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2 2 THE TOMAHAWK. Januaky iS, 1868.
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ON SOME LINES BY THE LAUREATE.
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that once If the the as inverse ad give ...
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A HISS IN TIME.
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The re-action has come at last over the ...
Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
Additionally, when viewing full transcripts, extracted text may not be in the same order as the original document.
2 2 The Tomahawk. Januaky Is, 1868.
2 2 THE TOMAHAWK . Januaky iS , 1868 .
On Some Lines By The Laureate.
ON SOME LINES BY THE LAUREATE .
That Once If The The As Inverse Ad Give ...
that once If the the as inverse ad give age him is is admissible still a bad more name that certai , you there n in may this is not as our well a snobbish shade hang of a father dog doubt at - land . a week There of seems each other to be two a Laureate publications mania have cropp prevailed ing up , and on within Alfred the each Great case the to supp contribution ly them with is little copy more in the than shape " a copy of verses of verses . In /' Of + T-1 CI fivof « TT- >» A / i /^ + Ji-v ^ }> - < -. VU {< VU O n ^ naorarl IJ 11 \ J . 1 i :-i i-i Ul /~ lr > s \ f 7 lAS /' irsf * . v . ? . W <^
have put - > - * s m . , thoug ^ little lllOL h to the say 11 versification V- . The i ^ tlli-X- idea was IXXV was -II . anything . not \* C . new \^ but , but smooth p icturesquel r r , and ' y the y genius anything but obtrusive . Of course " The Victim" was reproduced or pseudo-literary in almost , was asking the dail everyone y prints , else and whether everyone they , literary had seen Now Tennyson the new ' s series last poem of O ? . ice a Week rushes into the field with more copy by the Laureate " hot and hot , " with the elegant title imagine " On between a Spiteful the first letter and . " second Six stanzas cups , of written tea at , one breakfast might , under the influence of a bad head-ache after a Christmas dinner the and recei the pt hottest of a long of . - accompanying standing bill from coppers an irate ; and tailor suggested , who had by more Jtiear taste for notes than strophes .
trie indignant bard : — • Here And it with is here it , a the spiteful close letter of the ; year , My For fam himself e in song has has done done much him b much etter . , " wrong , true Does Jack not ami this Gill remind ring us ? of Here childhood is poetry ' s song my ? masters Has it not ! The the head poetry -ache of the has nursery brought vanity ymers with . " a M rush y fame to the in front song . S" We The are beginning to be proud of our English Laureate ! ** O , If foolish men neglect bard , is vour your wa £ res ? hard ,
I think I hear not the much roll of of the yours ages or . " mine—If ever foolish bard thought of addressing Alfred Tennyson , meets D . C . L with ., in . terms Colossal of satire indignation ! Gigantic , what humiliation crushing ! sarcasm And all this he means while he that hears the " irate the roll poet of had the been ages Avaiting , " which in , being dudgeon interpreted for his , morning Third and roll , fourth which stanzas had not : — come at the proper hour . " This fallen leaf—isn ' t fame as brief ? My rhymes may have been the stronger . [ lie wo 111 give hi . ]
Yet I last hate but me a not moment [ hypocritical longer . charily ] , but abide your lot—[ If ) wt this a mo is wha ment t yoii longer ' ve ' ^ come we beseech to , O Alf , ] red ! " O , What faded room leaf , isn is here ' t fam for e as a hater brief ? ? [ We hi mi l > a t hatter imag . ine A that t the has bill been was omitted sent no -doubt y . ] , Vet For the it yellow hangs one leaf moment hates the later greener . " leaf , [ 77 o / n is the is most i / uality lik of ely some a passing Assam observation tea which the great man is discussing . ]
he liut proceeds the great to show D . C . his L . scorns superiority to continue in simp the le prose quarrel . in verse ; 1 shall " What live \ " to sec s he it . , " Well greater than know I—isn if ' it t that be so your so cry it is ? And and , you , , ; feminine if it isn ' t log , why ic within it aint it , and ! " This we almost rejoinder fancy shows some repulsed an almost or time repulsive , and washer her words -woman have mi been ght ri have nging been in the in poet the ' room s cars . at the poets don ' t wash .
That Once If The The As Inverse Ad Give ...
Last stanza : — " O , summer leaf , isn ' t life as brief ? [ Third time of asking . } ' But this is the time for hollies : — And my heart , my heart , is an
evergreen—{ The his own bard lau has rels evidentl a / id y they been have swallowin got into g his head . ] I hate the spites and the follies . " think We that have the doubts great as man to these had been lines to , and a bad are pantomime half inclined over to night , and had intended to write" I hate the sprites and the follies . " However , that is immaterial , and only refers to the omission of These the spiteful are the letter stanzas r . for which we dare not surmise how much as an equivalent has been paid for b his y a gold spirited . Wh editor y , if , Catnach and which had are sent returned such lines other out popular into excitement the streets , he on would the Clerkenwell have been hissed Explosion off , the or flatrc
ware If some for insertion young asp in the irant most from Grub street lace of had half offered - such miscellanieshe would have been commonp kicked out of the office penny by an editor , without , an 7 i at his service . And we do not hesitate to say thought that there , from is not beg a inning redeeming to end line of or the thoug weak invention , or the g . host And to see Napoleon on t ) ie rock at Elba turn round and run after his cocked as great a descent , which the from wind the might sublime have to blown the ridiculou off , would s as is this be sad Memoriam ebullition . " of childishness on the part of the author of "In violent We do dyspepsia not doubt from that which , ere this he , has he has been recovered suffering- from ( and the the and public ashes too . ) , and If he is is sitting really on penitent his butt he of will sherry not object in sack to cloth our *~ % nnvACPi -r \ re l XIX - \ i w 1111 1 X 1 *\ 1 < - *
ClVLUl ^ OOlli ^ * . CL Paulo-post Stanza . O , fallen think bard us , isn ' uncivil this too j hard ? You And ' ve got ive it up hot writing , so abide drivel your . lot ,
A Hiss In Time.
A HISS IN TIME .
The Re-Action Has Come At Last Over The ...
The re-action has come at last over the water . civic Everybody force at has the heard Porte of St . the Martin signal Theatre triumph a few gained nihts over back the . Expression of adverse opinion , in the shape of " goosing g , " sustain of the e police d by a who whole had theatre to yield -full . , It to has the great been chagrin said that , no th doubt e hiss , was We have directed no hesitation against a caricatu in saying re that of Schneider this was not ' s way so . of Madlle acting . . Silly , the actress hissed , is undeniably clever , but at the same time it has , the ever strangest been our ( to lot put to see mildl . y On ) young this occasion person when she put likes out her tonerue—a eresture as repulsive as is possible , when
comwould mitted raise by a fish storm -woman in , E ngland which which , performed neither manage on the r _ s tage nor , police been remarked would be on sufficient the entrance to quell of . Madlle Some . hisses Delval , had who alread shows y too much of herself , even for the money now paid for a stallan Parisi d the an prices mirid that have there risen was —so a portion that there of is the no public doubt who in felt the that was high indecency time had brains come should to its step ultimat in and e boundary drive the , and intruders that it back . _ Tlmm i « a rrv rrninf nn in Paris , now ravine * . " T . pt us havo
p pieces lays which in which our wives the and plot dau depends ghters may on m ost e ; we legs or least k of send shoulders the witles ! Sensuality s harlotry and of deg the radation revue to have the new had their streets ' turn and : p the lace public for the , gardens wit that , and elevates let . " us Nor have can food our for neig thoug hbours ht throw , and growing the fault on nd the infecting World ' s e Fair whol of e last stage year for . The rs fungus , culmin has ating been in the shameless atrocities of last year ' s faeries , and though here
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Citation
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Tomahawk (1867-1870), Jan. 18, 1868, page 22, in the Nineteenth-Century Serials Edition (2008; 2018) ncse.ac.uk/periodicals/t/issues/ttw_18011868/page/2/
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