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Tomahawk (1867-1870), 2nd January 1869, Edition 1 of 1, Page 10, A BRUTAL SOCIETY.

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  • Departments (4)
    • A BRUTAL SOCIETY.
    • AN ART-PHCENIX.
    • ENIGMA.
    • ANSWER TO THE DOUBLE ACROSTIC IN NO. 85.
  • Text (9)
  • Transcript

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      Scene—A Printing Office On New Year's Ev...

      tions Tomahawk to Britannia . —Yes are , he capital ' s a clever . young fellow . - His illustralarity Punch to one . —I of say " Dr To . Mark mmy ' , Britannia Merry Men owes "—Frank a lot B of urnand its popu . - so Telegraph has the Editor . —Yes in , he his ' s written novel . something It ' s a good very shillingsworth good , and altogether Tomahawk . . —I fellowswhat do u think o A lf red Thompson Everybody ' s adaptation —Capital say , you of ! UEscomateur , ?

      JZ * V H 1 IS . X . DKJXJ X . . V ^ CL ^ fLlCU i awfully Tomahawk economical . —Splendid having notion a fifth that -rate conjuror mountebank in the to first amuse act ; your aristocratic friends . Shall do it myself when I have ariswell tocratic adapted friends indeed . Sli . ghtly Much slow better . Seriously that Jocrisse , thoug the h , Jtiggler it ' s very , the Times other . — adaptation Glitter at of the the St p . iece James . ' s is very good . Tomahawk . —Capital ! But hush , here comes a watchman . Scene closes .

      Ip Thb Tomahawk. T?Anuary S, 1s69.

      IP THB TOMAHAWK . t ? anuary s , 1 S 69 .

      A Brutal Society.

      A BRUTAL SOCIETY .

      Barbarous Last Week Condition 'S Police ...

      barbarous Last week condition ' s police of reports the Eng afforded lish law another . A g illustration irl had her of eye the at cut rocity out , with which a stone , by the , and way , was penalty said to inflicted have deprived for this the horrid poor g Further irl of the down power in the to list earn of her course living came , was the a commission fine of five pounds of some . petty sonment theft . , We with h its ave crushing so often pointed punishment out the of two monstrous years' impri injus- - tice and cLllKJ . of property pi upci a leg islation it as as What most uxusw , which dav sacred ^ x regards ^ u , it that i . Ai is . a . 1 , that the we w \_ person are cvi ^ few tired li . j . w as of ~* . almost those of ui raising laioi hi profane u h the ixxi ,

      cry against . a pity a gup , knocke whose ag d in itation or their would hair soon pulled alter out all ! this In , do a not wretched get their state teeth of way society than that this , considers to a better the state pocket of things alone , . there - The seems rich , however no other , seldom who do , suffer they are from likel brute y to violence get precious , and little as it hel is p from y the above poor . savage Class leg ten to islation ? wish a is dozen the priza rule -fi in ghters this great could free be let country loose ! on Is the it upper

      An Art-Phcenix.

      AN ART-PHCENIX .

      You If If Love You Art Are Of , You The ...

      you If If love you art are of , you the a man have hundred of probabl taste and , yo y u one bee are n circumstances to sure the to Leeds love Exhibition art which ; and con . if - tinuall vented any y you arrive going to prevent to Leeds one and taking revelling a desirable in the pictures step have , gem pre s - , and tion other at the objects evidences of art of which a refined make luxury an artist which gasp we with modern admira s - , late with up in , all there some our is degree enormous still for the the fortunes Kensington loss , you cannot hav collection e rival sustained and , which scarcely in will missing m emu ake - hibited so many together private treasures never perhaps likely again to be

      exthe 111 UILCU The fifteenth . painting lUgCllJGl and , . e sixteenth namelling centuries , ironwork have , and neve fictile r bee orna nand ments most of harmony likely nev er colours will be . surpassed in beauty , richness , design , or But we may make a mistake , and an egregious one , in using the thoug word h the " s never ecret ; of " some for what arts man seems has to done have , ma been n m entirel ay do again y lost , to We We the may mav present make make generation a a mistake mistake . for for the the best best of of reasons reasons , we we have have

      made a mistake . , case In » the f modern art-coll art ection manufacture exhibited admitted at Leeds , , and there that was was only owing one to Three the objects or four exhibit years ed ago being we w the ere revival bargaining of a lost fot art a . specimen of The opposite Venetian specim the gla en hotel ss was more of the genuine or late less , Baro as dilapidated light n J ames as Rothschild pape in a r , shop and in exactl Paris ough y . cracked , eminently graceful in form . " Ah ! " said the dealer ,

      You If If Love You Art Are Of , You The ...

      " they can't imitate that ; no one has ' ever been able to make glass Ther as e light was th as e the mistake Venetians : lass of th e sixteenth made century on the . " sland of g in Murano substance , which as li varied es to the and north fantasti of c Venice in form , as as light which and fragile ever adorned Charles V ^ JL & tfcJ . AVA Quint V the £ U . XXJ , buffet . b * . of a Borgia or graced the , banquet any -table of

      Ti Althoug mes describing h nearly the two working years ago of an the article glass appeared at Murano , the the gress collection in the exhibited revived art at , and Leeds was showed such a step such towards remarkable encourag pro - - that ing the we repro cannot duction resist of expressing other fabrics our admiration supposed to at be the forgotten patience , of and bringing energy the disp . Venetian layed by Dr workers . Salviati in , who glass has to been a sense the means of the value The of secret their of art the and various the public compositions \ appreciation i \ t \ ± ii 3 the of requisite their handiwork strength .

      of the J . Alt metal 3 CUCI the yji- 111 manner c vaiiuua of working ^ jM .. ijjjji . , and . j . , j all tu ^ the jiv . v [ uigiib small details ciigiu which never been go to , absolut make up el their lost power but handed of production down , from have probabl the earl y days when a Venetian y glass , was passed round at a feast to be y father admired to son as , to a wonder be stored up mani at last pulation , improved , handed upon , and down re- from published and dili by gent Lorenzo practice Radi led , whose Dr . Salviat careful i to study give of up the his old time models and labour The glass to bring -blowers uiu the \ ij p of vsi hoe that luch nix to obscure uuovuiv perfection little uiiib . island isiauu in in the iuw Vene tiic

      tian ± uc Lagune giaao " have vY , now their establishment > in the middle of v St . not James in ' s a street museum , and one when has one much sees difficulty all the in curiousl imagining -contrived one is the drinking tables -cups around and dishes . of the old Florentine era y covering The cobweb net you -work known as reticellothe awenturino nature with opal \ JLJCL ± seem DWUUI its act powdered b almost O'llXlLTJI the gold too UVSIS , beautiful L the /^ aUUilUL gorgeou aid of to UV / heat s be * SW Jiamma art CAi such . l > ; y , , indeed U wonderful and 1 U \/ VU the « , did VAJLV delicate -L not XlVL

      binations of y form and capricious colour would be impossible . commen When get one out art of is the revived old in routine perfection of , s ( ervile and when imitation the , work this - Venetian hope that art may glass not -blowing be lost entirely will be to perfect us . , ) there is some which We will may bear some comparison day find our with walls Raphaels covered , our with sideboard pictures public with chasings pedestals equal surmounted to Cellinis by , and statues last rivalling and least the likel anti y , que our . thankful Tomahawk to Dr wishes . Salviati he may for his get good them examp ! In the le . meantime , he is

      Enigma.

      ENIGMA .

      The Beneath Greatest Which Burden Even M...

      The Beneath greatest which burden even men iants can bear , And When jovial we make feastings it all we g prepare car groan e , , That this shall be their end alone .

      Answer To The Double Acrostic In No. 85.

      ANSWER TO THE DOUBLE ACROSTIC IN NO . 85 .

      T Aim A O W L M Awwor M A Lm A H E N

      T aim A O w L M awwor M A lm A H e N

      A Iph A W arwi C K ir K Exeter Answers Sidney , v Samuel e been received E . Thomas from , O wl in y ' Hopes s Ghost of , L Better inda P Things rincess , , Robinson Kiss-me-Quick , The , Broker F . D ., , Isle The of Corporal Rockaway , and , Geo The rge Bloo Hayward mer ( Liverpool , Charles ) , Gamp Crooked , W Lan . Hall e is Bad ( Hammersmith Luck , A Vacant ) , C . D Palace . § ., is F to . D be . Lyell Filled , Alfredus by Mrs . ( Fiddle Glasgow , Ned ) , Mouse Bags , and ( Ledbmy Dioge , nes Herefordshire ( Dover ) . ) , F . M , T . ( Croydon ) ,

  • Citation
    • Tomahawk (1867-1870), Jan. 2, 1869, page 10, in the Nineteenth-Century Serials Edition (2008; 2018) ncse.ac.uk/periodicals/t/issues/ttw_02011869/page/10/