , % his ,

      d elations , with " Oroniw ; ell in a very odious o , ^ 'kt . . " .. j . , , ,, , .

      The John odore- Wilaon Martin an Or aibou pker ^ ^ nine is ^ discMssed < ' This b y - Sir is

      of course , / quite absurd , ^—a third pages of . the space , w ^ ould oiua have nave been l ^ eon ample amBle . . ^ »• »• ^ j & ^"

      • • • ' • - i > 'r t \ % , \' i fV-j ft >" " > j ( j *• ¦ ' " ¦ . ¦ \ .

      ^^^^^ ^^Bb^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^...

      ^^^^^ ^^ BB ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ ^^^^ ^^^^ ^^^^^ ^ ^ ^^^ ^ ^ ^ ^^^ ^^^^^^ ^ ^^^ ^ ^ ^ ^^ ^ ^ J ^^^ t ^^^^^^^ i ^^^^^^^^^^^^^^^^^^^^^ B ^^^ Qj ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ j ^^^ ^^^ ^^^ tj ^ B ^ ^^ Q ^^^^ jQ ^ K ^^^^^ QB ^^^ jQ P ' '¦ ' t ? Il ^ i ^ - 'V' ' ' " $ " > ' * ¦ ' . ' *? . ^ ¦ '' ' ' -ffiifel ^ l- .-. ' ' * ¦ ' . ' ' ' f ^& j ; ' ¦ . ^¦ liJft ''? . v '»' . ¦ '' *" ' ' '• V . Vd'H ' i ' ^ foC'Lot' ' " ,. r * - ' ; ' ' ¦ ' " ' ¦< , «*¦ ' . '• : ' ' ^ fclli ¦ -h' ^ ' ^ fr &' ff ^* frffi ' ' ^^^ '' ^^^^ ' ;;•;" ¦ ¦ , " : ""'^ 'a ? !; ¦ !"¦ : &* . ' .., ' ! , ¦; , '» '; <' - - ' -, r- 'yl-. ' . ' J ^^ - ^ . ^ . / .--. ' - ' . i : > : j .-di' ,. ^^ ' , "'*•

      Mittteiaumymmm^Hm^Uammumdttiiimtfgm^ T !...

      MittteiaUMyMMM ^ HM ^ UaMMUMdttiiiMtfgM ^ t ! ^ iliaiifei ^^ 1 ¦ : " T ^/ ' ' iJiww ^ rFiff - ¦ y ^ i ^ - ^ r ^ fx J- ^ 'i ^' fy ^ . ^ - ' ifiA ^^ -vrr'f •^ ri 3 < 5 ^?^ f ?

      practical tne exterior , tnere lie tar beneatn tne germs of a sentimental self . Jealously dis-; guised it may Be , but it is always present . \ always unconsciously guiding the actions of the

      ; 4 epulse Wtier ^ 6 / believe ^ cate ^ iti rfes exist ^^ $ nc & Biit ' a ^ ay * in the

      b ( 9 ok before us there is something more than this general , and universally human attraction . The topic has for themost part not been

      treated from any superficial , or girlishly sentimental viewbut reasonablysensiblyand we

      might almost , say scientificall , y . The , author commences his > work with an account of the

      gJK > wt £ [ . ' pf love aln ^ its varied aspects among animals animata . aavncrfia . the t . hft ancient ancient Me "FTenTfiwa / brews- the the *"

      Greeks , , Romans savages , , and in mediaeval times * ; and this forms a most fascinating portion of the

      -book . Numerous writers , such as Darwin , ajl Herbert ui . yvi . v Sj r * j wuuvvix ) encer , , Wallace t » twiwvw , j Schopenhauer r ^ vtU'V ^/ vxAJixwuv * , j Pro * . - » - > -f -

      fessoir laid under Ebers contribution ,. Grotey and and liecky the result have is been one 'that is certain" to enlist , the reader ' s attention

      and cause him to anticipate with pleasure " the , further parts of the "book . From thence we

      proceed to » a close analysis of 'Modern Love / % he subject being pleasantlbut none the less

      referencaJir exhaustively quotation treated , with by the manv y way an ; interesting and so we

      come to the questions of * Conjugal Affection and Romantic Love * 'Genius and Love' the topic "

      of 'Kissing , ' an , 4 other aspects of the , subject . Certainly there is . much that is slight , not

      to say trivial , in Mr . Finck ' s worit—this there was » ¥ * MU bound ILTV ^^ AAXVa . to W be KJVJ considering VVUCUUVllUg the V 11 V nature 11 is UIUU 1 W of » - »* . the V . M . M . V

      topic—^ but there is also jiiiich that thoughtful and i Wm penetrating Ba- and we should - ^ F- scarcel ¦¦ III y have

      found ¦« ^ m m ¦ ^ VT ^ the ^ ^ B ^ ^«^ B . latter ^*^ B 4 Bk ^ H | B | , BB ^ V portion ^ T B > BK W W V ^* T * + so * ^^ ¦¦ " absorbing " — — ^ ""^ "W " ^ " ^ — - had M — — - - it ^— not ^^^ BkT been B ^^ ^» __ ^^^^ ABSf ¦¦» for ~ _ __ BB » $ ^^* BfB he )« BB ^ Br ¦ skill *^ M » BVJ «^» B ^ B __ 4 B jt with ^ ^ W _ 0 m m ^^ BHBV ^ K which Bf V bv A ^ wvv _ ^ bt « B > BB 1 the - ^ ^ V Mk ^ v ^ v - ^ v li v »¦ b g hbk ^ Bt hter ^^ — _ - ~ BVj ^ ^^

      parts have ^ been mingled with ^ it . One of the is most ¦ B that interesting dealing 4 with sections Schopenhauer , in the ~¦¦ ¦ second - ¦ i ' s theory volume of

      ^^ - ^^ M > ^ V ^ B' ^ p ^ r ^ B ^^ B ^ B ^ ^ BT ^ PBV ^^ « P ^ ^^ VBAfc * ¦ ^^* ^^ ^^ B ^ ^*^ ^ B ^ ^^ ^»^ ^^ B *^ ^^ " ^^ " — ^^ ^»~ ^ ^ - ^^ ^ '"^ — ' ^»^ — » love . This follows some pungent reflections on the different kinds of romantic affection . as

      Gdrman exhibited ¦ Wta English among the and French American ¦ B , Italian , le Spanish ¦¦ . The *

      remainder »« . ^» ¦^*»»*»« THB A >« WA ^ H , »«» vMhBB a « of * V *«« ^^ li | K > ft the «« ^ IW A ^» a , 1 ba ^ . work By ^^ fc ^^ ^ B iMi B ^ **< is ^ b . < b , M ^ ,, fc devoted BB *»^ -wm > wb » B peop b ^ ¦— Bl - ^ r to [ . ~ r ~ ^ a con — — — - sideration of personal beauty * as it influences

      and our our attention attention is _ influenced _ _ . " is ia in in by the the romanti nrst firat *^ ¦ . place r > c lace love directed directed . ' Thu B * BB _ BBM to to s

      the four great source * - of beauty- -JtIealth , finem Crossing B / lBJtriBtdBf VBP 1 ent ¦ , and Romantic B ^ BJ B" ^^ - t , 0 » each Love ¦¦ ¦ a , valuable ^ and I I ¦ Bi BBi ¦ Mental »»¦ and ^ - —w hi — - ^ - — ghly Re —¦*

      -interesting l 0 kj | B > 4 * «*^* Ktf * "* ; m UK 1 littl ^ r *» upon > e disquisition VVWV * " ^^ B » «> - ^ is delivered »— _ , B ^ Bj — . ^| Following this we have sections on the

      evolution of taste , positive tests of beauty , the feet neck ?< , and lower shoulder limbs , arm b waist ^ bj ub and , chest -ww vbibbibp hand bbi >« wb and jaw «™ bosom chin ¦— - — - — ,

      and •¦¦ «* r -B * r Pip » mouth V ^ W ^ bBVi ^ W ** » S # J »<*^»^ «»» cheeks /***> H ^* " * , * , ^ B « k « ears a »»*¦«»*¦ nose , w forehead - " , y - " — lexion , - and , hair , . In , conclusion ,

      th comp ^ \^ arioiis , typ eyes of national beauty are con- , xraspea trasted . . , e ^

      interesting Mir . Finok , ^ amusing ^ s vplumes , and are JreflectiVe replete details wjtli .

      ¦ ' ' ' ' *¦ ¦ ' ' . . ' ' .. . . Causal . * Romantic Illations W ? fWV ¦ / lo . Historic ve and ^™ - a Pe , n VWl & rsonal National ? Beauty \ Peculiarities ; thtfr Development , fey 1 Hen * y , ; i

      * W ™^\} i J ( W ' ym i-i */« vifl . 14 _^__^ . , ¦ - ¦ ¦ ¦ - ' - ¦¦ * 1 " — - »^ - *—* " ¦ -- ' ¦ _^ ^^^_ JMM ^—^ . ^ B , B , aBB , Bj > MBMJl »^ B > , » M » , ^ BMBB ^^ BWM > M « liaBaB »*»««* l *» a «» m »^

  • Citation
    • Publishers’ Circular (1880-1890), Jan. 16, 1888, page 5, in the Nineteenth-Century Serials Edition (2008; 2018) ncse.ac.uk/periodicals/pc/issues/tec_16011888/page/7/