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176 TUB TOM AH A WK. {October 24, 1868.
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MR. BOUCICAULT, PLEASE!
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the Mr ori . ginal J. Arnold of your Cav...
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There's no Place like Frome.—There was a...
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THE KALEIDOSCOPE REFLECTIONS.
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ON SOME CHARACTERISTICS OF ENGLISHMEN. B...
Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
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Transcript
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
Additionally, when viewing full transcripts, extracted text may not be in the same order as the original document.
Rehearsal At Last — My So I Great Was To...
to I gave me , except them a the shilling scene and -shifters waited , who the asked arrival me of for Trumpets a pot of . beer . He At never last he introduced came , and me with to him them some , but of began the chief at once performers shouting . directions to the carpenters . The piece began . I could not recognise a word of the which original were dialogue drowned , except by every a most now irritating and then fidgeting a few with sentences their fiddles on the part of the orchestra , which Trumpets said was music . When the hero came on I found he was a most indifferent actor , and that he squinted fearfully . I asked Trumpets why he had selected this man for the part . " Why , my dear fellow , don't you see what a capital squint he has got 1 " I did not see what that had got to do with it . " Well / ' said Trumpets , " the fact is , the part wanted go , so we introduced a squint , just to for give it it . character Everybod — y and alludes there to you his are squinting , Skewken , and ' s the the very audience man immediately see the squint is real . " Before such experienced wisdom I was silent . At last the great scene came . It was a valley in Spain , so Trumpets told me . " You see , he said , we telegrap altered the h wires locale , ran to g across ive it go the . " stage The ; telegrap a road led h posts along , with the real top of a precipice on one side ; on the other was : part artnr of ?^ a wprp low inn . Tn t"hi =: srpnp sfivpral livf » JiTiimnk ^ h ^ sirffh *»
introduced ; tame rabbits were placed on ledges of the rock ; sheep , tied by the neck to posts , grazed on cut grass ; while my friend the badger turned head over heels for the amusement of the guests of the inn . The live dromedary was also introduced , and went through some very mild performances . The scene concluded by a real diligence , with real passengers , being telegrap plundered h wires by bri , and gands tumbled ( also real the , diligence I should , think with ) , all who its cut inside the passengers , over the precipice on to a fearful bank of feather beds . I was fairly overcome with astonishment . " Good — heavens not from I Mr my . Trumpets piece ? " , " " I M said y dear , " where fellow did , " replied you get Trumpet this from s , your " it ' s your characters idea , I talked assure of you going , though to Spain you , don and ' t so know it at it once . One sug of - gested the idea . Then you called your hero ' s house ' The the Warren badger : ' that I got suggested cheap j the and rabbits you see , and to- the night dromedary if they don and 't rouse the audience to enthusiasm . Reality ' s everything now-adays . I had thought of introducing some live fleas—Spain ' s a very dirty place , you know—but the band objected , and I gave in ; perhaps they would not have gone for much after all !" I went , disgusted , away ; but not before I had heard my Trumpets heroine singing told me a , " comic because duet he had with engaged the villain her , introduced for burlesque , as , and he could not let her voice be idle . " The evening came . I got myself up in my best evening clothes . The piece " went" tremendously . The applause was terrific . and I practised when the bowing curtain between came down the , acts amidst , at the " terrific back enthusiasm of my box , " ; I confess I felt nervous . The audience called the man with the squint , the lady with the comic song ; they called the scenepainter , the carpenter , the gas-man , and the prompter , Then there arose a louder shout than all . I got ready to go on . w Somebody ere hissing cried me I " Come They back were ! calling " Too , late not me , I , w but as on the , and perform they - ing badger !
176 Tub Tom Ah A Wk. {October 24, 1868.
176 TUB TOM AH A WK . { October 24 , 1868 .
Mr. Boucicault, Please!
MR . BOUCICAULT , PLEASE !
The Mr Ori . Ginal J. Arnold Of Your Cav...
the Mr ori . ginal J . Arnold of your Cave original has produced drama , After at the Dark Victoria / Tomahawk Theatre thoroughl is obliged y beaten to Mr — . even Cave the for " " Express showing train you " up ( worth . " You to you are Th some eatre , £ 43 . " , 000 Don isn ' t ' poach t it ?) is again surpa Mr ssed . Boucicault at " Queen —ca Victoria % > e canem 's Own /
There's No Place Like Frome.—There Was A...
There ' s no Place like Frome . —There was a report that tradict Mr . Tom it , Hughes the only had foundation gone over for to Rome it being . We that need the scarcel honourable y congentleman for the charms had of deserted ( F ) rome the ? archiepiscopal precincts of Lambeth . 0
The Kaleidoscope Reflections.
THE KALEIDOSCOPE REFLECTIONS .
On Some Characteristics Of Englishmen. B...
ON SOME CHARACTERISTICS OF ENGLISHMEN . BRITISH LOVE OF FAIR PLAY . there Before is no occasion I commence to enter in earnest into , I think articulars I may of wh say at that has passed between us since the publication any p of my rather confused correspondence in your last number . Suffice it to say , that I am important noiv your post recognised , I mean to commissioner enter upon my , and labours that at holding once . that Banks Johnson takes the chair to-night at the large political him meeting . I am at West going Duffington to support , and him he , for has as asked he very me to trul support y says , freedom of speech is one of the birthrights of every Englishman , and its exercise for political purposes is a privilege and a boon that may well excite the envy and the admiratibn of the world the meeting . As there may be will livel be y , speeches and that on I had bot better h sides take , B . my J . th note inks - book with me . A grand thing , this honest , manly interchange of opinion , and a credit to the innate justice of the rough but honest-hearted English people ! The idea was B . J . ' s , but I mo borrowed re at the it , meeting and you . see Here how is I the have carriage headed , and this we letter are off . . C But )
Just arrived at West Duffington . Have been shown into a small committee-room giving on to the platform . B . J . has introduced me to the mayor and several influential local men . Noticed a great crowd and a good deal of shouting outside the hall as we drove , by a rather circuitous route , to the back entrance . B . J . has just asked the mayor something about the police . I wonder why he did that . Just found out that it is a Conservative meeting , and that they expect some opposition . No use telling B . J . that I am liberally inclined ? Better not ; it might annoy him . Mayor coming across room , smiling , to talk to me . Speaks rather indistinctly , but certainly said something about " showing somebody what we are made of . " Wonder what he meant by that ? Can ' t have meant that there might be a row in the hall ? Better perhaps hint to B . J . that his I don eye ' t . sympathise I thought entirel so . T y hey with are Disr going aeli . on I to will the . platform Can ' t catch ^ ) ( & F- . £$
we are on the platform . ± J . J . is in the cnair , the mayor on one side , and I am on the other . Behind us lots of local influential men , cutting off all communication with the door . Hall crammed , and uproar terrible . Applause faint and quickly stifled . Hooting , yelling , and hissing almost threatening . Mayor introduces Banks Johnson in dumb show . B . J . rises and but bows c repeatedl an't make y . a Upr word oar of on the . heard increase . Turns . B . to J . me tries , but to I speak can't , hear what he says . Bawls in my ear that 1 had better get up and bow . I do . Increased uproar , deafening jeers , and shouts of "No London soap . " Very dirty but powerful-looking perflourishing son is getting his on fist , a I think form , at at the me . other I wonder end of wh the at he hall want , and s ? Diminished noise and momentary attention to powerful-looking pers person on s ays he knows making me impromptu for " a dand speech y wig . -block Powerful of an -look aristo ing - pose crat , " of and being that forced I have down been " the brought honest from working London man for 's the throat purfin like gt a on do n ot requ am . i re any adds of my also "lies that , soft the men sawder of West , or fiddle Duf - - sticks . " Great confusion at the other end of the hall , and cries peop of I re a pu l ll e y in think him fustian under they seem are the to after pump be me . making " . Better everal angri point objection ly for it the out able p to latform looking Banks him Johnson and . think I do , : I but must he can have 't hear been me overheard . I have . bawled Police it seem out to to was be . , interfering B . J . stro , n but gly advises the fustian me to is speak certainl , and y closer introduces than me it forces in dum me b on show to my legs say in I won midst 't . B of . renewed J . says y I ells must . I have and
1 rr ( j ) coirespoiidt Some VERY nt wild is evidently marks appear n little here " strnnjje . We " have to type reproduced and printing them ink to , — the ED Lost . TOM of . our ability .
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Citation
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Tomahawk (1867-1870), Oct. 24, 1868, page 176, in the Nineteenth-Century Serials Edition (2008; 2018) ncse.ac.uk/periodicals/t/issues/ttw_24101868/page/4/
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