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we of The it to as wander Music has been...
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
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We Of The It To As Wander Music Has Been...
we of The it to as wander Music has been beyond of heard 1867 our ! in this Yes own country j shores but onl . , and y For so discuss , m were uch Almanac the music k of itself other would nations scarce , the suffice entire for Tomahawk theamount of we space confine whic our h we remarks should to require the music . Even which thoug has h the been present brought notice out must in Eng necessaril land , we y partake shall find ; 6 f that the nature month of has an not epitome been , unfruitful inasmuch in as novelty the past
twelve-. and Let it us will first be turn found our attention that three to new Italian works Opera o , f sea importance sonviz . : have £ >? t been Carlos produced La Forza during del Destine the last and Romeo , e Giulietta g . With , regard to the first- selected of named Paris the , , where y Which e a g , loomy we it was was can written subject produced only , for say and in the that the r Grand endered Signor eaily O portion pera it Verdi still at achieved more glo no omy public vxi , b y his success mode either of treatment in Paris or . London It has
and •«»**•»• ^ we » » ^*»» do a *^ r not believe * w *^^> V * WW it ~) WAWA to *« be * A ** A in *• ****** the nature * Jb ^ V ^ JIJViWAI of , } the things great that majority the piece of should those ever who hear e acceptabl it . Still e to . Den Carlos contains some admirable musicand , affords evidence of careful and anxious attention , w which orks we not should usually have to be been found leased in its if composer the ' s had this observation pr lyuwt ; oved more with successful 4 regard to . the hilV p We forza cannot del f Z ) repeat % cstino t opera J t
the who » X « w l ibretto - ^ has been w M whereof >« , *^ r »« the , v **«>» coHaboratcur is fro x . * i M m » t Vi the IV pen of of Si vf gnor Mlf Signor M-C' Ve ^ . ^ P rdi * iav f + 1 , in e , , nearly all the latter ' s triumphs . This poet , however and , appears in the present to have instance a natural , he has tast g e iven for free murder reins , to his fancy . The piece was well mounted at Her it Majesty was h ' s ard The to atre , but w pr h * 4 UW at oved t »> h ** e no W story UhV suc cess was *«*> ; in abo fact ut ,
furt o AW f t h her *¦ + e op than - % e ra that e xcepting guess ^^« nobod . » VkJa _? Tf Si y was gnor left Arditi alive . VV at Adverting the ** V #% end ^ M *> , y , to the dearth of good voices , it was a treat to hear ( toned as we quartett did in e as Forza Madlle del . JDt Tietjens 'stitto ) , such Madame a fine Trebe We l will li , Si now gnor Mong back ini , to and Covent Mr . Santley Garden . and
go , wor see k what , Jtomeo happened e Ginlietta to M . . T Gounod he advent 's last of this dramati piece c was looked to with much interest ; the more so as Carvalho its first and performances AI . Michot in P the aris , principal with Madam parts e , had been received with an unusual degree of favour .
success We question in this if country this opera which will it ever has obtain met with the abroad ; it may be that Englishmen do not like a that foreigner the subject to meddle of tbs with play , Shakspeare in all the wealth —it may of its be of beauty the same and poetic colour tenderness to render , is it somewhat well fitted too for much an ¦ musica reason operatic , l but version work we . are of We Rorfteo inclined cannot —the to pretend ^ believe best which that to know has this been last the
prove made regard , entirel to and the containin y performance acceptable g rare , in it should beaiities this country be — mentioned will . never With not that very , although judiciousl the score ) in order was muc to bring h cut about within ( and the broug limits ht of duration out at Covent which are Garden prescribed , the for manner an opera in execution wHicR the were piece satisfactory was mounted . A , special and its word general of praise our thinking is due to her 11 WI Madlle best part . Patti ! , whose Juliet is , to
^^*« A Let tUAtlIVAII us now « j ) , find kiTW our 'KJW ^ way -f *** . Lft . amongst . English composers concluding , to stay our remarks a brief . moment We shall with find them that befor Mr e . been Sullivan idle , who and is since justl the y in the osition f orernost of his rank overture , has a to c M ertain armion , numb , has , g of iven so nothing ngs comp ; now to , - some world of these ept songs are well enough in their way , whilst others
are name so o com ht p nev lete er ly to the have reve been rse that attached M . r . S to ullivan them ' s . mo Shall we we ug will f ing not le — ou undoubtedl t the songs y , he e mean know s which Well , us the that y are this as w sort ell a o f we thing do shall , and if he occur will again promis , we e will " Cox say and no Box more , " about as graceful it ; for and has refined he not c a p mpo iece sed of has has musical A written written word comed , charmi charmi too y , as for nfir we Miss melodies melodies kno ^ Virg ? inia and and Gabriel shown shown , much much who ng ,
dramatic instinct in' a comic , opera , entitled the work Zioti , s ' b Mouth y the way . This , is invariabl accomp y lished graceful lad and y , whose vocal , was can by amateurs have assisted left , in who her the , but both performance little dramaticall to desire of the y . and above Whilst vocall piece on y , , the Mr . subject Frederic of comic Clay is opera going , we to may " rest ask whether and be t attended hankful" the upon performances the good of his fortune operetta which . Out * has of . he gAt should . We write almost something think that else it . is about time that
Pc01301
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Citation
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Tomahawk (1867-1870), June 27, 1868, page unpag, in the Nineteenth-Century Serials Edition (2008; 2018) ncse.ac.uk/periodicals/t/issues/attw_27061868/page/13/
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