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KMtawL of literature do
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
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Kmtawl Of Literature Do
KMtawL of literature do
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The new number of the Irish Quarterly Review opens with Jan article on Limited Liability in Partnerships , which will aid in the enlightenment * of our legislators on this extremely important topic , one fraught with the interests of the whole commercial world . It is with' some pride that we observe a view originally proposed for English adoption in these columns , and advocated with persistent ardour , now becoming the generalview of political writers . We do riot of course for one moment arrogate to ourselves the having in any way created this movement ; but we take some pride in Jiairing been the first among journals which pointed out the French law of ( partnership , en commandite , as one eminently adapted to our industrial condition .
There is also an amusing biography of Mackxtnt , the actor and dramatist , in -this Review , which our dramatic readers will do well to look ~* after . 1 xLa . ck . x , ts has the honour of having restored ShylocJc ^ to his S hakspe arian -dignity : — . " His first character , after his trial , was Ramillie , in Fielding ' s Miser ; but he was now upon the path of fame and fortune . He was the Peachum , of the Beggar ' s Opera ; Scivib , an the Beaux Stratagem ; the Marplot , of the Busy Body , with all the full round of other important parts , and his crowning triumph and success occurred on the 14 th of February , 1741 . For many years Lord Lansdowne ' s Jew of Venice , altered from Shakspeare ' s Merchant of Venice ^ had been performed , and the latter entirely neglected . It seemed to Macklin a very great error , that this fine tragedy should be forgotten , and the great poet ' s design completely perverted by making Shylock a low comedy part ; he accordingly resolved t character seir
-o aanere closely to Shakspeare ? s text , to take the on mm ., ana placed the piece in rehearsal , At the rehearsals he merely repeated the words of his part , leaving the actors in entire ignorance of his intended mode of representation . The performers , the manager , nearly all the friends of the theatre , predicted a failure , but when the appointed 14 th of February arrived , Mackhn was resolute : not so , however , his brother actors , and he " was forced to endure the frowns of Portia , Mrs . Clive , and the lamentations of Antonio . > Qoin . The house was ' crowded from the opening of the doors , and the curtain ro se amidst the most dreadful of all Jiwful silence , the stillness of a multitude . The Jew enters in the Unrd scene , and from that point , to the famous scene with Tubal , all passed off with conthe actor
siderable applause . Here , however , and in the trial scene , was triumphant , and in the applause of a thousand voices the curtain dropped . The play was re peated for nineteen successive nights with increased success . On the third night of representation all eyes were directed to the stage-box , where sat a little , deformed , man ; and whilst others watched Ms gestures , as if to learn his opinion of the performers , he was gazing intently upon Shylock , and as the actor panted , in broken accents of rage , and sorrow , and avarice' * Go , Tubal , fee me an officer , bespeak him a fortnight before : I will have the heart of him , if he forfeit ; for were he out of Venice , I can make what merchandise I will : go , Tubal , . and meet me at our synagogue ; go , good Tubal ; at our synagogue , Tubal f —the little man was seen to rise , and , leaning from the box , as Macklin passed it , he
whispered—This is the Jew , That Shakspcaie drew . ' " The speaker was Alexander Pope , and in that age , from his judgment in criticism there was no appeal . " Thus were genras and discrimination triumphant , and so they ever triumph . Thus , Mrs . Pritchard , the great Lady Macbeth , had ever , in the sleeping walking scene , held the lamp in one hand , and touched its palms with the fingers of the other , and so represented the
washing of the ' damned spot : ' but great Siddons resolved that she would depart from this ¦ conception , and though Sheridan wept , and prayed , and entreated , that she would return to . the established mode of representation , she -was immovablo in her resolution—she laid the lamp upon the table , passed hand over hand in the strong will , yet despairing hope , to cleanse that stain which ' all the perfumes of Arabia will not sweeten . ' Did the nudienco hiss , or "laugh—no—night was around them—the chill of the tomb wasupon all—the great Demon woman , yet the poor criininah conscience-driven , was before them , she who was , even on sleep , pursued by fiends , and in tho— be clean ?
' What , will these hands ne ' er ' they knew the secret of the sleeper ' s gesture—and satin atony silence—wondering at tho genius of tho poot—tho genius of tho actress . Thus too , when Edmund Kean resolved to play this samp ShylocR , as man never played it before , they all told him it could not succeed —ho attends the lust rehearsal—goes home to his poor lodgings—dines on tho beefsteak and pot of porter which his fond , true , long-suffering wife hud prewired—returns to the theatre , carrying his wig , his collar , and his old black silk stockings in a pocket handkerchief—he goes on foot through tho snow , enters upon tho stage—playwout his part—leaves the theatre amidst the shouts of all , and glowing with his triumph , rushes to his home—wild with joy , cries to his wife—* Oh , Mary ! my fortune ' s mude : now you shall ride in your carriugo 'and snatching little Charles from his cradle , ho exclaims , whilst ntptuously kissing him , 'Now , my boy , you shall go to Eton . ' Thus does the ' Aut Ca ^ ar , nut nullus' genius triumph . "
In the next number of thin Review there is to be a biography of IJamm the novelist , and in the present number those piquant , anecdotical , papers , The Streets of Dublin , are continued . The editor shows sagacity in thus ^ quitting the beaten track of Quarterly Keviews which others nfcill preserve , although the whole spirit and purpose of the Reviews have changed . From the moment the Review ceased to be a Review , and became a quarterly publication of Essays , the old restrictions became unnecessary . The lletnte des Deux Mondes is the pattern editors should have before their eyes . We ' have once before suggested ( and we repeat tho suggestion because it seems to us not without importance ) , that considering the impossibility of establishing a journal of Scientific ' Memoirs , translated from the finest continental productions , our , Quarterly Reviews would do well in Home . sort to fill such a place by giving insertion to translations of very remarkable
scientific papers . Apropos of science , Dr . Fmciviciucit Licks , of Leeds , in u private letter to US , '" writes : " I have just boon , making an experiment in relation to the mooted question of Spontaneous Combustion , which , as I am writing to you , I may as well mention . Having had a stomach for the last woven years preserved in alcohol ( not my own ! for that I preserve without , ns you know , but one taken at a post-mortem from a drunkard , who was drowned ) , 1 thought that , as it had been well-steeped in alcoholics both before and after death , it ought , when fired , to show at least some combustive behaviour akin
to the case of poor KrooTz—if his happened to be a ' record of fact . I br \ the head of the vessel and set fire to the pint of alcohol in and around \ k organ . The spirit burnt away , and as it burnt it ¦ strayed the upper part f the stomach , but when all the spirit was consumed the stomach was st"ll there—stubbornly incombustible , as I expected . " . This is an interesting record , establishing a fact , which , indeed did require fresh evidence , to any one conversant with the structure of the bod but -which to the general reader seemed inconceivable . We said that the living body could not be steeped in alcohol ; and , moreover , if it were steened it alcohol it would not burn . The experiment of Dr . Lees will , > e hone suffice to convince the sceptical general reader .
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There have been disputes about Homer ' s existence ; William Teix has been proved a myth , and ingenious men have shown that we have no proof of Shakspeabe being altogether unmytbleal ; but what will Glasgow say to her Axexandeb Smith being considered a mere nom de plume i as Barby . Cobkwauj is for Mr . Pboctob ? There is something so prosaic in the name of Smith ( " which is not precisely an Italian name , '' as a friend " once gravely reinarked ) that America may be excused if her citizens get up a theory of historical scepticism , based primarily on this prosaism , and secondarily on . the " suspicious circumstance" of Amixandeb Smith having been the name under which Kossuth sailed for England . We are not jesting . That theory has been started , and Kossuth is credited with a Life Drama .
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Among the few French books which call for the attention of our readers , let us name the eighth volume of Sainte Beuve : Les Causeries du Lundi Not , indeed , so charming as the other volumes we have from time to time announced , yet more delightful than any other volume of criticisms coming from Paris . It contains articles on Gibbon , Prince be Ligke , Gabeieixe d'Estbees , Rcedebek , Mignet , Sujlly , Mezebay , Bebnis , Guy , Patlv , Malhebbe , and others ; and , as Gbay wished for a sofa and eternally new novels , so will the literary readers desire eternally new volumes of Les Causeries du Lundi .
Let us also name Madame Emix-e be Gibabdin ' s repubhcation of Le Vi comte de Launay ' s Correspondance Parisienne . Lovers of light , witty , gossamer-gossip will remember her Lettres Parisiennes , which were -the feuilleton chronicles of 1836 , 7 , 8 , and 9 . The present volume is a continuation , and tells the gossipping , unwritten history of Paris during 1840-48 . It is full of anecdotes , mots ,. ingenious paradoxes , and things " so French . " There is a chapter on The Duty of a Pretty Woman to be Pretty , which should be read by all women , and all who admire them ; that is to say by the whole world . We were greatly tickled by her picture of weddings , which , as she says , en general pechent par les oncles ; danscette noce il y avait des effets d ' oncles mervetlleux I ( which in a rough translation means that weddings m general are spoiled by the uncles ; but in this wedding there were some marvellous " uncle effects" ) .
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It is a difficult and delicate matter that of reconciling the claims of the " flesh" and the claims of the " spirit "—to fulfil your " contracts with Government , " and fulfil all the Church demands . The Directors of the General Screw Company are in this position . They are appealed to by four clergymen on the sin of coaling ships on Sundays . r J hey admit the tin , deeply deplore it , but what is to be done ?—have they not made a " contract with Government ? " There is something very instructive in the correspondence which passed on this point . The clergy paint a graphic and somewbafc ludicrous picture . They complain that divine service ( like dinner ) was
" provided" for the passengers ; but during the whole time this provision was partaken of , the sailors were ahoy-lioy-wg at tho ropes ( ahoys , we will suppose , not altogether unaccompanied by endearing curses ) , and not only thinning the " attendance on divine service , " but noisily mingling their accents with the mild parsonic intonations . What a picture . ' curses here , and threats of hellfire there : damnations plentiful as blackberries ! Not content with the picture , they attempt to reason , and as usual rum their case . They argue thus : Coaling a ship need only occupy one day m each week ; if that one day were sacrificed with fthe express purpose o " honouring the Sabbath , " these clergymen confidently assure the Directors that " no real loss will follow in the long run ; " so that , after all , tho selfia * commercial motive is thrust in advance . We are advised to _ honour
Sabbath that we may in the long run be gainers : wo bait with a gud ££ to catch a piko . And this is what they call taking " higher ground I * £ directors so appealed to would , on figures beiitg produced , of course reat iy respond . Meanwhile they point out that prayer is desirable , but contrac ^ are imperative ; if the captains can ho arrange , matters as to give « P ^ day in seven to prayer and petitions for gain in the long run , and yet " ° . longer on the voyage than the contract stipulates , they , as good Chris J 1 Directors , will heartily say , be it ho ! Notothcrwino .
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BOOKS 13 EFO 11 E OUR TRIBUNAL . Asa . readers of tho French Revolution will have noted how , ^ "Jftlioned priaonera appearing before Fouqiiiiob Tinviivj-io had to undergo a i «» o nn , ne , examination , others were sent to the guillotine in batches—a gluuco , joU 3 and a nourish of the pen Builiced for them . Yet their crime was ns » ^ ^ as the crime of those who were honoured with a longer trial ; it w " . r ^ crime , but the criminal thus honoured . In one case we see the prw
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Critics are not the legislators , but the judges and police . They not make laws —they interpret and try to" enforce them . —JSdinbxirgh Eeview .
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1218 THE LEAlDEH . { BATtiiiMY ,
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Citation
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Leader (1850-1860), Dec. 17, 1853, page 1218, in the Nineteenth-Century Serials Edition (2008; 2018) ncse.ac.uk/periodicals/l/issues/vm2-ncseproduct2017/page/18/
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