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288 THE TOMAHAWK. [November 16, 1867.
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THE DAY AFTER THE DOGE.
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SCENE. Tatte —The rton Manager , Mr. Whe...
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CHARADE.
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Be A neath lean the young friendl beggar...
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ANSWER TO THE LAST DOUBLE ACROSTIC. T O ...
Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
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Transcript
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
Additionally, when viewing full transcripts, extracted text may not be in the same order as the original document.
Eyes The In Any Intelligent Degree Obser...
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hel teaching p us a morsel our to understand " whether hingamism they mean , to maintain ' that the hare chews the cud , or that the sun really stood still unless in the v we alley are of disposed Ajalon , and to accept leaves the us , declaration in fact , just where as it was we made were , , that is without any exact sense or meaning at all . In short , not shape to multip or l another y- examp , at les the , we lowest are pestered computation with Thingamism , every five minutes in one fji of uui our iivca lives ; , uiaicau instead kji of being i _» s-iiig worried broug uiuugiii ht harassed b uy y speech j ^» , v . ^ u into iiii-u actual civ-vu » j .
abused contact b with y chang things ing , we and are confusing shadows , of , things misled , ; and and when , as happens every now and then , we come across a reality somehow that we won are ' t utterl be conjured at a loss away how , and to take must itor be what dealt to with do with Humbugs it . Hence , in which arises we that y live , moving and from cloud which and we fog need , of Shams never hope and to habit emerg of walking e till we are around content and to about give up the the actual 4 indolent hard 1 \ and henomena wretched
XlCLUkKUl . WdlXVlliw CVI ISU . J . J . U . CL . 1 . LKX CM . VJ \ J \ X L . 111 ^ C . U-IUCLA IU . I JL p L / lX \ . XlUiX 4 ^ UCi poking of life , craning at them at them fearfull , sniffing y , but at ever them renouncing , occasionally the perh task ap of s actuall corners y , handling cavities , , colour measuring , and , capacities and appreciating for a their pale , exact colou sides rless , , bloodless , and lifeless Thingamism .
288 The Tomahawk. [November 16, 1867.
288 THE TOMAHAWK . [ November 16 , 1867 .
The Day After The Doge.
THE DAY AFTER THE DOGE .
Scene. Tatte —The Rton Manager , Mr. Whe...
SCENE . Tatte —The rton Manager , Mr . Whelps ' s Room , and , Drury Mr . Everley Lane . , seated Presen . t ^ Mr . When Everley I used . —Well to fag bo myself fs 3 twice at called this kind before of the thing curtain in the again old ! of Lyceum ; but days now , that if I got I never a call touch once , it a was brush an —well honour , of to course dream m iiitaii ean — TattertonOf what
name never and have pup touched . ils — to course the canvass theatre you , I suppose ; mean but what , since would you you Ravens say lent * your You be without Everley you . — I Well , between you and me , he would do still better as ao credit he tic , for for ht his he . scenery knows , very so he well doesn that ' t g he ive doesn himself ' t get so much any of pains the iingiii g , t wish the to buch
b-etier Whelps ; it . mi -- g I ht —I take shouldn the public ' attenti-ern scenery ort me-ee . e maccepts Everley anything . —Don . ' t Wh you y even fret the yourself great critics , Whel , whose ps—th jud e gment public about critics my have own failed scenes to remark I wouldn that ' t the give best twopence scenes at for Drury , the great Lane are place spoilt before by the using church old blue of Saint rags for Pay sk -ow y - borders lo , as . the Why supers in call the looks it IKJKJrU , there O about . W ' s a blue O as . O much U 1 cloth UV / 11 41 like failing IVI * sky Jl ^ Jf half as UU trees " V way 1 . J ; , mackarel down but - 'Ufa bless krJ the . Y *» J and *> statue you JTWM , , , broken . which don UUU ' t fa
p say late anything , or a cloth . Why signed , if William you put u Everley p a * , the critics will a cover it stares with in a rose raptures medium . of their own through which the public the Wh finest elps of { mterrupting London actors ) . —To did hear no-o yo -ot u exist talk , . That might reminds think for me- the ee , pa M- - i a - - i art -ster of Tatterton " the Painter , you "— m that -u-ust young find man an-o , -other Hampton man - court is far too go-o-o-od . Edmund do-o-oesn ' t like it . by T it attekton . . —Let them change places , the play would gain
Scene. Tatte —The Rton Manager , Mr. Whe...
the Wh public elps didn . —Tha ' t notice -a-at wouldn him . ' t do-o-oo at all . But perhaps critic Everley remarked . —Not the they fact . that Why , Whel laid , ur do head you on suppose a block any for a two-handed sword . you yo Everley Tatterton . — . Wh —Well y not ! ! and How why the not deuce ? could the headsman swing * J * V AJ . J . in £ ^ that L the 11 C 1 . 1 . ri two WVr W ht - AlCfcLAVl handed lace ^ V * . sword * J There VV VSX V * . unless UillV ^^ the tXlV Al head of ^ CbU old he XIV was VV ictures a ^ to \ . \ J lop 4 . \ JLJ off VJH
was gp . are plenty p . tures Wh . elps As . — if O the -o-old public pictures would . understand There you are it if with I onl your y knelt picdown with a bared neck . great Tatterton many of . — the Poor audience . Whelps breathe . Why , a ho dear pe that Sir , your I heard head might Whelps roll down —Do the -o-ont giant be staircase so OV / -o -o -T fo 1 . -o-oolishI heard voices
VV X . X . JL ^ A- < X . X ^ V / 'V / 'VUL UV * ~ U-V-WWX . IO 1 ! * . J . XXV . CL 1 Vi V VJ 1 V-C 3 Tatterton call for Ravens went on and instead Barn . Bay The lard public , but is Messrs just as . Everley happy , and and do-p-oesn ' t kno-o-ow , the difference . critic Tatt of e the rton Times . —By . the He way , ht I must to have be recovered off and look bthi after s time the from Everley the effects . —A of good Dr . idea Mari oug ; gold well ' s go dinner and . tell , him what y he ought to tn say sav about ahoiit my mv scenery sr . enerv .
Whelps . —And my Do-o-o-oge . Enter Mr . Almack and Mr . Dick Tinker . cat Alm jumps ack . . —WeVe just left him , gents , and he sees how the nival Everley variations . — Of . course , you ' ve been cramming him with Carare C 4 . J . V Di * all CLIX ck , correct V ^ Ul Tinker * \~\* I * . . —And costumes . I have persuaded him they
Tatterton Tinker . —Correct . —Well ? ! What But ' they s the are use , — of arn a ' t head they 1 if one is to copy Doge fro ' s m dress others , because ? Not the if I public know knows it . I couldn it more ' t well or less help ; but the you I flatter won ' myself t find any , any one more other than costume is Mr . in Everley the piece ' s architecture of the period . , Almack Everley . — . — Besides It ' s not , mine how , could my dear we have fellow got . It Music ' s Raven Hall ' s . characters Public into ( openin my dance g its if eyes he ) 'd . — been How correct , indeed ? ?
Charade.
CHARADE .
Be A Neath Lean The Young Friendl Beggar...
Be A neath lean the young friendl beggar y shade sat ; of my First , He But had the come water to tasted the stream flat . for a fresh cool draught , For He he could 'd nothing feed on to his eat , own and rich he wished fat . like a bear , A As traveller the beggar came was by , with cursing a jovial his fate face ; , " Come be Second" he said with a laugh
my ,, To " the To mend resolute it ' s heart never and too the late stro ; riht hand Dame Fortune bars , no gate . " ng g , A score of years have passed , and behold , He The has beggar learnt ' the become tricks of an Whole honest — trade For And he repented finds that that b ever he ctable stole means ; , He can gain the y golden respe goal .
Answer To The Last Double Acrostic. T O ...
ANSWER TO THE LAST DOUBLE ACROSTIC . T O Ta Owl pioca A L M Mesmerism M A Ada A H Heron N
A W Aga A C ( postal district . ) K Kick K Correct answers to the above have been received from Alf Tray Read , Ahn , W and . T Tatters . C , Long , An Artist m , E , ngineers Trissie , Ha Out mpshire of Work to , Wit Dog , Tom Huz - a-Hawk and , November , Philip of the Horncastle Fifth , Nobod , Ruby y ' s , Child and Tor , The ment Earl . ,
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Citation
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Tomahawk (1867-1870), Nov. 16, 1867, page 288, in the Nineteenth-Century Serials Edition (2008; 2018) ncse.ac.uk/periodicals/t/issues/ttw_16111867/page/12/
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