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2 THE TOMAHAWK. [July 4, 1868. _
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" THE SPANISH GIPSY."
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The Placa Paternosiero. Who The lithe ca...
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THE ENTIRE.
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Owing to the numerous instances in which...
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VENUS v. PHCEBUS.
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once Certain more to it find is that a s...
Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
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Transcript
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
Additionally, when viewing full transcripts, extracted text may not be in the same order as the original document.
2 The Tomahawk. [July 4, 1868. _
2 THE TOMAHAWK . [ July 4 , 1868 . _
" The Spanish Gipsy."
" THE SPANISH GIPSY . "
The Placa Paternosiero. Who The Lithe Ca...
The Placa Paternosiero . Who The lithe called fandango to gaze with charms staring the listless orbs , stare crowd on , . And Many no have one danced dancer with seems more to fire or the less air success , Suddenwith irksome movements like a ; hen That That on on , some some stream stream would would swim swim as as ducks ducks at at home home .
Across A figure the far midst from with feminine mem o ries flashed of success , With Achieved aching in other yearn circle to crown s , but her now tri fired pping feet . Back Silas stood to the fixed row ; while pale Adam Bede voices retired fell ; many
Half From From meaning shouts shouts derisive derisive sorrow , to to half more more astonishment earnest earnest tones tones . ,. But " Will she Lady , sole Romola swayed by then doubt dance irre for verent us ?" , Persists Feeling in dancing all Christianity , and thoug was h lies there is something grand and masculine ^ ^ ^» «^ w &^ -m ^ ^ t ^ m ^^^»^™^ " ^^^ ^ about ^ " ^ ¦ ^*^ ^^ ^ ^¦ r ™ her " ~~ ^» ^» ¦ attempt ™ ¦ ^ m ^ ^^ v ^ riav ^— "" , the ^^ ^™^™ " ^^ ¦ ~ Lad ^^™ ™ ™ ™ y g ^ ^^ Romola " " ^^ ~— — ™~ - * r ^™ ¦ ™ ™ certainl ¦ - ^^ ^^^» ^ m ^ ^ a ^»^ w y g does ^ w ^ t ^ ^^ ^ m
not lauded seem to Don feel Dallazzo music in and her other movements well-known . She critics is much but ap - look this p . moment Romola y Tomahaw leaves the k Placa steps Paternoste in and fixes ' ro her , and with follows a p , iercing where he Tomahawk leads , when . — the Lady following , why have conversation you left the takes charming place : — fields of mirer romance s , to , in fly which at poetry you , for were which almost your worshi talents pped do not by fit your you ? ad-Romola . —But do they not ? Does not harmony flow in every
line ? is fine Tomahawk in fi . — much By no that means is noble , madam in idea . There and almost is much Shakes that - pearian Romola in gure . grasp —But , , but surel no y music much , no harmony descri , . ptive worth is rife with chords ?
call Tomahawk mtiltitudinous . —You -sounding use continuall words , a compound what you are epithet pleased which to is difficult to construe . Romola . —Oh ! I do so love that word multitudinous—five sy ous llables elephant —so . useful ! It makes one feel strong , like the
mountain-Tomahawk . —By the way , what is a mountainous elephant ? fit I have the heard word of when mountainous blessed with country two , and humps a camel . Your ' s back ladyshi might p is rather ROMOLA fond . —No of a , but nice really derangement , I wish for of ep your itap op hs inion . ; don ' t you like the sentiment ? Tomahawk . —It seems to me that the atmosphere is
impregall nate Christianity ^^ is V ¦ ^ K ^ v with powerless ^ " ^ B ^ B ^^ " ^ ^^ sacrileg *^ ^^ * * is " ^» ^™ * the by ious . WP the ^ hated ^ ^^ v ^^^ atheism ^^^ side ^» BV ^^ ^^ Inquisition ^ ^^ ^ of ^^ ^^ . race ^ ^^ ^^^ Down WW . ^ B ^^^^ p . ^^ Blood ^^ ^^ with ^ v ^^^ ^^^^ ^^ ^ v all ^ is V ^^ ^^^ T the V ^^ faith B ^^ H «^ ^^ v onl ^^ ^^^ 1 y all ^^^ reli ^ V ^ B ^ love ^ ^ V H g ^^ ^> ion ^|^ — ^ B |^^ . Tomahawk Romola ^^ w —* ¦ ^~ ^ w * ^ B V * ^^ ^^ ^> ^ K . — V w ^ f ^ I . ^ — think What V W ^^ ^^ ^^^^^ I ^^ have do ^^ V ^ B ^^^ you W ^^^ not " ^ ^ mean i ^ ^^ ^^ spared ^^^ ^^—^^^ ^^ b w ^^ y g the hypocrisy of cant .
" The On throug only better h an added is a Past Present that lives stretching still In To hope life ' s unchecked last breath b ? y " shaming memories Did Romola you ever , — love Love ? is only Platonic—but I prithee question me
as Tomahawk a poet , not as . — an You individual are right . ; I will remember what I have loved in your past work—that work which has raised you above those the George level fields Sand of for most has this ? women not approached —that work . Ah which ! why has inspirations you leave my Tomahawk Romola grasp was . —Tomahawk almost Shakespearia , don ' t be n unkind . . You said just now
sentinel mounting . —I guard repeat and it . feeling For every instance inch , a that king about . the Tomahawk Romola . —Quote . —All correctly the critics , if have you quoted do quote it . correctly . womanl Romola ? . —Then don ' t quote at all . Surely you think me y blindl Tomahawk y in the . track —Womanl of a gipsy y ! and band leave you never your love knew to follow cared there for . But are more I forgot sentences , you never than loved one in . Womanly book which I why , few madam men , your ,
writing which perhap . No , s we only will one not man quote now ; living but a , fl would agrant soil examp a pen le with is to be « % _ Romola found on . — p You age 73 are . getting rude . Many greater critics than you Tomahawk have lauded . — me You , and must I be am ; happy your . faith . , if it is the Zincalo .. ' s . , .
her ends ends promises most most ruefull ruefullv , her y . . religion Cut Cut bono bono —for ? ? what Fedalma Fedalma ? Miss overcomes overcomes Evans onl her her y knows love love- , , for indeed the S all panish life must Gipsy do ends without in a a hazy faith void based , an on abject reliion neantj . as , , g
The Entire.
THE ENTIRE .
Owing To The Numerous Instances In Which...
Owing to the numerous instances in which , on the ocweek casion , the of n Her oblemen Majesty and ' s gentlemen Breakfast at who Bucking were honoured Palace with last invitations were mistaken for their own butlers , in consequence lations over of the morning official have been announcemen clothes framed would for t the that be costume de an rigueur evening of , gentlemen the dress following coat attending regu worn - the next Royal entertainment of this naturewhich may be
expected to take place in 1871 :- — , A ' jtZes to be Morning observed En by tertainments the Noblemen given and by Gentlemen the Court attending . Coat with . —Cloth a stri , swallow ped waistcoat -tail , of a , dark or buttoned colour . with Maybe a bouquet worn open of flowers .
Buttons the . — wearer Gilt , . emblazoned with the crest and coat of arms of Breedtes .- — Plush . Shoes Stockings . —Patent — . White leather or p , very , at broad discretion , without . heels . Necktie— . White . Hat . silver —Black lace beaver , ornamented with a band of gold or
Members of . the Persons Houses holding of Parliament Queen ' s commissions also wear , or black leather cockade attached to the left , may side of the hat . Hair . —Must be powdered . the These serious regulations mistakes , which it is hoped on the , will occasion prevent of the the recurrence breakfast at of Buckingham Palace , gave , so much unnecessary pain to the butlers metropolis and . gentlemen ' s gentlemen out of livery in the
Venus V. Phcebus.
VENUS v . PHCEBUS .
Once Certain More To It Find Is That A S...
once Certain more to it find is that a stand were -point the in worshi England p of ( and the heathen really there gods is woul no saying d have where no fane change dedicat of ed creed to him may by stop the ) , A Women pollo , we of fear the , Epoch The . Girl of the Periodwe have settleddoes not existso we beg But leave Apollo to use is godfather the expression , to the , Woma Muses n , of and , the patron Epoch of . German ,
bands bands his you sat shouldhav irical and and Italian Italian rays e seen into organs organs the the Far front ! ! - That That darter windows may mav in the be be Drive of ; : but but the , . ruthlessl my mv brougham dear dear y madam madam flinging s and ,. lessl other His y arrows , chariots because of ligh filled ther t e brought with was not Women out the sli the of ghtest the paint E respect poch on the . for We Countess personages say ruth of - . D Kickenville alilah St . ' s Evremont features just ; the as pal flood pabl of glory as on ti pped face the salient Miss points of Mrs . Mactartuff with a metallic hue which was quite
little as prominent actress at on the the S cou trand ntenance . of Miss Jimmy Slangable , the When will the Woman of the Epoch find out that the brain that She can has ' wit paint can wit , and ive points if she has to beauty it she won and ' t paini u love beauty ga . me If ^ man she V ^ v ¦* ^ r ^ ^ v ^^ paints , ^ m on ^^^ v ^ v she B ^ F ^ looki ^ H , ^^^ has it ^^ V ^* ^ v is ng ^* V ^ M to ^ h , ^ H wit attract " finds mm ^~ ^^ ^^ r ^ ' >^ v and he ^^ *^ ^ man ^ F "r ^ ¦ complex ^^^ ' ^^ s ^^ ^^ ^^ attention ^^ ^^ r ~— —* ^ ion —^^ —w ^ m ^ is ^ «^> to purcha h ^^ her be ^ r ^ ^^ *^^ . ¦ w . and comp ^ v ^^ s ^^ F ed ^^^ ^ H ^ V ofte , ^ m lexion which v * ~^ * " W ^ is ^ v ^ P ^ ;
pro attracted ves by beauty no witho ; ut wit though , a kiss man is no may kiss through , a n veil , , espe after c the ially paint when -pots that of veil Egypt is a meretricious is a bad sign one , and . This Phceb hankering us shows his charms sense while he telling stares her Venu in s the face . can ' t dazzle with false
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Citation
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Tomahawk (1867-1870), July 4, 1868, page 2, in the Nineteenth-Century Serials Edition (2008; 2018) ncse.ac.uk/periodicals/t/issues/ttw_04071868/page/2/
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