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728 The Publishers' Circular , jme r$\ t...
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From Messrs. Blackie & Son.—* The Modern
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
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728 The Publishers' Circular , Jme R$\ T...
728 The Publishers' Circular , jme r $ \ tS 8
From Messrs. Blackie & Son.—* The Modern
From Messrs . Blackie & Son . —* The Modern
Cyclopedia / Vol . II . The second volume of this handy , reliable , and cheap work of reference confirms the favourable impressions which its
predecessor made , and Dr . Annandale is to be congratulated on the tact , skill , and commonr sense -p- — w - - hich ¦ ¦ , ^ m as —¦ -p- i h editor -p ^ v - ^ p- ^— ^^ p ^ -ppp ^^ , pp ^ h p—^^ e -p ^^ ^ has ppi ^ v PppPPBr * PppT r b ¦^ P' ^ r ^» o ^^™ u ^^^ g ^ ' ^^ ht ^^^^^ ^^ to ^^ beaT p ^ PP' ^ pP" ^^ ^""
upon its pag"es . The -work is to be completed in eight volumes , and in the present we are carried from . * Bla ' to 'Con' Tne articles are
. pithy , lucid , and accurate , and the maps and illustrations are quite numerous enough arid
excellent in design . Particular attention has apparently been paid to science , law , and biography—if , indeed , it is not invidious to
single , out any departments of so admirable a work for special pu aise .. From Mr . Calmann-IjevyParis . — ' Ohe" I les
, Psychologues ! ' par Vyp . In a series of dramatic dialogues where interrogation ,
astonls ishment hment , , and and even even silence s , ilftno , R are rta indicated indinaf . erl by hv letterpress , the brilliant lady who writes under the pseudonym of Gyp makes merciless fun
of psychology , or rather what is fashionable under that name at the moment . One of the conversations is at a dinner-table where a
young lady owns that she has read the ' Fragments ' of Schopenhauer . A rainy day at a co — - — untry — ' —— ^ g ho - ¦ ¦ ' - ^ u ¦ se - ^* - , V ¦ ¦! a ¦ h ^* " ^» u H n ^ v «^ pk ti ^ p » ^ " ng ^ vai v ^ K ¦¦ pa » iMr ¦ r ^ K ty ^ pr ^ J , y a • court ^ 'pr ^ p » t - ^»»»^ P" ' ^ P' of ^^ m ^
justice , also , give occasion for a number of most amusing hits at Stendhal and his followers . One of the pieces is entitled the ' Journal PH > of a
- — ^— ' ^ pr- ^— ^ ^ ~ ^ p ^ H ^ ^— - ^ P ^ - ^ pw ^ p » »* fT- ^~ ¦ hp' ^ par * ^ fc- ^ p > PJP' ^ . V ^ pfe ^ HpT ^¦ i *» ^ ^^ ^^ ^ p ^ ^ p » pjpv ^ p > PBP ^ p > Pfr PJ ^^ . Bp ^ PA ^ V Young Analyst , ' and is , in effect , a parody of Stendhal ^^ ^^ ™ ^^^ " ^ r ^ ^ r ^ ^^ v ^ v ^ b ^^ '^^^ r s ^ r manner ip ^ p ^^^ v ^^ ^^ r ^ pr ^^ ^^ b ^^ v ^^ ^ ppp' . pr . ^ ' Ohe ^ p ^ ppp ^ pp- ^ pb ^ p ^ p ^ ^ ! j ^ les p ^ ^^ p ^ pi ^^ p Psy ^ p ^ p ^ pjp ^ # - v chologues ^ p ^ pp ^ p ^^ ppj ^^ pr PPA ^^ pr ^ p ^^ H ^ P' ^ P ^^ pP ^ P ^^ F ^ 1 P '
will agreeably while away an hour in a railway carriage . From Messrs . Bigby p ^ ppp' ppp « b ^ ppb & Long . — ' The Mteries
^ ' of ~^ . p ^ ^ ~ Deepde tVJpP ~ " ^ ppppppppppp > ^ P' ^ - ^ p- « ^ vpp A > n e Man ^ pb ^ p- pjp or ^ v ^ g , ' ^ BffP a romance ^ ¦ ^ ¦ ^ ¦ ^ - ^^ ^ m ^^ b ^^ " ^ # of ^^ ^ . ^ B *^ B the ^ ^ " ^ « ¦ ppp—^ pp . ys da * . M ^ } 7 s ¦ * . * *¦> of ^ ta ^ Php ^ r the Pretender , 1745 , by Frank Maudit . Although this book presents 1 nothing remarkable in
— ' " ^ — HP | — ' ¦ ^— —W -- ^^ ^ P 1 ^ PF- P »^— HV ^^ ^ PP" ""^ ^ BP " P- »^ Pfc W PPpP pP » pP ^ p ^ ^ pr » P * b ^ p » -P * PPk ^ VHK ^ P > ^ PF (« - " - ^» - ^ ^^^ ^ " ^ Pr ^ P > ^ pr ^ -WpF- ^"» ^ pp * ^ Pl PPiPPfe the way of originality or style , considerable praise is due to the author for a creditable attempt to ^ ~ " ¦ ~ ¦ achieve ~^ v ^^^ - ^ - w ^^ f- * ^^^ « a rv difficult ^ Hr ^ *^~ ^ b ^*^ . ^ ^^ p > - ^ r ^ ^^ ^ pr task ^ p ^ k ^^ p * P " mF ^» pp . pj Comparativel ^ k ^^ ^ p ^ ^ P ^ dBp ^ M pV ^ F * ^ pP ^ P * 4 * ^ P *^ PF V ¦ * ¦ ¦ ^ tpr ^ P > y V few PPP * ^ fF' T P
writers succeed in producing a thoroughly entertaining and rousing novel with a background of historical fact . No improbabilities are here
— — - ' ¦ ' " ¦ ¦ ' ~~ ^» ' »^ ~^ * P * " ^ ~ ^~ ™ PP ^^ i" ^ « P "" F » ^¦ F * ' fP * ^ F ^ P >^ PPp ^ PF- . ^ ^^ f" Q I ¦**¦*» P ^^ J 4 P » ^ »* *• ^« F » ' P ^ P ^ bF ^ T * P | ^ Bf * ^ ^ F » ^ P * - ^ P ^ introduced to mar the natural flow of the story . The villain is rather over-coloured ; but this is a fault ^ "v *~ " ^ ^~~ ~ K' with ~ * ^~ i which v v ^^^ p ^ ^ pf * *>¦ ^ v novelists PPb « w % ^ V ^ pP PPh pPB P ^^ P ^^ P of kF > fP ^ the P & f PPi K fv ff first > ^^ ^ P |> P ^ ^ fe # ^ rank Pk > PAf *^ P ^^ PP * « ff ^^ Pi ^ ^ ^ " ^*
may be frequently charged . It is satisfactory to note that the villain meets with his deserts and — -. . the __ — , . ^ p _ story * » — ' - ^ m ends - ^ pr - ^»^^ P" i I H happil p ^ - ^ ¦ pp p . prv ¦ * tf ppn ff" y m amid pjfc # -pjp ^ m ^^^ m fPJ ^ ^^ p » the ^ Ip p ^ fc ^ p music ^ ppwh ^ B ^* pp * p ^ p' ip > ^ pjf of ^ i f P ^
marriage bells . From Mr . Max HarrwitzBerlin . — ' Bibliotheca
Erotica ¦ PPFPI _ PI et Curiosa . ^ F ^^ p \ Monacensis ^ p ^ ^ p _ , ^ . ' This ^^^^^ _ ^ is ^ a cat-alogue of French , Italian , Spanish , English , Dutch and modern Latin erotica & cof which
no German translation is known . , The , compiler is Mr . Hugo Hayn of Warsaw , who has added bibliographical notes and prices . All the
books named , with very few exceptions , are tp be found in the Hof- vnd Stadtsbiblwthah at Munich i b »¦ V which appea ¦ —» ¦ M I I rs to be r one of the richest 1
of the rm _ w - ^ - , world " — — — - ° — * - ~ in — this 'F" - ' ^^ ~ ^^ I H kind - ^» ^^ HF ' ^ FF of ^ i ^ F ^ ^— ™^ F treasure - ^^^^ BB # — B ^ ^^ ^ p ^ . pi ^ F ^ ~| . ~ ^ P > The ^« ^^** . . . ^ Bb ^ catalogue has an index of names in which pseudonyms ¦ T ** - ¦ —¦ ^ pp >~ I H ^^^ BF' i ¦ W ^ - ^^^ F ^ FB F- ' — and —^ — —~ ^ H ^^ ^ artists ^ v ^^ " ^ ^^ —^ ¦ BP ^^ BB ' painting |**^ ^^^^ **• ^^^ " ^ ^ pF" B ^ «^ ^ r ^ Ti ^ names ^ ^^ BpF ^ PT Pk . pP ^^ P . ^ kp ^ P ^ pB' are P | P . _ BPPj ^^^
distingaished by signs . From Mr . K . F . KGhler , Leipzig . — The
Bookselling KstabJUshment ot K . J .. JHohler in Leip-r aBD - ¦ i 'i ¦ ¦ ' ' ,,.,..,
zi Existence g : a E . ' etrospect In a tasteful of its quarto Hundred volume Years Mr . '
Hudolf Winkler , who has long worked in the house , recites its history . It appears that , long
before before the the foundation foundation of of tthe rie book book business business ., the name of Kohler was honourably known in trade . One of the illustrations to the vohame
is a pedigree ; another is a view of the "bookshop as it is at present ; while two more plates show the localities where business used to be
carried on . Among the illustrations are numerous facsimiles of documents , circulars , and so forth forth , with wilh imitation imitation of of the th « colour nolotii : * of of the t . Vip
, paper . One facsimile gives the aspect of a ^ Lei —^—^^* ^^** ^^ v pzig F | h ¦ h h ^ FB ^^ p , newspaper ~— — mmm — _ - ' h V ^ T " ¦ ^ B ^ ^ ^^^ in B ^ B > ^ BFr 1789 ^^^ " Bf ^ PF- ^ - , H with ^ w FBB " ^ pi ^» " an " ^— — - ^—^^ - ^^ ad ^ p ^ r-a ^ v " ^— ^^ vertise — - ^^ r «^^ ^ p ^ v ^^ F ^ FPjf ~ ^ p - T
ment of Kohler s . Opposite to this is a transcript of the title-page of his first venture in publishingdated 1790 a work on French
manners and , customs . Among , the plates are portraits of the Messrs , Kohler . who have successively been heads of the house .- Among
the minor engravings . are portraits of old , assistants , and at the end of the book is a list of the personnel of tlie establishment .
Altoget her the volume bears witness to a pride in , and devotion to , the business of a bookseller , which is rarer with us than with our friends in
Germany . From Messrs . Sampson l » ow & Co . — ' Low ' s .
Handbook to the Charities of London / This J is the fifty-third edition of one of the most j useful books of reference to all who are
interested ia the charitable institutions of the Metropolis . Every aspect of philanthropic life is represented in this succinct and admirable
handbook . i From the same . — ' The Standard Opera Glass , '
edition "b y Cha . rle Detailed s Annesl e lots y . of Third ninety and of the revised best- ! known operas are here stated briefly and
concisely , and in a manner that will prove of great assistance in arriving swiftly at the scope and character of the works of the most
illustrious composers . Judicious critical remarks enhance the value of this handy pocket volume .
From Mr . David Wutt . — ' French Traits / by W . C . Brownell i ^ H ^ M . This * Essin * PV Comparative T
P W » ^ Pj ^ B . ^^^^^ B ^^ ^ T * V ^^ ^ m ^|^ F BP > ^^^ to ^ p > PB t ^ ^ N ^ ^ . VpjpIV PpBhP ^ Bpr ay ^ pv ^ pF BF ^ Pk ^^ pp 1 p ^ b * . P Pi ^¦ ^^ V «_ J Bp ^ PpTp ^^ Bflp * BV V ^ b * p ^ h P 7 *^^ Criticism ' is composed of ten chapters , whose titles are : —I . The Social Instinct ; II .
Morality ; JII . Intelligence ; IV . Sense and Sensibility ; V . Manners ; VI . Women ; VII . The Art Instinct VIII . The Provincial Sirit ; IX .
Democracy ; ; X . New York after Paris p . The word * comparative' exactly describes the book , for it is a most interesting series of disquisitions
on the English , ' French , and American character in relation to the topics just named . We may quote a sentence or two as an example of the
author ' s lighter vein : — ' Arriving from London , the absence of all the varied irthospitality , the stony , inaccessible self-absorption , which
depress nrfisa the t / hfi stran sfran ger fr & r in in London Tjonrlnn whenever whfirifivfir he lift is is out of hail of an acquaintance'the conspicuous amenity pWBp ^ ppB ^ Pb > ¦ BP- ^ Bpb P . BJp > everywhere ~ 1 |~ ^ p *^ > BPk W B W ^^ dpl ^ b ^ b ^ ^^^ suffuse P * Pi ^ ^»~ p * bbbmVpj ^ kpT ¦ * p— " ^ kpB ~ wi PJ V B 1 ( * p th . ^ ^^ pb ^ p . a vnrppp profoundly M" ^ ^* ^""^^ f' ^ BP p . b ' p « f « P . ^^^ PpI ^~ ~— B
grateful warmth , the very cockles of an American ' s heart . . . . You understand Thackeray ' s feeling < 4 Bp *«^ IW * m m «»«^ BBBk toward B ^ ^^ V «¦ BV"B »« fl |*; ^^ Hfl Pppp s - the Pfr ^ . 1 J * ^ L ^ " distinguished ^ - ' ¦ k ^ ^ T V 4 * ^ V ^ ^ lBh » - *^ **» * V ^ B < B ^ -B ^ - ^» "pPf foreigner « pBfe ^ pF- ^ Ph ^^ i # " ^ ^^ ^^" ¦ k _ _ ^^ ^ B ^ ^ ¦ F * 4 ft «
he met crossing the Channel . , ahd who ** readily admitted the superiority of the Briton on the seas or elsewhere , " only to cjiscover himself ,
thpi the voyage irovaffA over nvfir . , in in his his real rpal character o . hs * ra , c * Aar of « of a hotel hotel runner—or , as Thackeray puts it , " an inppudent ,
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Citation
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Publishers’ Circular (1880-1890), June 15, 1889, page 728, in the Nineteenth-Century Serials Edition (2008; 2018) ncse.ac.uk/periodicals/pc/issues/tec_15061889/page/18/
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