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Tomahawk (1867-1870), 7th December 1867, Edition 1 of 1, Page 323, D ecember 7, 1867.3 THE TOMAHAWK. 323

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    • MUSIC OF THE WEEK.
  • Text (6)
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      Last It Appears Notwithstanding , As A R...

      the hat trade , will enable the management to introduce , by way of a hatter A ' s Monste advertisement r Representation , of the celebrated helmet from the Castle of Otranto . That nothing moreover be wanting to invest this uni

      effort characte with ristic that of lavish the sp earlier lendour may productions and exuberant of magnificence this class , the so part of Mrs . Bouncer Will be made the vehicle for the introduction of that feminine ' grace { Truce ant and therefore * beauty t / eujiiy , , inseparable liibcparctujc from uuiii with the uic increased hi nign ghest cai dramatic ui leasure chucllil ; an art the ..

      Manage it is ment have , once to announce more that the most accomplished p and numerous Corps de Ballet In London tion to will this have unrivalled the honour reproduction of adding , and an asso additional ciate the attrac-Grand Pas de Housekeepers

      With an amount of wild Terps abandon ichore unparalleled . in the annals , of order The that band the will house , as usual be , consist able to of accommodate 250 performers twice , and the in ope number ned at of a spectators quarter to may it four ca . n possibly hold , the doors will be

      D Ecember 7, 1867.3 The Tomahawk. 323

      D ecember 7 , 1867 . 3 THE TOMAHAWK . 323

      Music Of The Week.

      MUSIC OF THE WEEK .

      Interest The Past In The Week Musical Ha...

      interest The past in the week musical has world been si to gnalised witthe by first an event erform of ance much in , , p score Englan of d this of work Mendelssohn , concerning ' s " the Reformation merits of " which Symp so hony much . The has been though said the and Symp written hony , underwent bears the some date o alterations f the year at 1832 the . hands Alhis of its endeavours ^ m composer ^ m A , to who give was to notorio his wor usly ks all anxious ^ B ^ Bl the advantages and earnest a with dB in

      which ^ his learning ^ and his ^ genius could ^ furnish them ^ , it would by appear Mendelssohn that the " as Reformation a work which * ' Symp he ho thought ny was never it desirabl accepted e to p death lace , before such of the his public music . as Thu had s not it happene been printed d that during when his , at life his - time mann , , was of placed Liepzig in . the These hands gentlemen of Herr thought Rietz and that , Dr with . Haupt a due - rega cerned **•* ^ m V a *» rd ^« ^» to the ^ B- *•»« him < ¦ publication f *¦*> i , ^»» of ^^« M who » * V *^ a ^ A se * fo ^«^ f » reputation A posthumous t- ' ^ 'k ^ « *• Bk « *• 1 11 ¦ V m ¦ •«* they « bV works ^ m X ^ had A * *» ^ ) M ( becom insomu ' ^^^ ' »»* ^ e ch the % «« as V guar fm * con » J «»« laV - -

      which dians , we they are wo now uld not writing be justified . The in majority making public of musicians ^ * the work will of keep c agre unearth omposer e to with himself dead has us , music in for . thinking There reasons , or rather are of that , o his , f , to course as own bring a , , exceptions thought u to le , light it is it music a exped to mistake this which ient as to to to a works were any othe the of r n Beethove rule atur , es and of n we Beethoven afford are a well ready and aware Mendelssohn exam that ple ; the still posthumous utterl , not onl dis y - under work similar s which , which but the they they times left died in behind , which render them they it lived in unreasonable the and same the manner circumstances to treat y It the is

      Fid qu * V ^** ite « « elio n »^ V easy ** , after % » ¦»• to tvAaVW concluding imagine T * % b <* V W % , one for ** V * of V instance ** W those *»* + + * , masterp 4 that V WW 41 the IV ie UIUAI ces composer 1 which IV * . the V of * ** world one of will his never fits of weary uncontrollable of admiring , melanchol may have been and seized in suc with h a condition have made a mental resolve that y his , work , should whose never be bri heard ht and by mortal nature ear . led Not him so to with talk Mendelssohn to his own , friends make public about g any his work work sunny s which ; to rejoice he thought in success likely , and to enrich readily the to repertory of music .

      hea In rd returning last week to at the the Crystal " Reformation Palace " , on Symphony the occasion , which of was its have after first performance years consented of refusal , though in Eng , have lan against succumb d , we their find ed th own at to the popular judgment Leipzig clamour authorities , to give , and to , the The worl work d a Posthumou consists of s four Symphony movements by Mendelssohn the first in . D minor the second in B flat , with a Trio in G , the ; third ( an andante ) in , major G , lea . ding The into first the is Finale altogether , whi a ch fine con movement cludes in , th opening e key of im ~

      Interest The Past In The Week Musical Ha...

      pressivd writin and tri g pping ; y the and , fi but rst developing . subject for the of secon into the some d second subject earnest movem ( in and G en ) we t passionate is brilliant have no great pretty fancy thoug , h nor it for be the , contains slow movement nothing new which , either , unquestionabl in idea or y treatment—it might , in point oi fact , have been written by any whi one ch of is Mendelssoh based on the n ' s numerous well-known imitators Chorale . wh The irh la Meyerbeer st movement has , w em ell -- ployed - developed uvr not ^ iuptu in his fugal lucai Huguenots fi llcUJ gure C , , j auu and is an so 3 U elaborate forth lUitil , j but lsul . m we wv ovemen * must luu ^ i t frankl * i with ai » iv * y a

      ° th r espects wn at , Men , muc the delssohn h weakest to our ' s consciousness ta move ste ; ment in truth in that the we work con the sider . interest It it is , in possibl in some this e before may symphony have the , world formed declined be the rather that ground as th it an of culminated his the objection two first tow moveme to ard sending s the nts end of it the Time work will are show , to our ; the thinking rank which , unquestion may is , to be abl accorded y the best the . " Repen formation while can scarcel ; but the we " thanks y S add ymphony incline of to the the to , think amongst musical reputation that , other though of its works it composer will are from not . the injure due Mean sam , to it - e MrGrove , and U 1 IU to H O .-X err Manns ATI community for their determined justly

      -•»» **• . •»* - ** . ** r w \* , . ^ B ^ B Bk « . V-r V X X A CUJJIi ? ^ , JVX V 1 I U 11 UV . lV . lAllliJV A A U . perse pv * l » J ^ verance the merits in enabling of a work musicians to which to has form long their attac own hed op an inion unusual as to am Let ount us of turn public from interest the . Concert-room to the Theatreand devote a few lines of somewhat tardy recognition to Madlle , . lady Kellogg is really , who an is now accom singing plished at singer Her Majesty and a ' s graceful Theatre . actress This , has t and brought -we rtx / are happy from uiii the viiv to say United 111 that the States brilliant is well til reputation deserved 3 Vi which She has she

      ¦ . A . v * ' * ' ww ^ uw n . UVV . U wjiai ^ o 13 kv uvvw > u . *^/ m _ iina sung in Paust , La Traviata , Marta , & " € ., but in no character has mounix " she . appeare This work d to , better although advantage much care than was in bestowed Linda di Cha on it - b music y Don ( excepting izetti , has never two or proved three acceptabl hacknied e numbers in Eng ) is d but , and little its known , while there is much in it that is charming . part We in are Linda sorry ^ has to . find of late that days Mr , * made Hohler but , who little sings progress the in tenor his

      addition art art : : the the of faults faults some which which few more he he had had of recent at at first first , , acquisition he he has has still stilL . , We with -with trust the the th devote at this himself gentlem seriou an will sly and take earnestl wise counsel y to his in art good . His part voice , an is d justice one which ; but might inasmu be ch of as much one value swallow to him does , if not he woul constitute d do it a here summ and er , so there it may , does be not said make that the the singer possession . of a pretty note ,

      Acrostic. Notice To The Lunatics.—Those ...

      ACROSTIC . Notice to the Lunatics . —Those of our readers who take concocter a pleasure . are in unravelling informed th th at e this frantic week brain his -th communication robs of our acrostic was unabl so difficult e to deciph of explan er his ation wor th ds at . the Under compositors these circumstances themselves we the re publication weekhowever of he his will mystic once rhyme more return became to h impossible is usual corner . Next to puzzle , countless , thousands and to madden the Sphinx .

      Answer To Charade In Our Last.—Poor-Law....

      Answer to Charade in our Last . —Poor-law . Sea Correct -shore Pebbles answers , have S . W . been Elliott received . Portsea from , H Cosmop G . C , Chang olitan , , Jeff F TJTron ido , William , , Manducks Samuel Wallace E . . Cinderella Th , omas Rela , m , A Saialak pago Pauper , G , . , J Saul Spoon . R . ; F and ey ., A Fu Pu 59 rnue mp incorrect . , Young Tane . ' s

      Resents Sense His V. Sensation Liments ....

      resents Sense his v . Sensation liments . — to The the Editor Editor of of the the Daily Tomahawk Detonator p whose t a an o bou d the t begs the fe state vere submerged to d of comp inform brain effervescence of him island one that in of is the his such the West most shave that Indies popular , his th , e owes head contributors near its is shave wired birth , , , with p one a losive nd o tied f exnletive his dlike on articles with indiVn . string , His ation so volcanic p until regnant at the such imagination with moments , t poetical of seethes arrive frenzy the as and and demand glows ex o - f injustice go , or the discovery of a brass sigh farthiner injury in , the report Thames the Embankment contributor . in And question owing is to always this going Geyser off -Hke with temperament a false report . ,

  • Citation
    • Tomahawk (1867-1870), Dec. 7, 1867, page 323, in the Nineteenth-Century Serials Edition (2008; 2018) ncse.ac.uk/periodicals/t/issues/ttw_07121867/page/11/